Was Blind But Now I See Animal Liberation Documentaries’ Deconstruction of Barriers to Witnessing Injustice
‘You better hope the anti-vivisection people don’t get a hold of this film’, laughs a laboratory worker as she videotapes herself tormenting a scared monkey during shock treatments – a video that prophetically ends up in the activist documentaryBehind the Mask(2006). This is just one of dozens of ex...
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| Published in | Screening Nature p. 110 |
|---|---|
| Main Authors | , |
| Format | Book Chapter |
| Language | English |
| Published |
Berghahn Books
15.11.2013
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| Edition | 1 |
| Subjects | |
| Online Access | Get full text |
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| Abstract | ‘You better hope the anti-vivisection people don’t get a hold of this film’, laughs a laboratory worker as she videotapes herself tormenting a scared monkey during shock treatments – a video that prophetically ends up in the activist documentaryBehind the Mask(2006). This is just one of dozens of examples of video footage that industries never meant to see the light of day, but which documentarians critically showcase for public scrutiny. While some footage in animal liberation documentaries was created by animal-exploitative industries as inhouse training or private research videos, most documentations must be filmed by activists themselves via covert |
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| AbstractList | ‘You better hope the anti-vivisection people don’t get a hold of this film’, laughs a laboratory worker as she videotapes herself tormenting a scared monkey during shock treatments – a video that prophetically ends up in the activist documentaryBehind the Mask(2006). This is just one of dozens of examples of video footage that industries never meant to see the light of day, but which documentarians critically showcase for public scrutiny. While some footage in animal liberation documentaries was created by animal-exploitative industries as inhouse training or private research videos, most documentations must be filmed by activists themselves via covert |
| Author | Carrie Packwood Freeman Scott Tulloch |
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| Copyright | 2013 Anat Pick 2013 Guinevere Narraway |
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| Snippet | ‘You better hope the anti-vivisection people don’t get a hold of this film’, laughs a laboratory worker as she videotapes herself tormenting a scared monkey... |
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| SubjectTerms | Animal rights Animals Anthropology Applied anthropology Art criticism Art theory Arts Attention Behavioral sciences Bioethics Biological sciences Biology Bodies of water Cetaceans Cetology Cognitive processes Cognitive psychology Cultural anthropology Cultural studies Documentary films Dolphins Earth sciences Environmental ethics Environmental philosophy Environmental studies Film criticism Film genres Film studies Geography Geomorphology Government Government agencies Humans Inlets Intelligence services Mammalogy Mammals Movies Physical sciences Political science Primates Psychology Surveillance Visual fixation Zoology |
| Subtitle | Animal Liberation Documentaries’ Deconstruction of Barriers to Witnessing Injustice |
| Title | Was Blind But Now I See |
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