Compositional nonlinear audio signal processing with Volterra series
We present a compositional theory of nonlinear audio signal processing based on a categorification of the Volterra series. We begin by augmenting the classical definition of the Volterra series so that it is functorial with respect to a base category whose objects are temperate distributions and who...
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Format | Journal Article |
Language | English |
Published |
14.08.2023
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Online Access | Get full text |
DOI | 10.48550/arxiv.2308.07229 |
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Abstract | We present a compositional theory of nonlinear audio signal processing based
on a categorification of the Volterra series. We begin by augmenting the
classical definition of the Volterra series so that it is functorial with
respect to a base category whose objects are temperate distributions and whose
morphisms are certain linear transformations. This motivates the derivation of
formulae describing how the outcomes of nonlinear transformations are affected
if their input signals are linearly processed--e.g., translated, modulated,
sampled, or periodized. We then consider how nonlinear systems, themselves,
change, and introduce as a model thereof the notion of morphism of Volterra
series, which we exhibit as both a type of lens map and natural transformation.
We show how morphisms can be parameterized and used to generate indexed
families of Volterra series, which are well-suited to model nonstationary or
time-varying nonlinear phenomena. We then describe how Volterra series and
their morphisms organize into a category, which we call Volt. We exhibit the
operations of sum, product, and series composition of Volterra series as
monoidal products on Volt, and identify, for each in turn, its corresponding
universal property. In particular, we show that the series composition of
Volterra series is associative. We then bridge between our framework and the
subject at the heart of audio signal processing: time-frequency analysis.
Specifically, we show that a known equivalence, between a class of second-order
Volterra series and the bilinear time-frequency distributions, can be extended
to one between certain higher-order Volterra series and the so-called
polynomial TFDs. We end by outlining potential avenues for future work,
including the incorporation of system identification techniques and the
potential extension of our theory to the settings of graph and topological
audio signal processing. |
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AbstractList | We present a compositional theory of nonlinear audio signal processing based
on a categorification of the Volterra series. We begin by augmenting the
classical definition of the Volterra series so that it is functorial with
respect to a base category whose objects are temperate distributions and whose
morphisms are certain linear transformations. This motivates the derivation of
formulae describing how the outcomes of nonlinear transformations are affected
if their input signals are linearly processed--e.g., translated, modulated,
sampled, or periodized. We then consider how nonlinear systems, themselves,
change, and introduce as a model thereof the notion of morphism of Volterra
series, which we exhibit as both a type of lens map and natural transformation.
We show how morphisms can be parameterized and used to generate indexed
families of Volterra series, which are well-suited to model nonstationary or
time-varying nonlinear phenomena. We then describe how Volterra series and
their morphisms organize into a category, which we call Volt. We exhibit the
operations of sum, product, and series composition of Volterra series as
monoidal products on Volt, and identify, for each in turn, its corresponding
universal property. In particular, we show that the series composition of
Volterra series is associative. We then bridge between our framework and the
subject at the heart of audio signal processing: time-frequency analysis.
Specifically, we show that a known equivalence, between a class of second-order
Volterra series and the bilinear time-frequency distributions, can be extended
to one between certain higher-order Volterra series and the so-called
polynomial TFDs. We end by outlining potential avenues for future work,
including the incorporation of system identification techniques and the
potential extension of our theory to the settings of graph and topological
audio signal processing. |
Author | Araujo-Simon, Jake |
Author_xml | – sequence: 1 givenname: Jake surname: Araujo-Simon fullname: Araujo-Simon, Jake |
BackLink | https://doi.org/10.48550/arXiv.2308.07229$$DView paper in arXiv |
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Snippet | We present a compositional theory of nonlinear audio signal processing based
on a categorification of the Volterra series. We begin by augmenting the
classical... |
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SubjectTerms | Computer Science - Sound Computer Science - Systems and Control |
Title | Compositional nonlinear audio signal processing with Volterra series |
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