李清照名下三词仍应存疑——与徐培均先生《李清照词笺注》商榷
徐培均先生《李清照词笺注》主要根据宋人王灼的批评意见,将《点绛唇》(蹴罢秋千)、《减字木兰花》(卖花担上)和《浣溪沙·闺情》(绣面芙蓉一笑开)等三首存在著作权争议的词作,定为李清照所作。然细察此三词的写作视角和欲望表达,只能出自占据性别主体的男性作家,而非李清照所能为。因此,比较合理的做法,是仍如赵万里等前辈谨慎地处理为存疑。...
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| Published in | 辽东学院学报:社会科学版 Vol. 22; no. 2; pp. 102 - 106 |
|---|---|
| Main Authors | , |
| Format | Journal Article |
| Language | Chinese |
| Published |
辽东学院
01.04.2020
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| Subjects | |
| Online Access | Get full text |
| ISSN | 1672-8572 |
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| Abstract | 徐培均先生《李清照词笺注》主要根据宋人王灼的批评意见,将《点绛唇》(蹴罢秋千)、《减字木兰花》(卖花担上)和《浣溪沙·闺情》(绣面芙蓉一笑开)等三首存在著作权争议的词作,定为李清照所作。然细察此三词的写作视角和欲望表达,只能出自占据性别主体的男性作家,而非李清照所能为。因此,比较合理的做法,是仍如赵万里等前辈谨慎地处理为存疑。 |
|---|---|
| AbstractList | 徐培均先生《李清照词笺注》主要根据宋人王灼的批评意见,将《点绛唇》(蹴罢秋千)、《减字木兰花》(卖花担上)和《浣溪沙·闺情》(绣面芙蓉一笑开)等三首存在著作权争议的词作,定为李清照所作。然细察此三词的写作视角和欲望表达,只能出自占据性别主体的男性作家,而非李清照所能为。因此,比较合理的做法,是仍如赵万里等前辈谨慎地处理为存疑。 |
| Author | 张欢 冯小禄 |
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| Title | 李清照名下三词仍应存疑——与徐培均先生《李清照词笺注》商榷 |
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