Tauba Auerbach: Paula Cooper Gallery.("Projective Instrument" exhibition in New York)
When considering Tau ba Auerbach's work of the past few years, lam often sent down a rabbit's hole of unfamiliar mathematical and scientific terms: entheogen, the Sierpinski curve, metamaterial, oscillator fret. I order books like The New Ambidextrous Universe and The Shape of Space and pr...
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| Published in | Artforum international Vol. 54; no. 7; pp. 272 - 273 |
|---|---|
| Main Author | |
| Format | Magazine Article |
| Language | English |
| Published |
Los Angeles
Artforum International Magazine, Inc
01.03.2016
Penske Business Corporation |
| Subjects | |
| Online Access | Get full text |
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| Abstract | When considering Tau ba Auerbach's work of the past few years, lam often sent down a rabbit's hole of unfamiliar mathematical and scientific terms: entheogen, the Sierpinski curve, metamaterial, oscillator fret. I order books like The New Ambidextrous Universe and The Shape of Space and print out early-twentieth-century treatises like Projective Ornament. It is with great pleasure that I dive into her world, but also with a bit of trepidation: not only because — just between us — I don't really understand the fourth dimension, a theme that has fascinated Auerbach for several years now, but, more critically, because I worry that I may not be able to align her output with the subjects she so thoroughly researches to produce it. |
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| AbstractList | When considering Tau ba Auerbach's work of the past few years, lam often sent down a rabbit's hole of unfamiliar mathematical and scientific terms: entheogen, the Sierpinski curve, metamaterial, oscillator fret. I order books like The New Ambidextrous Universe and The Shape of Space and print out early-twentieth-century treatises like Projective Ornament. It is with great pleasure that I dive into her world, but also with a bit of trepidation: not only because — just between us — I don't really understand the fourth dimension, a theme that has fascinated Auerbach for several years now, but, more critically, because I worry that I may not be able to align her output with the subjects she so thoroughly researches to produce it. |
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| Author | Cburner, Rachel |
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| Copyright | COPYRIGHT 2016 Artforum International Magazine,
Inc. COPYRIGHT 2016 Artforum International Magazine, Inc. Copyright © 2021 Artforum International Magazine Inc. |
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| Title | Tauba Auerbach: Paula Cooper Gallery.("Projective Instrument" exhibition in New York) |
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