Disassembling the gendered archetype of the male jazz impresario in the United States
In the United States, jazz impresarios historically inhabited the quintessential cosmopolitan role of (white) male jazz critic and intrepid discoverer of Black musical creativity. This article explores the once entrenched and yet recently challenged gendered and cultural dynamics surrounding the pow...
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Published in | Popular music history Vol. 15; no. 2-3; pp. 116 - 136 |
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Main Authors | , |
Format | Journal Article |
Language | English |
Published |
04.03.2024
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Online Access | Get full text |
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