Picture perfect science communication: How public audiences respond to informational labels in cinematic-style 3D data visualization

Visualizing research data can be an important science communication tool. In recent decades, 3D data visualization has emerged as a key tool for engaging public audiences. Such visualizations are often embedded in scientific documentaries screened on giant domes in planetariums or delivered through...

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Published inPloS one Vol. 19; no. 10; p. e0307733
Main Authors Jensen, Eric Allen, Borkiewicz, Kalina, Naiman, Jill P., Levy, Stuart, Carpenter, Jeff
Format Journal Article
LanguageEnglish
Published United States Public Library of Science 17.10.2024
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ISSN1932-6203
1932-6203
DOI10.1371/journal.pone.0307733

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Abstract Visualizing research data can be an important science communication tool. In recent decades, 3D data visualization has emerged as a key tool for engaging public audiences. Such visualizations are often embedded in scientific documentaries screened on giant domes in planetariums or delivered through video streaming services such as Amazon Prime. 3D data visualization has been shown to be an effective way to communicate complex scientific concepts to the public. With its ability to convey information in a scientifically accurate and visually engaging way, cinematic-style 3D data visualization has the potential to benefit millions of viewers by making scientific information more understandable and interesting. Maximizing the effectiveness of 3D data visualization can benefit millions of viewers. To support a wider shift in this professional field towards more evidence-based practice in 3D data visualization to enhance science communication impact, we have conducted a survey experiment comparing audience responses to two versions of 3D data visualizations from a scientific documentary film on the theme of ‘solar superstorms’ (n = 577). This study was conducted using a single (with two levels: labeled and unlabeled), between-subjects, factorial design. It reveals key strengths and weaknesses of communicating science using 3D data visualization. It also shows the limited power of strategically deployed informational labels to affect audience perceptions of the documentary film and its content. The major difference identified between experimental and control groups was that the quality ratings of the documentary film clip were significantly higher for the ‘labeled’ version. Other outcomes showed no statistically significant differences. The limited effects of informational labels point to the idea that other aspects, such as the story structure, voiceover narration and audio-visual content, are more important determinants of outcomes. This study concludes with a discussion of how this new research evidence informs our understanding of ‘what works and why’ with cinematic-style 3D data visualizations for the public.
AbstractList Visualizing research data can be an important science communication tool. In recent decades, 3D data visualization has emerged as a key tool for engaging public audiences. Such visualizations are often embedded in scientific documentaries screened on giant domes in planetariums or delivered through video streaming services such as Amazon Prime. 3D data visualization has been shown to be an effective way to communicate complex scientific concepts to the public. With its ability to convey information in a scientifically accurate and visually engaging way, cinematic-style 3D data visualization has the potential to benefit millions of viewers by making scientific information more understandable and interesting. Maximizing the effectiveness of 3D data visualization can benefit millions of viewers. To support a wider shift in this professional field towards more evidence-based practice in 3D data visualization to enhance science communication impact, we have conducted a survey experiment comparing audience responses to two versions of 3D data visualizations from a scientific documentary film on the theme of 'solar superstorms' (n = 577). This study was conducted using a single (with two levels: labeled and unlabeled), between-subjects, factorial design. It reveals key strengths and weaknesses of communicating science using 3D data visualization. It also shows the limited power of strategically deployed informational labels to affect audience perceptions of the documentary film and its content. The major difference identified between experimental and control groups was that the quality ratings of the documentary film clip were significantly higher for the 'labeled' version. Other outcomes showed no statistically significant differences. The limited effects of informational labels point to the idea that other aspects, such as the story structure, voiceover narration and audio-visual content, are more important determinants of outcomes. This study concludes with a discussion of how this new research evidence informs our understanding of 'what works and why' with cinematic-style 3D data visualizations for the public.Visualizing research data can be an important science communication tool. In recent decades, 3D data visualization has emerged as a key tool for engaging public audiences. Such visualizations are often embedded in scientific documentaries screened on giant domes in planetariums or delivered through video streaming services such as Amazon Prime. 3D data visualization has been shown to be an effective way to communicate complex scientific concepts to the public. With its ability to convey information in a scientifically accurate and visually engaging way, cinematic-style 3D data visualization has the potential to benefit millions of viewers by making scientific information more understandable and interesting. Maximizing the effectiveness of 3D data visualization can benefit millions of viewers. To support a wider shift in this professional field towards more evidence-based practice in 3D data visualization to enhance science communication impact, we have conducted a survey experiment comparing audience responses to two versions of 3D data visualizations from a scientific documentary film on the theme of 'solar superstorms' (n = 577). This study was conducted using a single (with two levels: labeled and unlabeled), between-subjects, factorial design. It reveals key strengths and weaknesses of communicating science using 3D data visualization. It also shows the limited power of strategically deployed informational labels to affect audience perceptions of the documentary film and its content. The major difference identified between experimental and control groups was that the quality ratings of the documentary film clip were significantly higher for the 'labeled' version. Other outcomes showed no statistically significant differences. The limited effects of informational labels point to the idea that other aspects, such as the story structure, voiceover narration and audio-visual content, are more important determinants of outcomes. This study concludes with a discussion of how this new research evidence informs our understanding of 'what works and why' with cinematic-style 3D data visualizations for the public.
Visualizing research data can be an important science communication tool. In recent decades, 3D data visualization has emerged as a key tool for engaging public audiences. Such visualizations are often embedded in scientific documentaries screened on giant domes in planetariums or delivered through video streaming services such as Amazon Prime. 3D data visualization has been shown to be an effective way to communicate complex scientific concepts to the public. With its ability to convey information in a scientifically accurate and visually engaging way, cinematic-style 3D data visualization has the potential to benefit millions of viewers by making scientific information more understandable and interesting. Maximizing the effectiveness of 3D data visualization can benefit millions of viewers. To support a wider shift in this professional field towards more evidence-based practice in 3D data visualization to enhance science communication impact, we have conducted a survey experiment comparing audience responses to two versions of 3D data visualizations from a scientific documentary film on the theme of 'solar superstorms' (n = 577). This study was conducted using a single (with two levels: labeled and unlabeled), between-subjects, factorial design. It reveals key strengths and weaknesses of communicating science using 3D data visualization. It also shows the limited power of strategically deployed informational labels to affect audience perceptions of the documentary film and its content. The major difference identified between experimental and control groups was that the quality ratings of the documentary film clip were significantly higher for the 'labeled' version. Other outcomes showed no statistically significant differences. The limited effects of informational labels point to the idea that other aspects, such as the story structure, voiceover narration and audio-visual content, are more important determinants of outcomes. This study concludes with a discussion of how this new research evidence informs our understanding of 'what works and why' with cinematic-style 3D data visualizations for the public.
Audience Academic
Author Carpenter, Jeff
Borkiewicz, Kalina
Jensen, Eric Allen
Naiman, Jill P.
Levy, Stuart
AuthorAffiliation 3 University of Utah, Scientific Computing and Imaging Institute, Salt Lake City, Utah, United States of America
4 Information School, University of Illinois Urbana-Champaign, Champaign, Illinois, United States of America
1 Institute for Methods Innovation, Casper, Wyoming, United States of America
LUMSA: Libera Universita Maria Santissima Assunta, ITALY
2 National Center for Supercomputing Applications, University of Illinois Urbana-Champaign, Urbana, Illinois, United States of America
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Copyright Copyright: © 2024 Jensen et al. This is an open access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
COPYRIGHT 2024 Public Library of Science
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2024 Jensen et al 2024 Jensen et al
2024 Jensen et al. This is an open access article distributed under the terms of the Creative Commons Attribution License: http://creativecommons.org/licenses/by/4.0/ (the “License”), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.
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– notice: 2024 Jensen et al. This is an open access article distributed under the terms of the Creative Commons Attribution License: http://creativecommons.org/licenses/by/4.0/ (the “License”), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.
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Aesthetics
Audiences
Audio data
Biology and Life Sciences
Communication
Communication in science
Computer and Information Sciences
Computer graphics
Data Visualization
Design
Designers
Documentary films
Earth Sciences
Effectiveness
Engineering and Technology
Experiments
Factorial design
Female
Humans
Imaging, Three-Dimensional - methods
Information Dissemination - methods
Labels
Literature reviews
Male
Methods
Motion Pictures
People and Places
Physical Sciences
Planetariums
Research and Analysis Methods
Science
Science Policy
Scientific visualization
Scientists
Social Sciences
Special effects
Statistical analysis
Streaming
Streaming media
Surveys and Questionnaires
Video transmission
Visual aspects
Visual effects
Visualization
Visualization (Computers)
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Title Picture perfect science communication: How public audiences respond to informational labels in cinematic-style 3D data visualization
URI https://www.ncbi.nlm.nih.gov/pubmed/39418271
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http://dx.doi.org/10.1371/journal.pone.0307733
Volume 19
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