Patient Perspectives on Active vs. Passive Music Therapy for Cancer in the Inpatient Setting: A Qualitative Analysis
Music therapy (MT) is a nonpharmacologic therapy where licensed therapists provide active (e.g., singing, playing songs) or passive (e.g., listening) music-based interventions. Both active and passive MT are effective techniques for treating cancer-related symptoms. However, the influence of active...
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Published in | Journal of pain and symptom management Vol. 62; no. 1; pp. 58 - 65 |
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Main Authors | , , , , , , , |
Format | Journal Article |
Language | English |
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United States
Elsevier Inc
01.07.2021
Elsevier Limited |
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Abstract | Music therapy (MT) is a nonpharmacologic therapy where licensed therapists provide active (e.g., singing, playing songs) or passive (e.g., listening) music-based interventions. Both active and passive MT are effective techniques for treating cancer-related symptoms. However, the influence of active vs. passive MT techniques on patient-reported perceptions and experiences of care have yet to be explored.
To understand how active and passive MT is perceived and experienced by patients with cancer.
We conducted a retrospective analysis of semistructured interviews collected as part of a quality improvement study (n = 20) with patients in the inpatient setting who had received active or passive MT within the past 24 hours. Transcripts were analyzed using thematic content analysis.
Four themes emerged: 1) Different articulations of benefit for recipients of active vs. passive MT; 2) patient choice as a form of empowerment; 3) changed perception of hospital experience; and 4) differing recommendations for future MT. Recipients of active MT emphasized the session's interactive elements, finding the sessions stimulating by providing opportunities for joyous social interaction not centered on their diagnosis. Passive MT recipients focused on the calming therapeutic effect of the session, easing anxieties through focus and reflection on the music itself.
This analysis builds on current MT literature by providing insights specifically from oncology patients treated in the inpatient setting. Patients experience active and passive MT in different ways and perceived unique benefits for coping with cancer from each technique. Our findings can inform development of specific MT for symptom control in hospital settings. |
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AbstractList | CONTEXTMusic therapy (MT) is a nonpharmacologic therapy where licensed therapists provide active (e.g., singing, playing songs) or passive (e.g., listening) music-based interventions. Both active and passive MT are effective techniques for treating cancer-related symptoms. However, the influence of active vs. passive MT techniques on patient-reported perceptions and experiences of care have yet to be explored.OBJECTIVESTo understand how active and passive MT is perceived and experienced by patients with cancer.METHODSWe conducted a retrospective analysis of semistructured interviews collected as part of a quality improvement study (n = 20) with patients in the inpatient setting who had received active or passive MT within the past 24 hours. Transcripts were analyzed using thematic content analysis.RESULTSFour themes emerged: 1) Different articulations of benefit for recipients of active vs. passive MT; 2) patient choice as a form of empowerment; 3) changed perception of hospital experience; and 4) differing recommendations for future MT. Recipients of active MT emphasized the session's interactive elements, finding the sessions stimulating by providing opportunities for joyous social interaction not centered on their diagnosis. Passive MT recipients focused on the calming therapeutic effect of the session, easing anxieties through focus and reflection on the music itself.CONCLUSIONThis analysis builds on current MT literature by providing insights specifically from oncology patients treated in the inpatient setting. Patients experience active and passive MT in different ways and perceived unique benefits for coping with cancer from each technique. Our findings can inform development of specific MT for symptom control in hospital settings. Context Music therapy (MT) is a nonpharmacologic therapy where licensed therapists provide active (e.g., singing, playing songs) or passive (e.g., listening) music-based interventions. Both active and passive MT are effective techniques for treating cancer-related symptoms. However, the influence of active vs. passive MT techniques on patient-reported perceptions and experiences of care have yet to be explored. Objectives To understand how active and passive MT is perceived and experienced by patients with cancer. Methods We conducted a retrospective analysis of semistructured interviews collected as part of a quality improvement study (n = 20) with patients in the inpatient setting who had received active or passive MT within the past 24 hours. Transcripts were analyzed using thematic content analysis. Results Four themes emerged: 1) Different articulations of benefit for recipients of active vs. passive MT; 2) patient choice as a form of empowerment; 3) changed perception of hospital experience; and 4) differing recommendations for future MT. Recipients of active MT emphasized the session's interactive elements, finding the sessions stimulating by providing opportunities for joyous social interaction not centered on their diagnosis. Passive MT recipients focused on the calming therapeutic effect of the session, easing anxieties through focus and reflection on the music itself. Conclusion This analysis builds on current MT literature by providing insights specifically from oncology patients treated in the inpatient setting. Patients experience active and passive MT in different ways and perceived unique benefits for coping with cancer from each technique. Our findings can inform development of specific MT for symptom control in hospital settings. Music therapy (MT) is a nonpharmacologic therapy where licensed therapists provide active (e.g., singing, playing songs) or passive (e.g., listening) music-based interventions. Both active and passive MT are effective techniques for treating cancer-related symptoms. However, the influence of active vs. passive MT techniques on patient-reported perceptions and experiences of care have yet to be explored. To understand how active and passive MT is perceived and experienced by patients with cancer. We conducted a retrospective analysis of semistructured interviews collected as part of a quality improvement study (n = 20) with patients in the inpatient setting who had received active or passive MT within the past 24 hours. Transcripts were analyzed using thematic content analysis. Four themes emerged: 1) Different articulations of benefit for recipients of active vs. passive MT; 2) patient choice as a form of empowerment; 3) changed perception of hospital experience; and 4) differing recommendations for future MT. Recipients of active MT emphasized the session's interactive elements, finding the sessions stimulating by providing opportunities for joyous social interaction not centered on their diagnosis. Passive MT recipients focused on the calming therapeutic effect of the session, easing anxieties through focus and reflection on the music itself. This analysis builds on current MT literature by providing insights specifically from oncology patients treated in the inpatient setting. Patients experience active and passive MT in different ways and perceived unique benefits for coping with cancer from each technique. Our findings can inform development of specific MT for symptom control in hospital settings. |
Author | Emard, Nicholas Liou, Kevin T. Nwodim, Ogechi Popkin, Karen Lynch, Kathleen A. Borten, Michael Atkinson, Thomas M. Mao, Jun J. |
Author_xml | – sequence: 1 givenname: Kathleen A. surname: Lynch fullname: Lynch, Kathleen A. email: lynchk@mskcc.org organization: Memorial Sloan Kettering Cancer Center, New York, New York, USA – sequence: 2 givenname: Nicholas orcidid: 0000-0003-4786-4423 surname: Emard fullname: Emard, Nicholas organization: Memorial Sloan Kettering Cancer Center, New York, New York, USA – sequence: 3 givenname: Kevin T. surname: Liou fullname: Liou, Kevin T. organization: Memorial Sloan Kettering Cancer Center, New York, New York, USA – sequence: 4 givenname: Karen surname: Popkin fullname: Popkin, Karen organization: Memorial Sloan Kettering Cancer Center, New York, New York, USA – sequence: 5 givenname: Michael surname: Borten fullname: Borten, Michael organization: University of Virginia, Charlottesville, Virginia, USA – sequence: 6 givenname: Ogechi surname: Nwodim fullname: Nwodim, Ogechi organization: The Ohio State University, Columbus, Ohio, USA – sequence: 7 givenname: Thomas M. surname: Atkinson fullname: Atkinson, Thomas M. organization: Memorial Sloan Kettering Cancer Center, New York, New York, USA – sequence: 8 givenname: Jun J. surname: Mao fullname: Mao, Jun J. organization: Memorial Sloan Kettering Cancer Center, New York, New York, USA |
BackLink | https://www.ncbi.nlm.nih.gov/pubmed/33221385$$D View this record in MEDLINE/PubMed |
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SubjectTerms | Cancer clinical outcome assessments Content analysis Coping Empowerment Humans Inpatient care Inpatients Medical diagnosis Music Music Therapy Neoplasms - therapy Oncology Patient control patient-centered research Patients Qualitative analysis Qualitative research Quality management Retrospective Studies Singing Social interaction Songs |
Title | Patient Perspectives on Active vs. Passive Music Therapy for Cancer in the Inpatient Setting: A Qualitative Analysis |
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