Comparison of emotion perception among different cultures

In this study, we conducted a comparative experiment on emotion perception among different cultures. Emotional components were perceived by subjects from Japan, the United States and China, all of whom had no experience living abroad. An emotional speech database without linguistic information was u...

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Published inAcoustical Science and Technology Vol. 31; no. 6; pp. 394 - 402
Main Authors Dang, Jianwu, Erickson, Donna, Li, Aijun, Minematsu, Nobuaki, Suemitsu, Atsuo, Akagi, Masato, Hirose, Keikichi, Sakuraba, Kyoko
Format Journal Article
LanguageEnglish
Published Tokyo ACOUSTICAL SOCIETY OF JAPAN 01.01.2010
Acoustical Society of Japan
Japan Science and Technology Agency
Subjects
Online AccessGet full text
ISSN1346-3969
1347-5177
DOI10.1250/ast.31.394

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Abstract In this study, we conducted a comparative experiment on emotion perception among different cultures. Emotional components were perceived by subjects from Japan, the United States and China, all of whom had no experience living abroad. An emotional speech database without linguistic information was used in this study and evaluated using three- and/or six-emotional dimensions. Principal component analysis (PCA) indicates that the common factors could explain about 60% variance of the data among the three cultures by using a three-emotion description and about 50% variance between Japanese and Chinese cultures by using a six-emotion description. The effects of the emotion categories on perception results were investigated. The emotions of anger, joy and sadness (group 1) have consistent structures in PCA-based spaces when switching from three-emotion categories to six-emotion categories. Disgust, surprise, and fear (group 2) appeared as paired counterparts of anger, joy and sadness, respectively. When investigating the subspaces constructed by these two groups, the similarity between the two emotion groups was found to be fairly high in the two-dimensional space. The similarity becomes lower in 3- or higher dimensional spaces, but not significantly different. The results from this study suggest that a wide range of human emotions might fall into a small subspace of basic emotions.
AbstractList In this study, we conducted a comparative experiment on emotion perception among different cultures. Emotional components were perceived by subjects from Japan, the United States and China, all of whom had no experience living abroad. An emotional speech database without linguistic information was used in this study and evaluated using three- and/or six-emotional dimensions. Principal component analysis (PCA) indicates that the common factors could explain about 60% variance of the data among the three cultures by using a three-emotion description and about 50% variance between Japanese and Chinese cultures by using a six-emotion description. The effects of the emotion categories on perception results were investigated. The emotions of anger, joy and sadness (group 1) have consistent structures in PCA-based spaces when switching from three-emotion categories to six-emotion categories. Disgust, surprise, and fear (group 2) appeared as paired counterparts of anger, joy and sadness, respectively. When investigating the subspaces constructed by these two groups, the similarity between the two emotion groups was found to be fairly high in the two-dimensional space. The similarity becomes lower in 3- or higher dimensional spaces, but not significantly different. The results from this study suggest that a wide range of human emotions might fall into a small subspace of basic emotions. Adapted from the source document
In this study, we conducted a comparative experiment on emotion perception among different cultures. Emotional components were perceived by subjects from Japan, the United States and China, all of whom had no experience living abroad. An emotional speech database without linguistic information was used in this study and evaluated using three- and/or six-emotional dimensions. Principal component analysis (PCA) indicates that the common factors could explain about 60% variance of the data among the three cultures by using a three-emotion description and about 50% variance between Japanese and Chinese cultures by using a six-emotion description. The effects of the emotion categories on perception results were investigated. The emotions of anger, joy and sadness (group 1) have consistent structures in PCA-based spaces when switching from three-emotion categories to six-emotion categories. Disgust, surprise, and fear (group 2) appeared as paired counterparts of anger, joy and sadness, respectively. When investigating the subspaces constructed by these two groups, the similarity between the two emotion groups was found to be fairly high in the two-dimensional space. The similarity becomes lower in 3- or higher dimensional spaces, but not significantly different. The results from this study suggest that a wide range of human emotions might fall into a small subspace of basic emotions.
Author Dang, Jianwu
Li, Aijun
Suemitsu, Atsuo
Hirose, Keikichi
Minematsu, Nobuaki
Sakuraba, Kyoko
Erickson, Donna
Akagi, Masato
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Cites_doi 10.1002/per.714
10.1177/0022022101032001009
10.21437/SpeechProsody.2004-151
10.21437/SpeechProsody.2004-155
10.1121/1.420109
10.1007/BF00995674
10.1007/978-1-4899-2209-0
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Issue 6
Keywords Human
Similarity
43.71.Bp
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Multiple cultures
Emotion cognition
Cognition
Emotion emotionality
Similarity solution
Experimental study
Japanese
System with n degrees of freedom
PCA analysis 43.71.Hw
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Principal component analysis
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4) K. R. Scherer and T. Brosch, “Culture-specific appraisal biases contribute to emotion dispositions,” Eur. J. Pers., 23, 265–288 (2009).
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6) C. Huang, “A study on a three-layer model for the perception of expressive speech,” Ph.D thesis at JAIST (2008).
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12) A. Nakamichi, A. Jogan, M. Usami and D. Erickson, “Perception by native and non-native listeners of vocal emotion in a bilingual movie,” Gifu City Women’s Coll. Res. Bull., 52, 87–91 (2002).
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K. R. Scherer and T. Brosch (4) 2009; 23
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K. Sakuraba, S. Imaizumi and K. Kak (11) 2004; 8
A. Nakamichi, A. Jogan, M. Usami an (12) 2002; 52
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References_xml – reference: 11) K. Sakuraba, S. Imaizumi and K. Kakehi, “Emotional expression in “pikachuu”,” J. Phonet. Soc. Jpn., 8, pp. 77–84 (2004) (in Japanese).
– reference: 9) S. Shigeno, “Recognition of emotion transmitted by vocal and facial expression: Comparison between the Japanese and the American,” AGU J. Psychol., 3, 1–8 (2003).
– reference: 5) K. Sawamura, J. Dang, M. Akagi, D. Erickson, A. Li, K. Sakuraba, N. Minematsu and K. Hirose, “Common factors in emotion perception among different cultures,” Proc. Conf. Phonetic Science, pp. 2113–2116 (2007).
– reference: 10) D. Erickson and K. Maekawa, “Perception of American English emotion by Japanese listeners,” Proc. Spring Meet. Acoust. Soc. Jpn., pp. 333–334 (2001).
– reference: 3) K. R. Scherer, R. Banse and H. G. Wallbott, “Emotion inferences from vocal expression correlate across languages and cultures,” J. Cross-Cult. Psychol., 32, 76–92 (2001).
– reference: 8) C. Izard, Human Emotions (Plenum Press, New York, 1977).
– reference: 12) A. Nakamichi, A. Jogan, M. Usami and D. Erickson, “Perception by native and non-native listeners of vocal emotion in a bilingual movie,” Gifu City Women’s Coll. Res. Bull., 52, 87–91 (2002).
– reference: 1) H. Fujisaki, “Information, prosody, and modeling: With emphasis on tonal features of speech,” Proc. Speech Prosody 2004, pp. 1–10 (2004).
– reference: 13) Y. Hashizawa, S. Takeda, M. D. Hamzah and G. Ohyama, “On the differences in prosodic features of emotional expressions in Japanese speech according to the degree of emotion,” Proc. Speech Prosody 2004, pp. 655–658 (2004).
– reference: 15) A. Paeschke, “Global trend of fundamental frequency in emotional speech,” Proc. Speech Prosody 2004, pp. 671–674 (2004).
– reference: 4) K. R. Scherer and T. Brosch, “Culture-specific appraisal biases contribute to emotion dispositions,” Eur. J. Pers., 23, 265–288 (2009).
– reference: 2) A. Abelin and J. Allwood, “Cross linguistic interpretation of emotional prosody,” Proc. ISCA Workshop on Speech and Emotion, pp. 110–113 (2000).
– reference: 6) C. Huang, “A study on a three-layer model for the perception of expressive speech,” Ph.D thesis at JAIST (2008).
– reference: 14) K. R. Scherer, R. Banse, H. G. Wallbott and T. Goldbeck, “Vocal cues in emotion encoding and decoding,” Motiv. Emotion, 15, 123–148 (1991).
– reference: 16) L. Leinonen, T. Hiltunen, I. Linnanakoski and M. L. Laakso, “Expression of emotional-motivational connotations with a one-word utterance,” J. Acoust. Soc. Am., 102, 1853–1863 (1997).
– reference: 7) R. Plutick, Emotions, A Psychoevolutionary Synthesis (Harper & Row, New York, 1980).
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  doi: 10.1002/per.714
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  doi: 10.1177/0022022101032001009
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  doi: 10.21437/SpeechProsody.2004-151
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  issn: 0095-4470
  year: 2004
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  publication-title: J. Phonet. Soc. Jpn.
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  doi: 10.1121/1.420109
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SubjectTerms Acoustic signal processing
Acoustics
Basic emotion
China
Cultural Factors
Cultural Identity
Emotion cognition
Emotional speech
Emotions
Exact sciences and technology
Fundamental areas of phenomenology (including applications)
Japan
Multiple cultures
PCA analysis
Physics
Speech Perception
United States of America
Title Comparison of emotion perception among different cultures
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