Approaching the Interior of the Eighteenth-Century English Country House
In the late eighteenth century in Britain, the term “approach” became a noun, with a very specific architectural meaning as “a variety ofroadpeculiar to a house in the country, designed as an experience in perspective to “form new combinations on every movement of the spectator” (J. C. Loudon, 1806)...
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Published in | Style (University Park, PA) Vol. 48; no. 4; pp. 543 - 562 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
DeKalb
Pennsylvania State University Press
22.12.2014
Penn State University Press |
Subjects | |
Online Access | Get full text |
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Abstract | In the late eighteenth century in Britain, the term “approach” became a noun, with a very specific architectural meaning as “a variety ofroadpeculiar to a house in the country, designed as an experience in perspective to “form new combinations on every movement of the spectator” (J. C. Loudon, 1806). In this essay I use the concept of the architectural approach to the estate as a means to approach the domestic interiors of the late eighteenth and early nineteenth centuries, and the narrative and psychological interiors of the novels that house them. The country house tour brought the tourist inside the house; the guidebooks and architectural treatises and novels, increasingly devoted to describing those interiors, brought the reader in as well. And all the approaches – narratival and linguistic as well as experiential – privileged a winding line to form new combinations of perceptions, bringing new kinds of interiors into view. |
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AbstractList | [...]these descriptions adopt patterns that take "a winding line" and "form new combinations" for the reader, both visually and narratively, on approaching and entering the house. According to Sir Walter Scott in Lives of the Novelists (1821-24), "[tjhe beautiful description of the Castle of Udolpho, upon Emily's first approach to it, . . . affords a noble subject for the pencil; but were six artists to attempt to embody it, upon canvass, they would probably produce six drawings entirely dissimilar to each other, all of them equally authorized by the printed description" (1:254-55). In the late eighteenth century in Britain, the term "approach" became a noun, with a very specific architectural meaning as "a variety of road peculiar to a house in the country, designed as an experience in perspective to "form new combinations on every movement of the spectator" (J. C. Loudon, 1806). In this essay I use the concept of the architectural approach to the estate as a means to approach the domestic interiors of the late eighteenth and early nineteenth centuries, and the narrative and psychological interiors of the novels that house them. The country house tour brought the tourist inside the house; the guidebooks and architectural treatises and novels, increasingly devoted to describing those interiors, brought the reader in as well. And all the approaches--narratival and linguistic as well as experiential--privileged a winding line to form new combinations of perceptions, bringing new kinds of interiors into view. In the late eighteenth century in Britain, the term “approach” became a noun, with a very specific architectural meaning as “a variety ofroadpeculiar to a house in the country, designed as an experience in perspective to “form new combinations on every movement of the spectator” (J. C. Loudon, 1806). In this essay I use the concept of the architectural approach to the estate as a means to approach the domestic interiors of the late eighteenth and early nineteenth centuries, and the narrative and psychological interiors of the novels that house them. The country house tour brought the tourist inside the house; the guidebooks and architectural treatises and novels, increasingly devoted to describing those interiors, brought the reader in as well. And all the approaches – narratival and linguistic as well as experiential – privileged a winding line to form new combinations of perceptions, bringing new kinds of interiors into view. |
Audience | General |
Author | Wall, Cynthia |
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Copyright | Copyright © 2014 by The Pennsylvania State University. All rights reserved. COPYRIGHT 2014 Northern Illinois University COPYRIGHT 2014 Penn State University Press Copyright Northern Illinois University, Department of English Winter 2014 |
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Snippet | In the late eighteenth century in Britain, the term “approach” became a noun, with a very specific architectural meaning as “a variety ofroadpeculiar to a... In the late eighteenth century in Britain, the term "approach" became a noun, with a very specific architectural meaning as "a variety of road peculiar to a... [...]these descriptions adopt patterns that take "a winding line" and "form new combinations" for the reader, both visually and narratively, on approaching and... |
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SubjectTerms | 18th century Architectural design Architecture British & Irish literature Cottages Country homes Criticism and interpretation English language Free indirect discourse Houses Language history Narratives Nouns Novels Portrayals Reading Rooms Scott, Walter (1771-1832) Scottish literature Windows |
Title | Approaching the Interior of the Eighteenth-Century English Country House |
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