Basic Iconic Units
The universality of theatrical means of expression leads to the conjecture that their roots must lie in an elementary and vital faculty of the psyche. I have suggested elsewhere that these roots lie in the inborn capacity of the human brain to spontaneously create images, and employ them in thinking...
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| Published in | Future Theatre Research p. 2 |
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| Main Author | |
| Format | Book Chapter |
| Language | English |
| Published |
United Kingdom
Liverpool University Press
01.01.2016
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| Online Access | Get full text |
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| Abstract | The universality of theatrical means of expression leads to the conjecture that their roots must lie in an elementary and vital faculty of the psyche. I have suggested elsewhere that these roots lie in the inborn capacity of the human brain to spontaneously create images, and employ them in thinking practices (Rozik, 2002: 247–69).
In my previous research, I have repeatedly suggested to trace the roots of various forms of theatre semiosis back to the thinking principles of the preverbal mind, under the intuitive assumption that there is a fundamental affinity between them. In the light of this intuition, |
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| AbstractList | The universality of theatrical means of expression leads to the conjecture that their roots must lie in an elementary and vital faculty of the psyche. I have suggested elsewhere that these roots lie in the inborn capacity of the human brain to spontaneously create images, and employ them in thinking practices (Rozik, 2002: 247–69).
In my previous research, I have repeatedly suggested to trace the roots of various forms of theatre semiosis back to the thinking principles of the preverbal mind, under the intuitive assumption that there is a fundamental affinity between them. In the light of this intuition, |
| Author | ELI ROZIK |
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| Copyright | 2016 Eli Rozik |
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| DOI | 10.2307/j.ctv3029srm.5 |
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| Discipline | Drama Recreation & Sports |
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| PublicationSubtitle | Origin, Medium, Performance-Text, Reception and Acting |
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| Title | Basic Iconic Units |
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