Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool
For music, information has been understood to refer "to the freedom of choice which a composer has in working with his materials or to the degree of uncertainty which a listener feels in responding to the results of a composer's tonal choices" (Youngblood 1958, p. 25). This conceptual...
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Published in | Computer music journal Vol. 32; no. 4; pp. 64 - 78 |
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Main Authors | , |
Format | Journal Article |
Language | English |
Published |
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MIT Press
01.12.2008
The MIT Press MIT Press Journals, The |
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Online Access | Get full text |
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