Closer Looking: Computer Vision in Material Studies of Art

Studying the material nature of artworks has long been central to art historical study as a means of understanding how artworks are made, when they were produced, the aspirations of their makers, and their intended significance to viewers. Conventionally, art historians have gained knowledge of the...

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Bibliographic Details
Published inThe Art bulletin (New York, N.Y.) Vol. 106; no. 2; pp. 29 - 32
Main Authors Mintie, Katherine, Messier, Paul, Crockett, Damon
Format Journal Article
LanguageEnglish
Published New York Routledge 02.04.2024
College Art Association, Inc
Subjects
Art history
Computer vision
Datasets
Materials
Vision systems
Visual arts
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Summary:Studying the material nature of artworks has long been central to art historical study as a means of understanding how artworks are made, when they were produced, the aspirations of their makers, and their intended significance to viewers. Conventionally, art historians have gained knowledge of the physical qualities of artworks through close visual observation and, sometimes, through collaborations with conservators and conservation scientists. We propose that computer vision can serve as another powerful tool in this area. Though it might strike some as counterintuitive, we believe that computer vision based on abstracted data that model the material properties of artworks, in conjunction with subject matter expertise, can complement and deepen traditional art historical practices like close looking.
ISSN:0004-3079
1559-6478
DOI:10.1080/00043079.2024.2296276