ヴァイオリン合奏中の動作に現れる リード・フォロー関係
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| Published in | 認知科学 Vol. 30; no. 3; pp. 285 - 302 |
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| Main Authors | , , , , |
| Format | Journal Article |
| Language | Japanese |
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日本認知科学会
01.09.2023
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| Online Access | Get full text |
| ISSN | 1341-7924 1881-5995 |
| DOI | 10.11225/cs.2023.030 |
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| Author | 板垣, 寧々 三嶋, 博之 谷貝, 祐介 三浦, 哲都 古山, 宣洋 |
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| Copyright | 2023 日本認知科学会 |
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| DOI | 10.11225/cs.2023.030 |
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| Discipline | Psychology |
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| EndPage | 302 |
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| References | Konvalinka, I., Vuust, P., Roepstorff, A., & Frith, C. D. (2010). Follow you, follow me: Continuous mutual prediction and adaptation in joint tapping. The Quarterly Journal of Experimental Psychology, 63 (11), 2220–2230. https://doi.org/10.1080/17470218.2010.497843 児玉 謙太郎・岡﨑 俊太郎・藤原 健・清水 大地 (2021). シンクロする人々：個人間の身体的同期に関するレビュー 認知科学, 28 (4), 593–608. https://doi.org/10.11225/cs.2021.040 下野 嘉子 (2010). Rを用いた一般化線形モデル(回帰係数編)：カウントデータを例に 雑草研究, 55 (4), 287–294. https://doi.org/10.3719/weed.55.287 Wallot, S., Mitkidis, P., McGraw, J. J., & Roepstorff, A. (2016). Beyond synchrony: Joint action in a complex production task reveals beneficial effects of decreased interpersonal synchrony. Plos One, 11 (12), e0168306. https://doi.org/10.1371/journal.pone.0168306 板垣, 寧々・谷貝, 祐介・古山, 宣洋 (2020, September 17–19). ヴァイオリン合奏における奏者間のリード関係とその要因 日本認知科学会第37回大会 オンライン Grieg, E. H. (1886). Aus Holberg’s zeit op.40 [Study score]. C. F. Peters. https://imslp.org/wiki/Holberg_Suite,_Op.40_ (Grieg,_Edvard) 板垣, 寧々・谷貝, 祐介・古山, 宣洋 (2021c, September 3–5). 2 者のヴァイオリン演奏におけるリード関係と曲の難易度・身体部位の関連 日本認知科学会第38回大会 オンライン Seth, A. K. (2010). A MATLAB toolbox for Granger causal connectivity analysis. Journal of Neuroscience Methods, 186 (2), 262–273. https://doi.org/10.1016/j.jneume th.2009.11.020 宮宇地 秀和・福田 忠彦・諏訪 正樹 (2005). 合奏という協調活動に関する研究：熟達者ペアの二重奏のケーススタディを例として 情報処理学会研究報告, 14, 13–18. Abney, D. H., Paxton, A., Dale, R., & Kello, C. T. (2014). Complexity matching in dyadic conversation. Journal of Experimental Psychology: General, 143 (6), 2304–2315. http://dx.doi.org/10.1037/xge0000021 Heggli, O. A., Konvalinka, I., Kringelbach, M. L., & Vuust, P. (Grieg,_Edvard) (2019). Musical interaction is influenced by underlying predictive models and musical expertise. Scientific Reports, 9 (1), 11048. https://doi.org/10.1038/s41598-019-47471-3 Bishop, L., & Goebl, W. (2018). Beating time: How ensemble musicians’ cueing gestures communicate beat position and tempo. Psychology of Music, 46 (1), 84–106. https://doi.org/10.1177/0305735617702971 相川 充・藤田 正美 (2005). 成人用ソーシャルスキル自己評定尺度の構成 東京学芸大学紀要第1 部門教育科学, 56, 87–93. 板垣, 寧々・古山, 宣洋 (2021, November 6–7). ヴァイオリン 合奏における創発性：奏者間におけるリード関係構築過程に着目して 日本音楽知覚認知学会2021年度秋季研究発表会 オンライン Kelso, J. A. S. (1984). Phase-transitions and critical behavior in human bimanual coordination. American Journal of Experimental Physiology, 246 (6 Pt 2), R1000–R1004. https://doi.org/10.1152/ajpregu.1984.246.6.r1000 D’Ausilio, A., Badino, L., Li, Y., Tokay, S., Craighero, L.,Canto, R., Aloimonos, Y., & Fadiga, L. (2012). Leadership in orchestra emerges from the causal relationships of movement kinematics. Plos One, 7 (5), e35757. https://doi.org/10.1371/journal.pone.0035757 Colley, I. D., Varlet, M., MacRitchie, J., & Keller, P. E. (2018). The influence of visual cues on temporal anticipation and movement synchronization with musical sequences. Acta Psychologica, 191, 190–200. https://doi.org/10.1016/j.actpsy.2018.09.014 Fujiwara, K., Kimura, M., & Daibo, I. (2020). Rhythmic features of movement synchrony for bonding individuals in dyadic interaction. Journal of Nonverbal Behavior, 44 (1), 173–193. https://link.springer.com/article/10.1007/s10919-019-00315-0 Chang, A., Kragness, H. E., Livingstone, S. R., Bosnyak, D. J., & Trainor, L. J. (2019). Body sway reflects joint emotional expression in music ensemble performance, Scientific Reports, 9 (1), 205. https://doi.org/10.1038/s41598-018-36358-4 Badino, L., D’Ausilio, A., Glowinski, D., Camurri, A.,& Fadiga, L. (2014). Sensorimotor communication in professional quartets. Neuropsychologia, 55, 98–104. https://doi.org/10.1016/j.neuropsychologia.2013.11.012 板垣, 寧々・谷貝, 祐介・古山, 宣洋 (2021a). ヴァイオリン合奏におけるリード関係の定量化：奏者間の身体動作のグレンジャー因果性に着目して 生態心理学研究 13 (1), 29–32. https://doi.org/10.24807/jep.13.1_29 板垣, 寧々・谷貝, 祐介・古山, 宣洋 (2021b, March 6). ヴァイオリン合奏におけるリード関係と奏者の視線の関連 第11回Society for Tokyo Young Psychologists オンライン Schmidt, R. C., Christianson, N., Carello, C., & Baron, R. (1994). Effects of social and physical variables on between-person visual coordination.Ecological Psychology, 6 (3), 159–183. https://doi.org/10.1207/s15326969eco0603_1 Walton, A. E., Washburn, A., Langland-Hassan, P., Chemero, A., Kloos, H., & Richardson, M. J. (2017). Creating time: Social collaboration in music improvisation, Topics in Cognitive Science, 10 (1), 95–119. https://doi.org/10.1111/tops.12306 今泉 智通 (2010). R を用いた一般化線形モデル(仮説検 47471-3 定編)：割合データを例に 雑草研究, 55 (4), 275–286. https://doi.org/10.3719/weed.55.275 Chang, A., Livingstone, S. R., Bosnyak, D. J., & Trainor, L. J. (2017). Body sway reflects leadership in joint music performance. Proceedings of the National Academy of Sciences of the United States of America, 114 (21), E4134– E4141. https://doi.org/10.1073/pnas.1617657114 石桁 真礼生・丸田 昭三・金光 威和雄・末吉 保雄・飯田 隆・飯沼 信義 (2001). 楽典：理論と実習 音楽之友社 Demos, A. P., Chaffin, R., & Kant, V.(2014). Toward adynamical theory of body movement in musical performance. Frontiers in Psychology, 5, 477. https://doi.org/10.3389/fpsyg.2014.00477 ELAN (Version 6.2) [Computer software]. (2021). Nijmegen : Max Planck Institute for Psycholinguistics, The Language Archive. Retrieved from https://archive.mpi.nl/tla/elan Schmidt, R. C., Carello, C., & Turvey, M. T. (1990). Phase transitions and critical fluctuations in the visual coordination of rhythmic movements between people. Journal of Experimental Psychology: Human Perception and Performance, 16 (2), 227–247. https://doi.org/10.1037/0096-1523.16.2.227 |
| References_xml | – reference: ELAN (Version 6.2) [Computer software]. (2021). Nijmegen : Max Planck Institute for Psycholinguistics, The Language Archive. Retrieved from https://archive.mpi.nl/tla/elan – reference: Wallot, S., Mitkidis, P., McGraw, J. J., & Roepstorff, A. (2016). Beyond synchrony: Joint action in a complex production task reveals beneficial effects of decreased interpersonal synchrony. Plos One, 11 (12), e0168306. https://doi.org/10.1371/journal.pone.0168306 – reference: 相川 充・藤田 正美 (2005). 成人用ソーシャルスキル自己評定尺度の構成 東京学芸大学紀要第1 部門教育科学, 56, 87–93. – reference: Schmidt, R. C., Carello, C., & Turvey, M. T. (1990). Phase transitions and critical fluctuations in the visual coordination of rhythmic movements between people. Journal of Experimental Psychology: Human Perception and Performance, 16 (2), 227–247. https://doi.org/10.1037/0096-1523.16.2.227 – reference: 板垣, 寧々・谷貝, 祐介・古山, 宣洋 (2021b, March 6). ヴァイオリン合奏におけるリード関係と奏者の視線の関連 第11回Society for Tokyo Young Psychologists オンライン – reference: 今泉 智通 (2010). R を用いた一般化線形モデル(仮説検 47471-3 定編)：割合データを例に 雑草研究, 55 (4), 275–286. https://doi.org/10.3719/weed.55.275 – reference: Grieg, E. H. (1886). Aus Holberg’s zeit op.40 [Study score]. C. F. Peters. https://imslp.org/wiki/Holberg_Suite,_Op.40_ (Grieg,_Edvard) – reference: 石桁 真礼生・丸田 昭三・金光 威和雄・末吉 保雄・飯田 隆・飯沼 信義 (2001). 楽典：理論と実習 音楽之友社 – reference: 板垣, 寧々・谷貝, 祐介・古山, 宣洋 (2020, September 17–19). ヴァイオリン合奏における奏者間のリード関係とその要因 日本認知科学会第37回大会 オンライン – reference: D’Ausilio, A., Badino, L., Li, Y., Tokay, S., Craighero, L.,Canto, R., Aloimonos, Y., & Fadiga, L. (2012). Leadership in orchestra emerges from the causal relationships of movement kinematics. Plos One, 7 (5), e35757. https://doi.org/10.1371/journal.pone.0035757 – reference: Badino, L., D’Ausilio, A., Glowinski, D., Camurri, A.,& Fadiga, L. (2014). Sensorimotor communication in professional quartets. Neuropsychologia, 55, 98–104. https://doi.org/10.1016/j.neuropsychologia.2013.11.012 – reference: Bishop, L., & Goebl, W. (2018). Beating time: How ensemble musicians’ cueing gestures communicate beat position and tempo. Psychology of Music, 46 (1), 84–106. https://doi.org/10.1177/0305735617702971 – reference: Walton, A. E., Washburn, A., Langland-Hassan, P., Chemero, A., Kloos, H., & Richardson, M. J. (2017). Creating time: Social collaboration in music improvisation, Topics in Cognitive Science, 10 (1), 95–119. https://doi.org/10.1111/tops.12306 – reference: 板垣, 寧々・谷貝, 祐介・古山, 宣洋 (2021a). ヴァイオリン合奏におけるリード関係の定量化：奏者間の身体動作のグレンジャー因果性に着目して 生態心理学研究 13 (1), 29–32. https://doi.org/10.24807/jep.13.1_29 – reference: Chang, A., Livingstone, S. R., Bosnyak, D. J., & Trainor, L. J. (2017). Body sway reflects leadership in joint music performance. Proceedings of the National Academy of Sciences of the United States of America, 114 (21), E4134– E4141. https://doi.org/10.1073/pnas.1617657114 – reference: Heggli, O. A., Konvalinka, I., Kringelbach, M. L., & Vuust, P. (Grieg,_Edvard) (2019). Musical interaction is influenced by underlying predictive models and musical expertise. Scientific Reports, 9 (1), 11048. https://doi.org/10.1038/s41598-019-47471-3 – reference: Kelso, J. A. S. (1984). Phase-transitions and critical behavior in human bimanual coordination. American Journal of Experimental Physiology, 246 (6 Pt 2), R1000–R1004. https://doi.org/10.1152/ajpregu.1984.246.6.r1000 – reference: Colley, I. D., Varlet, M., MacRitchie, J., & Keller, P. E. (2018). The influence of visual cues on temporal anticipation and movement synchronization with musical sequences. Acta Psychologica, 191, 190–200. https://doi.org/10.1016/j.actpsy.2018.09.014 – reference: Demos, A. P., Chaffin, R., & Kant, V.(2014). Toward adynamical theory of body movement in musical performance. Frontiers in Psychology, 5, 477. https://doi.org/10.3389/fpsyg.2014.00477 – reference: Schmidt, R. C., Christianson, N., Carello, C., & Baron, R. (1994). Effects of social and physical variables on between-person visual coordination.Ecological Psychology, 6 (3), 159–183. https://doi.org/10.1207/s15326969eco0603_1 – reference: Konvalinka, I., Vuust, P., Roepstorff, A., & Frith, C. D. (2010). Follow you, follow me: Continuous mutual prediction and adaptation in joint tapping. The Quarterly Journal of Experimental Psychology, 63 (11), 2220–2230. https://doi.org/10.1080/17470218.2010.497843 – reference: Seth, A. K. (2010). A MATLAB toolbox for Granger causal connectivity analysis. Journal of Neuroscience Methods, 186 (2), 262–273. https://doi.org/10.1016/j.jneume th.2009.11.020 – reference: Abney, D. H., Paxton, A., Dale, R., & Kello, C. T. (2014). Complexity matching in dyadic conversation. Journal of Experimental Psychology: General, 143 (6), 2304–2315. http://dx.doi.org/10.1037/xge0000021 – reference: 板垣, 寧々・谷貝, 祐介・古山, 宣洋 (2021c, September 3–5). 2 者のヴァイオリン演奏におけるリード関係と曲の難易度・身体部位の関連 日本認知科学会第38回大会 オンライン – reference: 児玉 謙太郎・岡﨑 俊太郎・藤原 健・清水 大地 (2021). シンクロする人々：個人間の身体的同期に関するレビュー 認知科学, 28 (4), 593–608. https://doi.org/10.11225/cs.2021.040 – reference: Chang, A., Kragness, H. E., Livingstone, S. R., Bosnyak, D. J., & Trainor, L. J. (2019). Body sway reflects joint emotional expression in music ensemble performance, Scientific Reports, 9 (1), 205. https://doi.org/10.1038/s41598-018-36358-4 – reference: Fujiwara, K., Kimura, M., & Daibo, I. (2020). Rhythmic features of movement synchrony for bonding individuals in dyadic interaction. Journal of Nonverbal Behavior, 44 (1), 173–193. https://link.springer.com/article/10.1007/s10919-019-00315-0 – reference: 宮宇地 秀和・福田 忠彦・諏訪 正樹 (2005). 合奏という協調活動に関する研究：熟達者ペアの二重奏のケーススタディを例として 情報処理学会研究報告, 14, 13–18. – reference: 下野 嘉子 (2010). Rを用いた一般化線形モデル(回帰係数編)：カウントデータを例に 雑草研究, 55 (4), 287–294. https://doi.org/10.3719/weed.55.287 – reference: 板垣, 寧々・古山, 宣洋 (2021, November 6–7). ヴァイオリン 合奏における創発性：奏者間におけるリード関係構築過程に着目して 日本音楽知覚認知学会2021年度秋季研究発表会 オンライン |
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| SubjectTerms | グレンジャー因果性 リード・フォロー関係 ヴァイオリン合奏 個人間協応 |
| Title | ヴァイオリン合奏中の動作に現れる リード・フォロー関係 |
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