Art and Agency in the Era of De-Structuration: Exploring a New Field
Human agency, implying, from sociology’s perspective, proactive or even transformative individual behaviour upon the social world (or “social structures” as sociologists call them), remains one of the central concepts and problems for both social science and practice. Current stage of societal evolu...
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| Published in | Integrative psychological & behavioral science Vol. 58; no. 1; pp. 204 - 220 |
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| Main Authors | , , |
| Format | Journal Article |
| Language | English |
| Published |
New York
Springer US
01.03.2024
Springer |
| Subjects | |
| Online Access | Get full text |
| ISSN | 1932-4502 1936-3567 1936-3567 |
| DOI | 10.1007/s12124-023-09777-w |
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| Abstract | Human agency, implying, from sociology’s perspective, proactive or even transformative individual behaviour upon the social world (or “social structures” as sociologists call them), remains one of the central concepts and problems for both social science and practice. Current stage of societal evolution, de-structuration, makes individual agency especially important for both individual and collective well-being. In this context, the contribution of contemporary art (2018–2022) to agency issues remains little known in the academic world. The objective of this paper is to examine how contemporary art representatives (artists, curators, and experts) express the issue of agency through their artworks, and to compare this viewpoint with the interpretations from other areas of public life. The focus is on those aspects, ideas, and meanings related to agency that are accessible to a broad audience and can be applied to phenomena outside the realm of art but remain overlooked or underdeveloped in current academic discussions on agency. The authors analyse initiatives in both institutional and non-institutional art on a global scale, and explore their manifestations and impact in comprehending and advancing agency. Finally, this article proposes a typology of agency manifestations in contemporary art: (1) straightforward (strong, radical, protest) agency; (2) escapism; (3) panic agency; (4) subject-object carnivalism. |
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| AbstractList | Human agency, implying, from sociology’s perspective, proactive or even transformative individual behaviour upon the social world (or “social structures” as sociologists call them), remains one of the central concepts and problems for both social science and practice. Current stage of societal evolution, de-structuration, makes individual agency especially important for both individual and collective well-being. In this context, the contribution of contemporary art (2018–2022) to agency issues remains little known in the academic world. The objective of this paper is to examine how contemporary art representatives (artists, curators, and experts) express the issue of agency through their artworks, and to compare this viewpoint with the interpretations from other areas of public life. The focus is on those aspects, ideas, and meanings related to agency that are accessible to a broad audience and can be applied to phenomena outside the realm of art but remain overlooked or underdeveloped in current academic discussions on agency. The authors analyse initiatives in both institutional and non-institutional art on a global scale, and explore their manifestations and impact in comprehending and advancing agency. Finally, this article proposes a typology of agency manifestations in contemporary art: (1) straightforward (strong, radical, protest) agency; (2) escapism; (3) panic agency; (4) subject-object carnivalism. Human agency, implying, from sociology's perspective, proactive or even transformative individual behaviour upon the social world (or "social structures" as sociologists call them), remains one of the central concepts and problems for both social science and practice. Current stage of societal evolution, de-structuration, makes individual agency especially important for both individual and collective well-being. In this context, the contribution of contemporary art (2018-2022) to agency issues remains little known in the academic world. The objective of this paper is to examine how contemporary art representatives (artists, curators, and experts) express the issue of agency through their artworks, and to compare this viewpoint with the interpretations from other areas of public life. The focus is on those aspects, ideas, and meanings related to agency that are accessible to a broad audience and can be applied to phenomena outside the realm of art but remain overlooked or underdeveloped in current academic discussions on agency. The authors analyse initiatives in both institutional and non-institutional art on a global scale, and explore their manifestations and impact in comprehending and advancing agency. Finally, this article proposes a typology of agency manifestations in contemporary art: (1) straightforward (strong, radical, protest) agency; (2) escapism; (3) panic agency; (4) subject-object carnivalism.Human agency, implying, from sociology's perspective, proactive or even transformative individual behaviour upon the social world (or "social structures" as sociologists call them), remains one of the central concepts and problems for both social science and practice. Current stage of societal evolution, de-structuration, makes individual agency especially important for both individual and collective well-being. In this context, the contribution of contemporary art (2018-2022) to agency issues remains little known in the academic world. The objective of this paper is to examine how contemporary art representatives (artists, curators, and experts) express the issue of agency through their artworks, and to compare this viewpoint with the interpretations from other areas of public life. The focus is on those aspects, ideas, and meanings related to agency that are accessible to a broad audience and can be applied to phenomena outside the realm of art but remain overlooked or underdeveloped in current academic discussions on agency. The authors analyse initiatives in both institutional and non-institutional art on a global scale, and explore their manifestations and impact in comprehending and advancing agency. Finally, this article proposes a typology of agency manifestations in contemporary art: (1) straightforward (strong, radical, protest) agency; (2) escapism; (3) panic agency; (4) subject-object carnivalism. |
| Audience | Academic |
| Author | Afanaseva, Irina A. Sorokin, Pavel S. Goloshchapov, Artem A. |
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| BackLink | https://www.ncbi.nlm.nih.gov/pubmed/37271774$$D View this record in MEDLINE/PubMed |
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| Keywords | Proactivity Contemporary art Subject-object carnivalism De-structuration Agency Escapism |
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| References | IA Mironenko (9777_CR28) 2018; 52 9777_CR42 P Bourdieu (9777_CR9) 1987; 46 PS Sorokin (9777_CR45) 2022; 24 J Valsiner (9777_CR49) 2014; 20 PS Sorokin (9777_CR40) 2020; 51 9777_CR46 S Salvatore (9777_CR38) 2017; 51 9777_CR48 9777_CR50 9777_CR10 K Grinberg (9777_CR19) 1939; 5 F Cavazzoni (9777_CR11) 2021; 59 J Uher (9777_CR47) 2015; 49 9777_CR12 9777_CR14 9777_CR16 9777_CR15 9777_CR18 9777_CR17 9777_CR7 9777_CR6 IA Afanaseva (9777_CR3) 2022; 33 9777_CR5 9777_CR4 9777_CR1 9777_CR20 PS Sorokin (9777_CR43) 2022; 20 KW Hooper (9777_CR21) 1998; 31 PS Sorokin (9777_CR41) 2023; 3 9777_CR8 IA Mironenko (9777_CR29) 2020; 54 9777_CR23 9777_CR22 9777_CR25 9777_CR26 R Layton (9777_CR27) 2003; 9 9777_CR32 9777_CR31 S Salvatore (9777_CR39) 2022; 56 H Küçükali (9777_CR24) 2022; 10 G Duncan (9777_CR13) 2003; 38 IA Afanaseva (9777_CR2) 2022; 4 PS Sorokin (9777_CR44) 2022; 20 9777_CR34 IA Mironenko (9777_CR30) 2022; 56 9777_CR33 Ü Özdilek (9777_CR35) 2023 9777_CR36 9777_CR37 |
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| Title | Art and Agency in the Era of De-Structuration: Exploring a New Field |
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