Comparison of emotion perception among different cultures
In this study, we conducted a comparative experiment on emotion perception among different cultures. Emotional components were perceived by subjects from Japan, the United States and China, all of whom had no experience living abroad. An emotional speech database without linguistic information was u...
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Published in | Acoustical Science and Technology Vol. 31; no. 6; pp. 394 - 402 |
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Main Authors | , , , , , , , |
Format | Journal Article |
Language | English |
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Tokyo
ACOUSTICAL SOCIETY OF JAPAN
01.01.2010
Acoustical Society of Japan Japan Science and Technology Agency |
Subjects | |
Online Access | Get full text |
ISSN | 1346-3969 1347-5177 |
DOI | 10.1250/ast.31.394 |
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Abstract | In this study, we conducted a comparative experiment on emotion perception among different cultures. Emotional components were perceived by subjects from Japan, the United States and China, all of whom had no experience living abroad. An emotional speech database without linguistic information was used in this study and evaluated using three- and/or six-emotional dimensions. Principal component analysis (PCA) indicates that the common factors could explain about 60% variance of the data among the three cultures by using a three-emotion description and about 50% variance between Japanese and Chinese cultures by using a six-emotion description. The effects of the emotion categories on perception results were investigated. The emotions of anger, joy and sadness (group 1) have consistent structures in PCA-based spaces when switching from three-emotion categories to six-emotion categories. Disgust, surprise, and fear (group 2) appeared as paired counterparts of anger, joy and sadness, respectively. When investigating the subspaces constructed by these two groups, the similarity between the two emotion groups was found to be fairly high in the two-dimensional space. The similarity becomes lower in 3- or higher dimensional spaces, but not significantly different. The results from this study suggest that a wide range of human emotions might fall into a small subspace of basic emotions. |
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AbstractList | In this study, we conducted a comparative experiment on emotion perception among different cultures. Emotional components were perceived by subjects from Japan, the United States and China, all of whom had no experience living abroad. An emotional speech database without linguistic information was used in this study and evaluated using three- and/or six-emotional dimensions. Principal component analysis (PCA) indicates that the common factors could explain about 60% variance of the data among the three cultures by using a three-emotion description and about 50% variance between Japanese and Chinese cultures by using a six-emotion description. The effects of the emotion categories on perception results were investigated. The emotions of anger, joy and sadness (group 1) have consistent structures in PCA-based spaces when switching from three-emotion categories to six-emotion categories. Disgust, surprise, and fear (group 2) appeared as paired counterparts of anger, joy and sadness, respectively. When investigating the subspaces constructed by these two groups, the similarity between the two emotion groups was found to be fairly high in the two-dimensional space. The similarity becomes lower in 3- or higher dimensional spaces, but not significantly different. The results from this study suggest that a wide range of human emotions might fall into a small subspace of basic emotions. Adapted from the source document In this study, we conducted a comparative experiment on emotion perception among different cultures. Emotional components were perceived by subjects from Japan, the United States and China, all of whom had no experience living abroad. An emotional speech database without linguistic information was used in this study and evaluated using three- and/or six-emotional dimensions. Principal component analysis (PCA) indicates that the common factors could explain about 60% variance of the data among the three cultures by using a three-emotion description and about 50% variance between Japanese and Chinese cultures by using a six-emotion description. The effects of the emotion categories on perception results were investigated. The emotions of anger, joy and sadness (group 1) have consistent structures in PCA-based spaces when switching from three-emotion categories to six-emotion categories. Disgust, surprise, and fear (group 2) appeared as paired counterparts of anger, joy and sadness, respectively. When investigating the subspaces constructed by these two groups, the similarity between the two emotion groups was found to be fairly high in the two-dimensional space. The similarity becomes lower in 3- or higher dimensional spaces, but not significantly different. The results from this study suggest that a wide range of human emotions might fall into a small subspace of basic emotions. |
Author | Dang, Jianwu Li, Aijun Suemitsu, Atsuo Hirose, Keikichi Minematsu, Nobuaki Sakuraba, Kyoko Erickson, Donna Akagi, Masato |
Author_xml | – sequence: 1 fullname: Dang, Jianwu organization: Tianjin University – sequence: 1 fullname: Erickson, Donna organization: Showa Academia Musicae – sequence: 1 fullname: Li, Aijun organization: Institute of Linguistics Chinese Academy of Social Sciences – sequence: 1 fullname: Minematsu, Nobuaki organization: The University of Tokyo – sequence: 1 fullname: Suemitsu, Atsuo organization: Japan Advanced Institute of Science and Technology – sequence: 1 fullname: Akagi, Masato organization: Japan Advanced Institute of Science and Technology – sequence: 1 fullname: Hirose, Keikichi organization: The University of Tokyo – sequence: 1 fullname: Sakuraba, Kyoko organization: Dokkyo Medical University Koshigaya Hospital |
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Cites_doi | 10.1002/per.714 10.1177/0022022101032001009 10.21437/SpeechProsody.2004-151 10.21437/SpeechProsody.2004-155 10.1121/1.420109 10.1007/BF00995674 10.1007/978-1-4899-2209-0 |
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Keywords | Human Similarity 43.71.Bp 43.71.An Multiple cultures Emotion cognition Cognition Emotion emotionality Similarity solution Experimental study Japanese System with n degrees of freedom PCA analysis 43.71.Hw Database Chinese Perception Emotional speech Speech processing Basic emotion Principal component analysis |
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References | 2) A. Abelin and J. Allwood, “Cross linguistic interpretation of emotional prosody,” Proc. ISCA Workshop on Speech and Emotion, pp. 110–113 (2000). 4) K. R. Scherer and T. Brosch, “Culture-specific appraisal biases contribute to emotion dispositions,” Eur. J. Pers., 23, 265–288 (2009). 5) K. Sawamura, J. Dang, M. Akagi, D. Erickson, A. Li, K. Sakuraba, N. Minematsu and K. Hirose, “Common factors in emotion perception among different cultures,” Proc. Conf. Phonetic Science, pp. 2113–2116 (2007). 6) C. Huang, “A study on a three-layer model for the perception of expressive speech,” Ph.D thesis at JAIST (2008). 11) K. Sakuraba, S. Imaizumi and K. Kakehi, “Emotional expression in “pikachuu”,” J. Phonet. Soc. Jpn., 8, pp. 77–84 (2004) (in Japanese). 14) K. R. Scherer, R. Banse, H. G. Wallbott and T. Goldbeck, “Vocal cues in emotion encoding and decoding,” Motiv. Emotion, 15, 123–148 (1991). 15) A. Paeschke, “Global trend of fundamental frequency in emotional speech,” Proc. Speech Prosody 2004, pp. 671–674 (2004). 9) S. Shigeno, “Recognition of emotion transmitted by vocal and facial expression: Comparison between the Japanese and the American,” AGU J. Psychol., 3, 1–8 (2003). 10) D. Erickson and K. Maekawa, “Perception of American English emotion by Japanese listeners,” Proc. Spring Meet. Acoust. Soc. Jpn., pp. 333–334 (2001). 12) A. Nakamichi, A. Jogan, M. Usami and D. Erickson, “Perception by native and non-native listeners of vocal emotion in a bilingual movie,” Gifu City Women’s Coll. Res. Bull., 52, 87–91 (2002). 3) K. R. Scherer, R. Banse and H. G. Wallbott, “Emotion inferences from vocal expression correlate across languages and cultures,” J. Cross-Cult. Psychol., 32, 76–92 (2001). 1) H. Fujisaki, “Information, prosody, and modeling: With emphasis on tonal features of speech,” Proc. Speech Prosody 2004, pp. 1–10 (2004). 8) C. Izard, Human Emotions (Plenum Press, New York, 1977). 7) R. Plutick, Emotions, A Psychoevolutionary Synthesis (Harper & Row, New York, 1980). 16) L. Leinonen, T. Hiltunen, I. Linnanakoski and M. L. Laakso, “Expression of emotional-motivational connotations with a one-word utterance,” J. Acoust. Soc. Am., 102, 1853–1863 (1997). 13) Y. Hashizawa, S. Takeda, M. D. Hamzah and G. Ohyama, “On the differences in prosodic features of emotional expressions in Japanese speech according to the degree of emotion,” Proc. Speech Prosody 2004, pp. 655–658 (2004). 13 14 15 16 K. R. Scherer and T. Brosch (4) 2009; 23 1 2 3 5 6 7 8 K. Sakuraba, S. Imaizumi and K. Kak (11) 2004; 8 A. Nakamichi, A. Jogan, M. Usami an (12) 2002; 52 9 10 |
References_xml | – reference: 11) K. Sakuraba, S. Imaizumi and K. Kakehi, “Emotional expression in “pikachuu”,” J. Phonet. Soc. Jpn., 8, pp. 77–84 (2004) (in Japanese). – reference: 9) S. Shigeno, “Recognition of emotion transmitted by vocal and facial expression: Comparison between the Japanese and the American,” AGU J. Psychol., 3, 1–8 (2003). – reference: 5) K. Sawamura, J. Dang, M. Akagi, D. Erickson, A. Li, K. Sakuraba, N. Minematsu and K. Hirose, “Common factors in emotion perception among different cultures,” Proc. Conf. Phonetic Science, pp. 2113–2116 (2007). – reference: 10) D. Erickson and K. Maekawa, “Perception of American English emotion by Japanese listeners,” Proc. Spring Meet. Acoust. Soc. Jpn., pp. 333–334 (2001). – reference: 3) K. R. Scherer, R. Banse and H. G. Wallbott, “Emotion inferences from vocal expression correlate across languages and cultures,” J. Cross-Cult. Psychol., 32, 76–92 (2001). – reference: 8) C. Izard, Human Emotions (Plenum Press, New York, 1977). – reference: 12) A. Nakamichi, A. Jogan, M. Usami and D. Erickson, “Perception by native and non-native listeners of vocal emotion in a bilingual movie,” Gifu City Women’s Coll. Res. Bull., 52, 87–91 (2002). – reference: 1) H. Fujisaki, “Information, prosody, and modeling: With emphasis on tonal features of speech,” Proc. Speech Prosody 2004, pp. 1–10 (2004). – reference: 13) Y. Hashizawa, S. Takeda, M. D. Hamzah and G. Ohyama, “On the differences in prosodic features of emotional expressions in Japanese speech according to the degree of emotion,” Proc. Speech Prosody 2004, pp. 655–658 (2004). – reference: 15) A. Paeschke, “Global trend of fundamental frequency in emotional speech,” Proc. Speech Prosody 2004, pp. 671–674 (2004). – reference: 4) K. R. Scherer and T. Brosch, “Culture-specific appraisal biases contribute to emotion dispositions,” Eur. J. Pers., 23, 265–288 (2009). – reference: 2) A. Abelin and J. Allwood, “Cross linguistic interpretation of emotional prosody,” Proc. ISCA Workshop on Speech and Emotion, pp. 110–113 (2000). – reference: 6) C. Huang, “A study on a three-layer model for the perception of expressive speech,” Ph.D thesis at JAIST (2008). – reference: 14) K. R. Scherer, R. Banse, H. G. Wallbott and T. Goldbeck, “Vocal cues in emotion encoding and decoding,” Motiv. Emotion, 15, 123–148 (1991). – reference: 16) L. Leinonen, T. Hiltunen, I. Linnanakoski and M. L. Laakso, “Expression of emotional-motivational connotations with a one-word utterance,” J. Acoust. Soc. Am., 102, 1853–1863 (1997). – reference: 7) R. Plutick, Emotions, A Psychoevolutionary Synthesis (Harper & Row, New York, 1980). – ident: 2 – volume: 52 start-page: 87 issn: 0385-1605 year: 2002 ident: 12 publication-title: Gifu City Women's Coll. Res. Bull. – ident: 5 – volume: 23 start-page: 265 issn: 0890-2070 year: 2009 ident: 4 publication-title: Eur. J. Pers. doi: 10.1002/per.714 – ident: 1 – ident: 3 doi: 10.1177/0022022101032001009 – ident: 13 doi: 10.21437/SpeechProsody.2004-151 – ident: 10 – volume: 8 start-page: 77 issn: 0095-4470 year: 2004 ident: 11 publication-title: J. Phonet. Soc. Jpn. – ident: 15 doi: 10.21437/SpeechProsody.2004-155 – ident: 16 doi: 10.1121/1.420109 – ident: 6 – ident: 9 – ident: 14 doi: 10.1007/BF00995674 – ident: 7 – ident: 8 doi: 10.1007/978-1-4899-2209-0 |
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SubjectTerms | Acoustic signal processing Acoustics Basic emotion China Cultural Factors Cultural Identity Emotion cognition Emotional speech Emotions Exact sciences and technology Fundamental areas of phenomenology (including applications) Japan Multiple cultures PCA analysis Physics Speech Perception United States of America |
Title | Comparison of emotion perception among different cultures |
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