The importance of place.(Viewpoint essay)
Due to her problem back, Penelope Lively works in an armchair, with an ancient electronic typewriter on her lap, while A. L. Kennedy finds comfort in a monster black chair in a room the color of blood. In his 1951 essay "Transitional Objects and Transitional Phenomena," British psychologis...
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| Published in | Poets & writers Vol. 36; no. 2; pp. 27 - 30 |
|---|---|
| Main Author | |
| Format | Magazine Article Book Review |
| Language | English |
| Published |
New York
Poets & Writers, Inc
01.03.2008
Poets & Writers, Incorporated |
| Subjects | |
| Online Access | Get full text |
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| Abstract | Due to her problem back, Penelope Lively works in an armchair, with an ancient electronic typewriter on her lap, while A. L. Kennedy finds comfort in a monster black chair in a room the color of blood. In his 1951 essay "Transitional Objects and Transitional Phenomena," British psychologist D. W. Winnicott wrote, "It is in the space between inner and outer worlds, which is also the space between people-the transitional space-that intimate relationships and creativity occur." Each writer needs to establish the configurations of this creative space, which incorporates memory, imagination, intention, and curiosity, but also exists in the real world; at the same time, each writer must also negotiate how much protection this space needs from the demands of the everyday. |
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| AbstractList | Due to her problem back, Penelope Lively works in an armchair, with an ancient electronic typewriter on her lap, while A. L. Kennedy finds comfort in a monster black chair in a room the color of blood. In his 1951 essay "Transitional Objects and Transitional Phenomena," British psychologist D. W. Winnicott wrote, "It is in the space between inner and outer worlds, which is also the space between people-the transitional space-that intimate relationships and creativity occur." Each writer needs to establish the configurations of this creative space, which incorporates memory, imagination, intention, and curiosity, but also exists in the real world; at the same time, each writer must also negotiate how much protection this space needs from the demands of the everyday. |
| Audience | Academic |
| Author | Enders, Alexandra |
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