CONCLUSION Seized, Freed, Remade and Deployed
At the outset of this study, the observation was made of the reluctance to outline the ‘hardwiring’ between the film artefact and its era that characterises much critical/academic writing on the period under scrutiny. This omission is arresting, since, it was noted, it is just such a symbiotic relat...
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| Published in | Desires for Reality p. 216 |
|---|---|
| Main Author | |
| Format | Book Chapter |
| Language | English |
| Published |
United States
Berghahn Books
01.02.2016
Berghahn Books, Incorporated |
| Edition | 1 |
| Subjects | |
| Online Access | Get full text |
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| Abstract | At the outset of this study, the observation was made of the reluctance to outline the ‘hardwiring’ between the film artefact and its era that characterises much critical/academic writing on the period under scrutiny. This omission is arresting, since, it was noted, it is just such a symbiotic relationship that typifies the nature of the artefacts themselves; a conscious understanding or unconscious acceptance of this relationship can be seen to inform and motivate their praxes. The possibility of revealing this overlooked or missing element in critical/academic writing, here initially identified as an ‘unknown quality’ and then specified as the ‘subterranean |
|---|---|
| AbstractList | At the outset of this study, the observation was made of the reluctance to outline the ‘hardwiring’ between the film artefact and its era that characterises much critical/academic writing on the period under scrutiny. This omission is arresting, since, it was noted, it is just such a symbiotic relationship that typifies the nature of the artefacts themselves; a conscious understanding or unconscious acceptance of this relationship can be seen to inform and motivate their praxes. The possibility of revealing this overlooked or missing element in critical/academic writing, here initially identified as an ‘unknown quality’ and then specified as the ‘subterranean |
| Author | BENJAMIN HALLIGAN |
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| PublicationSubtitle | Radicalism and Revolution in Western European Film |
| PublicationTitle | Desires for Reality |
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| SubjectTerms | Film theory & criticism Social & cultural history |
| Subtitle | Seized, Freed, Remade and Deployed |
| Title | CONCLUSION |
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