The future of the screen: Exploring Venice Immersive with Liz Rosenthal and Michel Reilhac
Within the Venice Film Festival, a dedicated section for immersive works was introduced in 2016, quickly gaining competitive status alongside traditional cinematic works. Venice Immersive serves as both an exhibition and promotion venue for XR and a forum for discussing pivotal market issues. This i...
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| Published in | NECSUS Vol. 13; no. 1; pp. 296 - 307 |
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| Main Author | |
| Format | Journal Article |
| Language | English |
| Published |
NECS
01.01.2024
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| Subjects | |
| Online Access | Get full text |
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| Abstract | Within the Venice Film Festival, a dedicated section for immersive works was introduced in 2016, quickly gaining competitive status alongside traditional cinematic works. Venice Immersive serves as both an exhibition and promotion venue for XR and a forum for discussing pivotal market issues. This interview with the Venice Immersive creators and curators, Liz Rosenthal and Michel Reilhac, delves into the early stages of the section, its objectives, the challenges faced, and the major issues within the immersive works market. |
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| AbstractList | Within the Venice Film Festival, a dedicated section for immersive works was introduced in 2016, quickly gaining competitive status alongside traditional cinematic works. Venice Immersive serves as both an exhibition and promotion venue for XR and a forum for discussing pivotal market issues. This interview with the Venice Immersive creators and curators, Liz Rosenthal and Michel Reilhac, delves into the early stages of the section, its objectives, the challenges faced, and the major issues within the immersive works market. |
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| Title | The future of the screen: Exploring Venice Immersive with Liz Rosenthal and Michel Reilhac |
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