Teaching Materials and Class Structure to Understand the Role of “Music in Use” in Daily Life and Society
This study aimed to examine the selection of teaching materials and class structure necessary to improve Japanese students’ understanding of the role of “music in use” in daily life and society. Specififically, the following three viewpoints were used to select teaching materials: (1) scenes and eve...
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Published in | The Journal of Studies on Educational Practices Vol. 24; no. 2; p. 27 |
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Main Author | |
Format | Journal Article |
Language | Japanese |
Published |
The Japanese Society for Studies on Educational Practices
2023
日本教育実践学会 |
Subjects | |
Online Access | Get full text |
ISSN | 1344-946X 2435-9521 |
DOI | 10.34587/jsep.24.2_27 |
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Abstract | This study aimed to examine the selection of teaching materials and class structure necessary to improve Japanese students’ understanding of the role of “music in use” in daily life and society. Specififically, the following three viewpoints were used to select teaching materials: (1) scenes and events in which music is effectively used, (2) scenes and events in students’ daily lives and society in general, (3) scenes and events when students are aware of the importance of music. In addition, the following four points of view were presented in terms of the class structure: (1) learning situation to understand the characteristics of music, (2) learning situation to consider the role of music, (3) learning situation to consider the role of music from a different perspective, and (4) learning situation to utilize the knowledge gained. The author designed a class based on the organized viewpoints and examined the issues. Selecting the relevant teaching materials and structuring the class based on the viewpoints as indicators revealed that the learning tasks were organically related. Consequently, it became evident that the students explored the role of music from two perspectives (audience and players) based on the characteristics of the music that they perceived and felt. |
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AbstractList | This study aimed to examine the selection of teaching materials and class structure necessary to improve Japanese students’ understanding of the role of “music in use” in daily life and society. Specififically, the following three viewpoints were used to select teaching materials: (1) scenes and events in which music is effectively used, (2) scenes and events in students’ daily lives and society in general, (3) scenes and events when students are aware of the importance of music. In addition, the following four points of view were presented in terms of the class structure: (1) learning situation to understand the characteristics of music, (2) learning situation to consider the role of music, (3) learning situation to consider the role of music from a different perspective, and (4) learning situation to utilize the knowledge gained. The author designed a class based on the organized viewpoints and examined the issues. Selecting the relevant teaching materials and structuring the class based on the viewpoints as indicators revealed that the learning tasks were organically related. Consequently, it became evident that the students explored the role of music from two perspectives (audience and players) based on the characteristics of the music that they perceived and felt.
本稿では,生活や社会の中で「活用されている音楽」の役割を理解するために必要な教材選択と授業構成の視点を整理した.具体的には,教材選択の視点として〈音楽が効果的に活用されている場面・事象〉〈生徒にとっての生活や社会の中にある場面・事象〉〈生徒が意識を向けやすい時期にある場面・事象〉の3点,授業構成の視点として〈音楽そのものの特徴を捉える学習場面〉〈音楽の役割について考える学習場面〉〈視点を変えて音楽の役割について考える学習場面〉〈学んだことを活用する学習場面〉の4点を示した.さらに,これらの視点に基づいてフィギュアスケートを教材とした実践を開発し,実践の成果と課題を検証した.視点を指標に教材を選択し,授業構成を考えることによって,学習課題が緊密に関連した.その結果,生徒は音楽の特徴を土台にしつつ,2つの視点(観客,選手)をもち合わせながら音楽の役割について探究していったことが明らかになった. This study aimed to examine the selection of teaching materials and class structure necessary to improve Japanese students’ understanding of the role of “music in use” in daily life and society. Specififically, the following three viewpoints were used to select teaching materials: (1) scenes and events in which music is effectively used, (2) scenes and events in students’ daily lives and society in general, (3) scenes and events when students are aware of the importance of music. In addition, the following four points of view were presented in terms of the class structure: (1) learning situation to understand the characteristics of music, (2) learning situation to consider the role of music, (3) learning situation to consider the role of music from a different perspective, and (4) learning situation to utilize the knowledge gained. The author designed a class based on the organized viewpoints and examined the issues. Selecting the relevant teaching materials and structuring the class based on the viewpoints as indicators revealed that the learning tasks were organically related. Consequently, it became evident that the students explored the role of music from two perspectives (audience and players) based on the characteristics of the music that they perceived and felt. |
Author | TSURUOKA, Shota |
Author_FL | 鶴岡 翔太 |
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DocumentTitleAlternate | フィギュアスケートを取り上げた高等学校・芸術科(音楽)の授業を例に 生活や社会の中で「活用されている音楽」の 役割を理解するための教材選択と授業構成 |
DocumentTitle_FL | 生活や社会の中で「活用されている音楽」の 役割を理解するための教材選択と授業構成 |
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References | 國弘雅也:音や音楽が身の回りで溢れている生活との関わりのなかで,季刊 音楽鑑賞教育,28(532),28-31,2017 原口直:音楽科の存在意義を示すために,生活や社会とつながる授業を,同上,20-23,2017 松宮利佳:「生活や社会における音楽の意味や役割」を考える鑑賞実践の方向性―デノーラの「場」において「経験されるもの」としての音楽理論に着目して―,学校音楽教育研究,26,37-48,2022 八木正一,川村有美:音楽科における教材概念の検討と授業の構成,教材学研究,18,43-50,2007 国立教育政策研究所教育課程研究センター:2017,平成27 年度高等学校学習指導要領実施状況調査 生徒質問紙調査(音楽Ⅰ) https://www.nier.go.jp/kaihatsu/shido_h27/h27/17h27seito_ongaku.pdf ,2022 年8 月28 日 富樫真紀:地域の伝統や音楽を尊重し,その持続発展に貢献しようとする態度を育てる,季刊音楽鑑賞教育,28(532),16-19,2017 文部科学省:高等学校学習指導要領(平成30 年告示)解説 芸術(音楽 美術 工芸 書道)編 音楽編 美術編,p.23,教育図書,2019 金田美奈子:子どもたちの生活や社会と音楽を結び付けるための音楽学習,季刊 音楽鑑賞教育,28(532),12-15,2017 川村有美:音楽科における生活や社会と関わり合う学び,音楽学習研究,15,1-8,2019 山田忠雄,倉持保男,上野善道,山田明雄,井島正博,笹原宏之:新明解国語辞典第八版机上版,p.1347,三省堂,2021 文部科学省:中学校学習指導要領(平成29 年告示)解説 音楽編,p.105,教育芸術社,2018 |
References_xml | – reference: 山田忠雄,倉持保男,上野善道,山田明雄,井島正博,笹原宏之:新明解国語辞典第八版机上版,p.1347,三省堂,2021. – reference: 文部科学省:高等学校学習指導要領(平成30 年告示)解説 芸術(音楽 美術 工芸 書道)編 音楽編 美術編,p.23,教育図書,2019. – reference: 文部科学省:中学校学習指導要領(平成29 年告示)解説 音楽編,p.105,教育芸術社,2018. – reference: 國弘雅也:音や音楽が身の回りで溢れている生活との関わりのなかで,季刊 音楽鑑賞教育,28(532),28-31,2017. – reference: 八木正一,川村有美:音楽科における教材概念の検討と授業の構成,教材学研究,18,43-50,2007. – reference: 国立教育政策研究所教育課程研究センター:2017,平成27 年度高等学校学習指導要領実施状況調査 生徒質問紙調査(音楽Ⅰ) https://www.nier.go.jp/kaihatsu/shido_h27/h27/17h27seito_ongaku.pdf ,2022 年8 月28 日. – reference: 金田美奈子:子どもたちの生活や社会と音楽を結び付けるための音楽学習,季刊 音楽鑑賞教育,28(532),12-15,2017. – reference: 川村有美:音楽科における生活や社会と関わり合う学び,音楽学習研究,15,1-8,2019. – reference: 原口直:音楽科の存在意義を示すために,生活や社会とつながる授業を,同上,20-23,2017. – reference: 富樫真紀:地域の伝統や音楽を尊重し,その持続発展に貢献しようとする態度を育てる,季刊音楽鑑賞教育,28(532),16-19,2017. – reference: 松宮利佳:「生活や社会における音楽の意味や役割」を考える鑑賞実践の方向性―デノーラの「場」において「経験されるもの」としての音楽理論に着目して―,学校音楽教育研究,26,37-48,2022. |
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SubjectTerms | art (music) class structure fifigure skating music in daily life and society role of music selection of teaching materials フィギュアスケート 授業構成 教材選択 生活や社会の中にある音楽 芸術科(音楽) 音楽の役割 |
Title | Teaching Materials and Class Structure to Understand the Role of “Music in Use” in Daily Life and Society |
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