(Not so) Separate but Unequal On the Circulation of Popular Culture Items between France and Quebec
While international exchanges in terms of art, literature, film, and other high-profile cultural productions tend to be well-documented but limited in quantity, the circulation of items belonging to popular culture tends to be as massive as it is surreptitious, especially since such items are often...
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| Published in | Transatlantic Passages pp. 305 - 325 |
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| Main Author | |
| Format | Book Chapter |
| Language | English |
| Published |
Montreal
MQUP
20.10.2010
McGill-Queen's University Press |
| Subjects | |
| Online Access | Get full text |
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| Abstract | While international exchanges in terms of art, literature, film, and other high-profile cultural productions tend to be well-documented but limited in quantity, the circulation of items belonging to popular culture tends to be as massive as it is surreptitious, especially since such items are often modified to fit the target culture in the most unobtrusive manner. Another feature of this type of relationship, its often asymmetrical character, makes the very term of “exchange” questionable, because of implicit “cultural imperialism” (Tomlinson); but does this apply to cultures that are not completely distinct because they share a common heritage and, to some |
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| AbstractList | While international exchanges in terms of art, literature, film, and other high-profile cultural productions tend to be well-documented but limited in quantity, the circulation of items belonging to popular culture tends to be as massive as it is surreptitious, especially since such items are often modified to fit the target culture in the most unobtrusive manner. Another feature of this type of relationship, its often asymmetrical character, makes the very term of “exchange” questionable, because of implicit “cultural imperialism” (Tomlinson); but does this apply to cultures that are not completely distinct because they share a common heritage and, to some |
| Author | GUY SPIELMANN |
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| Copyright | 2010 McGill-Queen’s University Press McGill-Queen's University Press |
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| DOI | 10.1515/9780773581289-027 |
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| Discipline | Economics Anthropology History & Archaeology Business |
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| Editor | PAULA RUTH GILBERT MILÉNA SANTORO |
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| PublicationSubtitle | Literary and Cultural Relations between Quebec and Francophone Europe |
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| SubjectTerms | Actors Anthropology Applied anthropology Artists Arts Audiences Behavioral sciences Broadcast media Business Communications Communicative content Comparative literature Consumers Cultural anthropology Cultural industries Cultural studies Economic disciplines Economics Employment Entertainment industries Film studies French literature Human populations Humor Industrial sectors Industry Journalism Knowledge industries Labor economics Literary studies Literature Mass communication Mass media Motion picture industry Movies News content News media Occupations Performing artists Persons Popular culture Population studies Publishing industry Social sciences Television Television programs World literature |
| Subtitle | On the Circulation of Popular Culture Items between France and Quebec |
| Title | (Not so) Separate but Unequal |
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