Stronger bilateral efferent influences on cochlear biomechanical activity in musicians than in non-musicians
The auditory sensory end organ is under the control of the central nervous system via efferent projections. Contralateral suppression of otoacoustic emissions (acoustic signatures of the cochlear biomechanical activity) provides a non-invasive approach to assess olivocochlear efferent activity in hu...
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Published in | Neuroscience letters Vol. 262; no. 3; pp. 167 - 170 |
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Main Authors | , , , |
Format | Journal Article |
Language | English |
Published |
Shannon
Elsevier Ireland Ltd
12.03.1999
Elsevier |
Subjects | |
Online Access | Get full text |
ISSN | 0304-3940 1872-7972 |
DOI | 10.1016/S0304-3940(99)00044-0 |
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Abstract | The auditory sensory end organ is under the control of the central nervous system via efferent projections. Contralateral suppression of otoacoustic emissions (acoustic signatures of the cochlear biomechanical activity) provides a non-invasive approach to assess olivocochlear efferent activity in humans. Using this approach, the present study compared professional musicians with musically-inexperienced subjects. The results revealed stronger bilateral cochlear suppression, suggesting larger efferent influences in both ears, in musicians. Furthermore, in indicating no difference in left/right asymmetry of efferent-mediated suppression between the two groups, the present findings suggest that the observed differences in olivocochlear activity reflect bilaterally-enhanced activity of the cortical auditory structures in musicians rather than differences in cerebral hemispheric asymmetry between the two groups. |
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AbstractList | The auditory sensory end organ is under the control of the central nervous system via efferent projections. Contralateral suppression of otoacoustic emissions (acoustic signatures of the cochlear biomechanical activity) provides a non-invasive approach to assess olivocochlear efferent activity in humans. Using this approach, the present study compared professional musicians with musically-inexperienced subjects. The results revealed stronger bilateral cochlear suppression, suggesting larger efferent influences in both ears, in musicians. Furthermore, in indicating no difference in left/right asymmetry of efferent-mediated suppression between the two groups, the present findings suggest that the observed differences in olivocochlear activity reflect bilaterally-enhanced activity of the cortical auditory structures in musicians rather than differences in cerebral hemispheric asymmetry between the two groups.The auditory sensory end organ is under the control of the central nervous system via efferent projections. Contralateral suppression of otoacoustic emissions (acoustic signatures of the cochlear biomechanical activity) provides a non-invasive approach to assess olivocochlear efferent activity in humans. Using this approach, the present study compared professional musicians with musically-inexperienced subjects. The results revealed stronger bilateral cochlear suppression, suggesting larger efferent influences in both ears, in musicians. Furthermore, in indicating no difference in left/right asymmetry of efferent-mediated suppression between the two groups, the present findings suggest that the observed differences in olivocochlear activity reflect bilaterally-enhanced activity of the cortical auditory structures in musicians rather than differences in cerebral hemispheric asymmetry between the two groups. The auditory sensory end organ is under the control of the central nervous system via efferent projections. Contralateral suppression of otoacoustic emissions (acoustic signatures of the cochlear biomechanical activity) provides a non-invasive approach to assess olivocochlear efferent activity in humans. Using this approach, the present study compared professional musicians with musically-inexperienced subjects. The results revealed stronger bilateral cochlear suppression, suggesting larger efferent influences in both ears, in musicians. Furthermore, in indicating no difference in left/right asymmetry of efferent-mediated suppression between the two groups, the present findings suggest that the observed differences in olivocochlear activity reflect bilaterally-enhanced activity of the cortical auditory structures in musicians rather than differences in cerebral hemispheric asymmetry between the two groups. |
Author | Lionel Collet Perrot, Xavier Micheyl, Christophe Khalfa, Stéphanie |
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Cites_doi | 10.1016/0028-3932(71)90067-4 10.1001/archneur.1995.00540300067015 10.1016/0378-5955(93)90118-K 10.1016/0006-8993(90)90408-4 10.1016/0304-3940(94)90426-X 10.1016/0378-5955(85)90059-0 10.1016/0028-3932(78)90052-0 10.1016/0378-5955(90)90232-E 10.1016/0006-8993(94)91561-X 10.1002/cne.900840204 10.1121/1.382104 10.1037/0735-7044.111.4.801 10.1097/00001756-199703030-00046 10.1126/science.7839149 10.3109/03005368709076405 10.1016/0006-8993(79)91104-1 10.1121/1.414734 10.1006/brcg.1995.1272 10.1016/0378-5955(93)90254-X 10.1016/0165-0173(90)90005-9 |
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Keywords | Interaural efferent asymmetry Contralateral suppression Descending auditory pathways Medial olivocochlear bundle Otoacoustic emissions Musicians Cochlear biomechanical activity Biomechanics Human Otoacoustic emission Musician Cochlea Auditory pathway Olivocochlear bundle Inner ear Organ of hearing |
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SubjectTerms | Acoustic Stimulation Adult Auditory Pathways - physiology Biological and medical sciences Biomechanical Phenomena Cochlea - innervation Cochlea - physiology Cochlear biomechanical activity Contralateral suppression Descending auditory pathways Ear and associated structures. Auditory pathways and centers. Hearing. Vocal organ. Phonation. Sound production. Echolocation Efferent Pathways - physiology Evoked Potentials, Auditory Female Functional Laterality Fundamental and applied biological sciences. Psychology Humans Interaural efferent asymmetry Male Medial olivocochlear bundle Music Musicians Olivary Nucleus - physiology Otoacoustic emissions Vertebrates: nervous system and sense organs |
Title | Stronger bilateral efferent influences on cochlear biomechanical activity in musicians than in non-musicians |
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