Synchrony in the periphery: inter-subject correlation of physiological responses during live music concerts

While there is an increasing shift in cognitive science to study perception of naturalistic stimuli, this study extends this goal to naturalistic contexts by assessing physiological synchrony across audience members in a concert setting. Cardiorespiratory, skin conductance, and facial muscle respons...

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Published inScientific reports Vol. 11; no. 1; pp. 22457 - 16
Main Authors Czepiel, Anna, Fink, Lauren K., Fink, Lea T., Wald-Fuhrmann, Melanie, Tröndle, Martin, Merrill, Julia
Format Journal Article
LanguageEnglish
Published London Nature Publishing Group UK 17.11.2021
Nature Publishing Group
Nature Portfolio
Subjects
631/378
631/443
631/477
Acoustic Stimulation - methods
Adolescent
Adult
Aged
Aged, 80 and over
Arousal
Arousal - physiology
Auditory Perception - physiology
Cognitive ability
Emotions - physiology
Facial Muscles - physiology
Familiarity
Female
Heart Rate - physiology
Humanities and Social Sciences
Humans
Logistic Models
Male
Middle Aged
multidisciplinary
Music
Music - psychology
Physiological responses
Physiology
Recognition, Psychology - physiology
Respiratory Rate - physiology
Science
Science (multidisciplinary)
Theoretical analysis
Young Adult
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Abstract While there is an increasing shift in cognitive science to study perception of naturalistic stimuli, this study extends this goal to naturalistic contexts by assessing physiological synchrony across audience members in a concert setting. Cardiorespiratory, skin conductance, and facial muscle responses were measured from participants attending live string quintet performances of full-length works from Viennese Classical, Contemporary, and Romantic styles. The concert was repeated on three consecutive days with different audiences. Using inter-subject correlation (ISC) to identify reliable responses to music, we found that highly correlated responses depicted typical signatures of physiological arousal. By relating physiological ISC to quantitative values of music features, logistic regressions revealed that high physiological synchrony was consistently predicted by faster tempi (which had higher ratings of arousing emotions and engagement), but only in Classical and Romantic styles (rated as familiar) and not the Contemporary style (rated as unfamiliar). Additionally, highly synchronised responses across all three concert audiences occurred during important structural moments in the music—identified using music theoretical analysis—namely at transitional passages, boundaries, and phrase repetitions. Overall, our results show that specific music features induce similar physiological responses across audience members in a concert context, which are linked to arousal, engagement, and familiarity.
AbstractList While there is an increasing shift in cognitive science to study perception of naturalistic stimuli, this study extends this goal to naturalistic contexts by assessing physiological synchrony across audience members in a concert setting. Cardiorespiratory, skin conductance, and facial muscle responses were measured from participants attending live string quintet performances of full-length works from Viennese Classical, Contemporary, and Romantic styles. The concert was repeated on three consecutive days with different audiences. Using inter-subject correlation (ISC) to identify reliable responses to music, we found that highly correlated responses depicted typical signatures of physiological arousal. By relating physiological ISC to quantitative values of music features, logistic regressions revealed that high physiological synchrony was consistently predicted by faster tempi (which had higher ratings of arousing emotions and engagement), but only in Classical and Romantic styles (rated as familiar) and not the Contemporary style (rated as unfamiliar). Additionally, highly synchronised responses across all three concert audiences occurred during important structural moments in the music—identified using music theoretical analysis—namely at transitional passages, boundaries, and phrase repetitions. Overall, our results show that specific music features induce similar physiological responses across audience members in a concert context, which are linked to arousal, engagement, and familiarity.
Abstract While there is an increasing shift in cognitive science to study perception of naturalistic stimuli, this study extends this goal to naturalistic contexts by assessing physiological synchrony across audience members in a concert setting. Cardiorespiratory, skin conductance, and facial muscle responses were measured from participants attending live string quintet performances of full-length works from Viennese Classical, Contemporary, and Romantic styles. The concert was repeated on three consecutive days with different audiences. Using inter-subject correlation (ISC) to identify reliable responses to music, we found that highly correlated responses depicted typical signatures of physiological arousal. By relating physiological ISC to quantitative values of music features, logistic regressions revealed that high physiological synchrony was consistently predicted by faster tempi (which had higher ratings of arousing emotions and engagement), but only in Classical and Romantic styles (rated as familiar) and not the Contemporary style (rated as unfamiliar). Additionally, highly synchronised responses across all three concert audiences occurred during important structural moments in the music—identified using music theoretical analysis—namely at transitional passages, boundaries, and phrase repetitions. Overall, our results show that specific music features induce similar physiological responses across audience members in a concert context, which are linked to arousal, engagement, and familiarity.
While there is an increasing shift in cognitive science to study perception of naturalistic stimuli, this study extends this goal to naturalistic contexts by assessing physiological synchrony across audience members in a concert setting. Cardiorespiratory, skin conductance, and facial muscle responses were measured from participants attending live string quintet performances of full-length works from Viennese Classical, Contemporary, and Romantic styles. The concert was repeated on three consecutive days with different audiences. Using inter-subject correlation (ISC) to identify reliable responses to music, we found that highly correlated responses depicted typical signatures of physiological arousal. By relating physiological ISC to quantitative values of music features, logistic regressions revealed that high physiological synchrony was consistently predicted by faster tempi (which had higher ratings of arousing emotions and engagement), but only in Classical and Romantic styles (rated as familiar) and not the Contemporary style (rated as unfamiliar). Additionally, highly synchronised responses across all three concert audiences occurred during important structural moments in the music-identified using music theoretical analysis-namely at transitional passages, boundaries, and phrase repetitions. Overall, our results show that specific music features induce similar physiological responses across audience members in a concert context, which are linked to arousal, engagement, and familiarity.While there is an increasing shift in cognitive science to study perception of naturalistic stimuli, this study extends this goal to naturalistic contexts by assessing physiological synchrony across audience members in a concert setting. Cardiorespiratory, skin conductance, and facial muscle responses were measured from participants attending live string quintet performances of full-length works from Viennese Classical, Contemporary, and Romantic styles. The concert was repeated on three consecutive days with different audiences. Using inter-subject correlation (ISC) to identify reliable responses to music, we found that highly correlated responses depicted typical signatures of physiological arousal. By relating physiological ISC to quantitative values of music features, logistic regressions revealed that high physiological synchrony was consistently predicted by faster tempi (which had higher ratings of arousing emotions and engagement), but only in Classical and Romantic styles (rated as familiar) and not the Contemporary style (rated as unfamiliar). Additionally, highly synchronised responses across all three concert audiences occurred during important structural moments in the music-identified using music theoretical analysis-namely at transitional passages, boundaries, and phrase repetitions. Overall, our results show that specific music features induce similar physiological responses across audience members in a concert context, which are linked to arousal, engagement, and familiarity.
While there is an increasing shift in cognitive science to study perception of naturalistic stimuli, this study extends this goal to naturalistic contexts by assessing physiological synchrony across audience members in a concert setting. Cardiorespiratory, skin conductance, and facial muscle responses were measured from participants attending live string quintet performances of full-length works from Viennese Classical, Contemporary, and Romantic styles. The concert was repeated on three consecutive days with different audiences. Using inter-subject correlation (ISC) to identify reliable responses to music, we found that highly correlated responses depicted typical signatures of physiological arousal. By relating physiological ISC to quantitative values of music features, logistic regressions revealed that high physiological synchrony was consistently predicted by faster tempi (which had higher ratings of arousing emotions and engagement), but only in Classical and Romantic styles (rated as familiar) and not the Contemporary style (rated as unfamiliar). Additionally, highly synchronised responses across all three concert audiences occurred during important structural moments in the music—identified using music theoretical analysis—namely at transitional passages, boundaries, and phrase repetitions. Overall, our results show that specific music features induce similar physiological responses across audience members in a concert context, which are linked to arousal, engagement, and familiarity.
ArticleNumber 22457
Author Tröndle, Martin
Czepiel, Anna
Fink, Lauren K.
Wald-Fuhrmann, Melanie
Merrill, Julia
Fink, Lea T.
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BackLink https://www.ncbi.nlm.nih.gov/pubmed/34789746$$D View this record in MEDLINE/PubMed
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springer_journals_10_1038_s41598_021_00492_3
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PublicationDate 2021-11-17
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PublicationDate_xml – month: 11
  year: 2021
  text: 2021-11-17
  day: 17
PublicationDecade 2020
PublicationPlace London
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PublicationTitle Scientific reports
PublicationTitleAbbrev Sci Rep
PublicationTitleAlternate Sci Rep
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Publisher Nature Publishing Group UK
Nature Publishing Group
Nature Portfolio
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– name: Nature Publishing Group
– name: Nature Portfolio
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Snippet While there is an increasing shift in cognitive science to study perception of naturalistic stimuli, this study extends this goal to naturalistic contexts by...
Abstract While there is an increasing shift in cognitive science to study perception of naturalistic stimuli, this study extends this goal to naturalistic...
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SubjectTerms 631/378
631/443
631/477
Acoustic Stimulation - methods
Adolescent
Adult
Aged
Aged, 80 and over
Arousal
Arousal - physiology
Auditory Perception - physiology
Cognitive ability
Emotions - physiology
Facial Muscles - physiology
Familiarity
Female
Heart Rate - physiology
Humanities and Social Sciences
Humans
Logistic Models
Male
Middle Aged
multidisciplinary
Music
Music - psychology
Physiological responses
Physiology
Recognition, Psychology - physiology
Respiratory Rate - physiology
Science
Science (multidisciplinary)
Theoretical analysis
Young Adult
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Title Synchrony in the periphery: inter-subject correlation of physiological responses during live music concerts
URI https://link.springer.com/article/10.1038/s41598-021-00492-3
https://www.ncbi.nlm.nih.gov/pubmed/34789746
https://www.proquest.com/docview/2598297773
https://www.proquest.com/docview/2599074915
https://pubmed.ncbi.nlm.nih.gov/PMC8599424
https://doaj.org/article/cc8cba2d693f4a129e24472a3f9b45e4
Volume 11
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