The Making of Modern Subjects Public Discourses on Korean Female Spectators in the Early Twentieth Century
In the early 20th century, Korean women began to manifest themselves in the public sphere. Sung Un Gang explores how the women's gaze was reimagined in public discourse as they attended plays and movies, delving into the complex negotiation process surrounding women's public presence. In t...
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| Format | eBook |
| Language | English |
| Published |
Bielefeld
transcript Verlag
2024
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| Series | Gender, Diversity, and Culture in History and Politics |
| Subjects | |
| Online Access | Get full text |
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| Abstract | In the early 20th century, Korean women began to manifest themselves in the public sphere. Sung Un Gang explores how the women's gaze was reimagined in public discourse as they attended plays and movies, delving into the complex negotiation process surrounding women's public presence. In this first extensive study of Korean female spectators in the colonial era, he analyzes newspapers, magazines, fictions, and images, arguing that public discourse aimed to mold them into a male-driven and top-down modernization project. Through a meticulous examination of historical sources, this study reconceptualizes colonial Korean female spectators as diverse, active agents with their own politics who played a crucial role in shaping colonial publicness. |
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| AbstractList | In the early 20th century, Korean women began to manifest themselves in the public sphere. Sung Un Gang explores how the women's gaze was reimagined in public discourse as they attended plays and movies, delving into the complex negotiation process surrounding women's public presence. In this first extensive study of Korean female spectators in the colonial era, he analyzes newspapers, magazines, fictions, and images, arguing that public discourse aimed to mold them into a male-driven and top-down modernization project. Through a meticulous examination of historical sources, this study reconceptualizes colonial Korean female spectators as diverse, active agents with their own politics who played a crucial role in shaping colonial publicness. |
| Author | Gang, Sung Un |
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| Keywords | Asian History Discourse Asia Gender History Theatre Studies Theatre Spectatorship Cultural History Gender Intersectionality Korea |
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| PublicationPlace | Bielefeld |
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| SubjectTerms | Asia Asian History Cultural History Discourse Gender Gender History Intersectionality Korea PERFORMING ARTS / Theater / History & Criticism Spectatorship Theatre Theatre Studies |
| Subtitle | Public Discourses on Korean Female Spectators in the Early Twentieth Century |
| TableOfContents | 6. Conclusion -- Contents -- 1. Conditions of Korean Women's Playgoing -- 7. Selected Bibliography -- List of Tables -- Acknowledgements -- 8. Glossary (in Korean alphabetical order) -- 3. Social Education in Korean Theaters -- Frontmatter -- Note on Romanization and Translation -- List of Figures 5. A Doll's House and Interventions into Women's Spectatorship -- Introduction -- 2. Korean Women and Charity Concerts -- 4. Female Students and Romantic Movies -- |
| Title | The Making of Modern Subjects |
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