A groundwork for West Indian cultural openness
Sidney Mintz aptly describes the cultural openness characteristic of West Indian life. But his historical sociology leaves a gap in our understanding of what cultural openness consists in and how it is organized in the ethnographic here and now. Cultural openness needs to be considered with regard t...
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Published in | The Journal of the Royal Anthropological Institute Vol. 13; no. 3; pp. 567 - 583 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Oxford, UK
Blackwell Publishing Ltd
01.09.2007
Blackwell Publishers |
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Abstract | Sidney Mintz aptly describes the cultural openness characteristic of West Indian life. But his historical sociology leaves a gap in our understanding of what cultural openness consists in and how it is organized in the ethnographic here and now. Cultural openness needs to be considered with regard to, and as dependent on, active practices of ambiguation. A case study of religious experience in Kingston, Jamaica describes one person's involvement in the Jamaican cult Revival Zion, foregrounding concurrent processes of subjective disambiguation/commitment, diacritical/disjunctural cultural framing, and ambiguation. Ambiguation in the West Indies is driven by a need to express inter-subjectively recognized truths for which there is no public moral terminology. Its wider context is the 'theatre state' quality of West Indian politics. Its results are cultural phenomena which elude categorical closure. Understanding how cultural openness is sustained in the Caribbean provides a contrastive insight into the Euro-American experience of modernity. / Bien que Sidney Mintz décrive très pertinemment le caractère d'ouverture culturelle de la vie dans les Caraïbes, sa sociologie historique ne nous permet pas de comprendre en quoi consiste l'ouverture culturelle ni comment elle est organisée dans l'ici et maintenant ethnographiques. L'ouverture cul doit être envisagée par rapport aux pratiques actives d'ambiguation et en lien avec celle-ci. Une étude de cas d'expérience religieuse à Kingston, à la Jamaïque, décrit l'implication d'un sujet dans le culte jamaïcain Revival Zion, jetant les bases de processus concomitants de désambiguation et d'engagement subjectifs, d'encadrement culturel diacritique et disjoncturel et d'ambiguation. Dans les Caraïbes, l'ambiguation est née de la nécessité d'exprimer des vérités reconnues au niveau intersubjectif et pour lesquelles il n'existe pas de terminologie morale publique. Elle s'inscrit dans le contexte plus large d'une qualité « d'Etatspectacle » de la politique aux Caraïbes. Il en résulte des phénomènes culturels qui échappent à la catégorisation. En comprenant comment l'ouverture culturelle se maintient dans les Caraïbes, nous obtenons par contraste une image de l'expérience euro-américaine de la modernité. |
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AbstractList | Sidney Mintz aptly describes the cultural openness characteristic of West Indian life. But his historical sociology leaves a gap in our understanding of what cultural openness consists in and how it is organized in the ethnographic here and now. Cultural openness needs to be considered with regard to, and as dependent on, active practices of ambiguation. A case study of religious experience in Kingston, Jamaica describes one person's involvement in the Jamaican cult Revival Zion, foregrounding concurrent processes of subjective disambiguation/commitment, diacritical/disjunctural cultural framing, and ambiguation. Ambiguation in the West Indies is driven by a need to express inter‐subjectively recognized truths for which there is no public moral terminology. Its wider context is the ‘theatre state’ quality of West Indian politics. Its results are cultural phenomena which elude categorical closure. Understanding how cultural openness is sustained in the Caribbean provides a contrastive insight into the Euro‐American experience of modernity.
Résumé
Bien que Sidney Mintz décrive très pertinemment le caractère d'ouverture culturelle de la vie dans les Caraïbes, sa sociologie historique ne nous permet pas de comprendre en quoi consiste l'ouverture culturelle ni comment elle est organisée dans l'ici et maintenant ethnographiques. L'ouverture culturelle doit être envisagée par rapport aux pratiques actives d'ambiguation et en lien avec celle‐ci. Une étude de cas d'expérience religieuse à Kingston, à la Jamaïque, décrit l'implication d'un sujet dans le culte jamaïcain Revival Zion, jetant les bases de processus concomitants de désambiguation et d'engagement subjectifs, d'encadrement culturel diacritique et disjoncturel et d'ambiguation. Dans les Caraïbes, l'ambiguation est née de la nécessité d'exprimer des vérités reconnues au niveau intersubjectif et pour lesquelles il n'existe pas de terminologie morale publique. Elle s'inscrit dans le contexte plus large d'une qualité« d'Etat‐spectacle » de la politique aux Caraïbes. Il en résulte des phénomènes culturels qui échappent à la catégorisation. En comprenant comment l'ouverture culturelle se maintient dans les Caraïbes, nous obtenons par contraste une image de l'expérience euro‐américaine de la modernité. Sidney Mintz aptly describes the cultural openness characteristic of West Indian life. But his historical sociology leaves a gap in our understanding of what cultural openness consists in and how it is organized in the ethnographic here and now. Cultural openness needs to be considered with regard to, and as dependent on, active practices of ambiguation. A case study of religious experience in Kingston, Jamaica describes one person's involvement in the Jamaican cult Revival Zion, foregrounding concurrent processes of subjective disambiguation/commitment, diacritical/disjunctural cultural framing, and ambiguation. Ambiguation in the West Indies is driven by a need to express inter-subjectively recognized truths for which there is no public moral terminology. Its wider context is the 'theatre state' quality of West Indian politics. Its results are cultural phenomena which elude categorical closure. Understanding how cultural openness is sustained in the Caribbean provides a contrastive insight into the Euro-American experience of modernity. Adapted from the source document. ABSTRACT IN ENGLISH: Sidney Mintz aptly describes the cultural openness characteristics of West Indian life. But his historical sociology leaves a gap in our understanding of what cultural openness consists in and how it is organized in the ethnographic here and now. Cultural openness needs to be considered with regard to, and as dependent on, active practices of ambiguation. A case study of religious experience in Kingston, Jamaica describes one person's involvement in the Jamaican cult Revival Zion, foregrounding concurrent processes of subjective disambiguation/commitment, diacritical/disjunctural cultural framing, and ambiguation. Ambiguation in the West Indies is driven by a need to express inter-subjectively recognized truths for which there is no public moral terminology. Its wider context is the 'theatre state' quality of West Indian politics. Its results are cultural phenomena which elude categorical closure. Understanding how cultural openness is sustained in the Caribbean provides a contrastive insight into the Euro-American experience of modernity. // ABSTRACT IN FRENCH: Bien que Sidney Mintz décrive très pertinemment le caractère d'ouverture culturelle de la vie dans les Caraïbes, sa sociologie historique ne nous permet pas de comprendre en quoi consiste l'ouverture culturelle doit ètre envisagée par rapport aux pratiques actives d'ambiguation et en lien avec celle-ci. Une étude de cas d'expérience religieuse à Kingston, à la Jamaïque, décrit l'implication d'un sujet dans le culte jamaïcain Revival Zion, jetant les bases de processus concomitants de désambiguation et d'engagement subjectifs, d'encadrement culturel diacritique et disjoncturel et d'ambiguation. Dans les Caraïbes, l'ambiguation est née de la nécessité d'exprimer des vérités reconnues au niveau intersubjectif et pou lesquelles il n'existe pas de terminologie morale publique. Elle s'inscrit dans le contexte plus large d'une qualité « d'Etat-spectacle » de la politique aux Caraïbes. Il en résulte des phénomènes culturels qui échappent à la catégorisation. En comprenant comment l'ouverture culturelle se maintient dans les Caraïbes, nous obtenons par contraste une image de l'expérience euro-américaine de la modernité. Reprinted by permission of the Royal Anthropological Institute of Great Britain and Ireland Sidney Mintz aptly describes the cultural openness characteristic of West Indian life. But his historical sociology leaves a gap in our understanding of what cultural openness consists in and how it is organized in the ethnographic here and now. Cultural openness needs to be considered with regard to, and as dependent on, active practices of ambiguation. A case study of religious experience in Kingston, Jamaica describes one person's involvement in the Jamaican cult Revival Zion, foregrounding concurrent processes of subjective disambiguation/commitment, diacritical/disjunctural cultural framing, and ambiguation. Ambiguation in the West Indies is driven by a need to express inter-subjectively recognized truths for which there is no public moral terminology. Its wider context is the 'theatre state' quality of West Indian politics. Its results are cultural phenomena which elude categorical closure. Understanding how cultural openness is sustained in the Caribbean provides a contrastive insight into the Euro-American experience of modernity. / Bien que Sidney Mintz décrive très pertinemment le caractère d'ouverture culturelle de la vie dans les Caraïbes, sa sociologie historique ne nous permet pas de comprendre en quoi consiste l'ouverture culturelle ni comment elle est organisée dans l'ici et maintenant ethnographiques. L'ouverture cul doit être envisagée par rapport aux pratiques actives d'ambiguation et en lien avec celle-ci. Une étude de cas d'expérience religieuse à Kingston, à la Jamaïque, décrit l'implication d'un sujet dans le culte jamaïcain Revival Zion, jetant les bases de processus concomitants de désambiguation et d'engagement subjectifs, d'encadrement culturel diacritique et disjoncturel et d'ambiguation. Dans les Caraïbes, l'ambiguation est née de la nécessité d'exprimer des vérités reconnues au niveau intersubjectif et pour lesquelles il n'existe pas de terminologie morale publique. Elle s'inscrit dans le contexte plus large d'une qualité « d'Etatspectacle » de la politique aux Caraïbes. Il en résulte des phénomènes culturels qui échappent à la catégorisation. En comprenant comment l'ouverture culturelle se maintient dans les Caraïbes, nous obtenons par contraste une image de l'expérience euro-américaine de la modernité. Sidney Mintz aptly describes the cultural openness characteristic of West Indian life. But his historical sociology leaves a gap in our understanding of what cultural openness consists in and how it is organized in the ethnographic here and now. Cultural openness needs to be considered with regard to, and as dependent on, active practices of ambiguation. A case study of religious experience in Kingston, Jamaica describes one person's involvement in the Jamaican cult Revival Zion, foregrounding concurrent processes of subjective disambiguation/commitment, diacritical! disjunctural cultural framing, and ambiguation. Ambiguation in the West Indies is driven by a need to express inter-subjectively recognized truths for which there is no public moral terminology. Its wider context is the `theatre state' quality of West Indian politics. Its results are cultural phenomena which elude categorical closure. Understanding how cultural openness is sustained in the Caribbean provides a contrastive insight into the Euro-American experience of modernity. [PUBLICATION ABSTRACT] |
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Snippet | Sidney Mintz aptly describes the cultural openness characteristic of West Indian life. But his historical sociology leaves a gap in our understanding of what... ABSTRACT IN ENGLISH: Sidney Mintz aptly describes the cultural openness characteristics of West Indian life. But his historical sociology leaves a gap in our... |
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SubjectTerms | Acceptance African culture Anthropology of religion Caribbean Case studies Comment Creoles Cults Cultural anthropology Cultural differences Cultural studies Culture Ethnographic research Ethnography Field work Jamaica Linguistic anthropology Native culture Native peoples Religion Religious change Religious cults Religious experiences Revivalism Social life Sociology West Indians |
Title | A groundwork for West Indian cultural openness |
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