Drawings about Djang: Drawings on paper by Jimmy Bireyula, 1983

Interest in the drawings made by Aboriginal1 people and collected by anthropologists as a feature of their research of graphic representation is increasing. Of particular concern is the status of these collections as intercultural artefacts commissioned by the anthropologist and produced by the Abor...

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Published inAustralian aboriginal studies (Canberra, A.C.T. : 1983) no. 1; pp. 28 - 43
Main Author Luke Taylor
Format Journal Article
Published 01.01.2017
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Abstract Interest in the drawings made by Aboriginal1 people and collected by anthropologists as a feature of their research of graphic representation is increasing. Of particular concern is the status of these collections as intercultural artefacts commissioned by the anthropologist and produced by the Aboriginal artists in order to teach about their cultural life. At issue is the appropriate manner of characterising the relation of this new activity in respect to older, and more local, cultural tropes. This study addresses a set of drawings made by Jimmy Bireyula, a Kuninjku language speaker, for the author in 1983. The works are intercultural in terms of the context of their production and the new uses of the materials supplied by the anthropologist and yet also develop established aesthetic and representational forms that are distinct to Kuninjku understanding of the powers of the Ancestral2 realm.
AbstractList Study of a set of drawings made by Jimmy Bireyula, a Kuninjku language speaker, for the author in 1983 - intercultural content of their production.
Interest in the drawings made by Aboriginal1 people and collected by anthropologists as a feature of their research of graphic representation is increasing. Of particular concern is the status of these collections as intercultural artefacts commissioned by the anthropologist and produced by the Aboriginal artists in order to teach about their cultural life. At issue is the appropriate manner of characterising the relation of this new activity in respect to older, and more local, cultural tropes. This study addresses a set of drawings made by Jimmy Bireyula, a Kuninjku language speaker, for the author in 1983. The works are intercultural in terms of the context of their production and the new uses of the materials supplied by the anthropologist and yet also develop established aesthetic and representational forms that are distinct to Kuninjku understanding of the powers of the Ancestral2 realm.
Author Luke Taylor
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Women's Studies
Visual Arts
History & Archaeology
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Australian Aboriginal Studies, No. 1, 2017: 28-43
2017-10-03T11:40:07+11:00
Australian Aboriginal Studies (Canberra), No. 1, 2017: 28-43
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Snippet Interest in the drawings made by Aboriginal1 people and collected by anthropologists as a feature of their research of graphic representation is increasing. Of...
Study of a set of drawings made by Jimmy Bireyula, a Kuninjku language speaker, for the author in 1983 - intercultural content of their production.
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SubjectTerms ABORIGINES
Anthropologists
Antiquities
Art, Aboriginal Australian
ARTS
Colored pencil drawing
INDIGENOUS PEOPLE
Painting, Australian
Technique
Title Drawings about Djang: Drawings on paper by Jimmy Bireyula, 1983
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