Reversing the Tapestry:Prison of Lovein Text, Image, and Textile
In the 1520s the internationally popular romancePrison of Lovewas adapted as a series of tapestries known asL'Histoire de Lérian et Lauréolle. This article explores the translation of the romance to a larger-than-life, three-dimensional narrative object created from sumptuous materials that lit...
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Published in | Renaissance quarterly Vol. 64; no. 4; pp. 1059 - 1105 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
The Renaissance Society of America
01.12.2011
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Subjects | |
Online Access | Get full text |
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Abstract | In the 1520s the internationally popular romancePrison of Lovewas adapted as a series of tapestries known asL'Histoire de Lérian et Lauréolle. This article explores the translation of the romance to a larger-than-life, three-dimensional narrative object created from sumptuous materials that literally enveloped courtly life. Unlike previous studies ofPrison of Love's international reach, this article reads the tapestry chamber as an integral part of the romance's complex history of transmission among the princely courts of Europe in the early sixteenth century. Further, study of the textiles’ production, use, and reception will show that the tapestry chamber, though incomplete, is material evidence of a particular sixteenth-century reading of the romance. |
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AbstractList | In the 1520s the internationally popular romancePrison of Lovewas adapted as a series of tapestries known asL'Histoire de Lérian et Lauréolle. This article explores the translation of the romance to a larger-than-life, three-dimensional narrative object created from sumptuous materials that literally enveloped courtly life. Unlike previous studies ofPrison of Love's international reach, this article reads the tapestry chamber as an integral part of the romance's complex history of transmission among the princely courts of Europe in the early sixteenth century. Further, study of the textiles’ production, use, and reception will show that the tapestry chamber, though incomplete, is material evidence of a particular sixteenth-century reading of the romance. |
Author | Francomano, Emily C. |
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Copyright | COPYRIGHT 2011 The Renaissance Society of America |
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DOI | 10.1086/664085 |
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Discipline | Visual Arts Drama Languages & Literatures History & Archaeology |
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Snippet | In the 1520s the internationally popular romancePrison of Lovewas adapted as a series of tapestries known asL'Histoire de Lérian et Lauréolle. This article... |
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SubjectTerms | Language translation Love Narratives Pardons Prison art Prisons Romantic literature Studies Tapestry Woodcuts Written narratives |
Title | Reversing the Tapestry:Prison of Lovein Text, Image, and Textile |
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