Europa odnaleziona
Stefan and Franciszka Themersons’ Europa is a 1932 Polish avant-garde film inspired by an Anatol Stern poem. The film was considered lost during WWII but was miraculously found in Bundesarchiv in 2019 by the employees of the Pilecki Institute’s Berlin branch. A restored copy of the film premiered at...
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Published in | Kwartalnik filmowy no. 117; pp. 203 - 209 |
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Main Author | |
Format | Journal Article |
Language | Polish |
Published |
Warsaw
Instytut Sztuki Polskiej Akademii Nauk
01.01.2022
Institute of Art, Polish Academy of Sciences |
Subjects | |
Online Access | Get full text |
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Abstract | Stefan and Franciszka Themersons’ Europa is a 1932 Polish avant-garde film inspired by an Anatol Stern poem. The film was considered lost during WWII but was miraculously found in Bundesarchiv in 2019 by the employees of the Pilecki Institute’s Berlin branch. A restored copy of the film premiered at the London Film Festival in October 2021. Now we have a chance to compare our imaginary notion of the work to the actual piece, and the latter does not disappoint. Europa is a poetic vision of our world going mad, over-consuming goods, and preparing for a new war. It has a freeflowing chain of images, resembling city symphonies by Cavalcanti and Vertov. The Themersons used a number of frame-by-frame techniques, among them the so-called “animated photogram” of their own invention. The question remains as to whether the newly rediscovered version, originally prepared for screenings in France, is identical to the one screened in 1932 in Warsaw. (Non-reviewed material). |
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AbstractList | The question remains as to whether the newly rediscovered version, originally prepared for screenings in France, is identical to the one screened in 1932 in Warsaw. Następnie do akcji wkroczyła Komisja ds. Sztuki Zrabowanej w Europie (Commission for Looted Art in Europe - CLAE), dzięki czemu kopia wróciła do spadkobierczyni, która zdeponowała dzieło w Brytyjskim Instytucie Filmowym. Ale w odnalezionej kopii nie ma na początku takiej sekwencji. Nie jest filmem abstrakcyjnym, bo są tam przedmioty, postacie, urywki akcji, ale wszystkie te elementy przedmiotowe odarto z bezpośredniego, konkretnego znaczenia, związek między nimi istnieje tylko na płaszczyźnie ideologicznej, na pograniczu symbolu. Stefan and Franciszka Themersons’ Europa is a 1932 Polish avant-garde film inspired by an Anatol Stern poem. The film was considered lost during WWII but was miraculously found in Bundesarchiv in 2019 by the employees of the Pilecki Institute’s Berlin branch. A restored copy of the film premiered at the London Film Festival in October 2021. Now we have a chance to compare our imaginary notion of the work to the actual piece, and the latter does not disappoint. Europa is a poetic vision of our world going mad, over-consuming goods, and preparing for a new war. It has a freeflowing chain of images, resembling city symphonies by Cavalcanti and Vertov. The Themersons used a number of frame-by-frame techniques, among them the so-called “animated photogram” of their own invention. The question remains as to whether the newly rediscovered version, originally prepared for screenings in France, is identical to the one screened in 1932 in Warsaw. (Non-reviewed material). |
Author | Giżycki, Marcin |
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SubjectTerms | Avant-garde Film / Cinema / Cinematography History of Art Interwar Period (1920 - 1939) Motion picture festivals |
Title | Europa odnaleziona |
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