THE OTTOMAN SIEGE OF VIENNA, ENGLISH BALLADS, AND THE EXCLUSION CRISIS
The second Ottoman siege of Vienna (1683) generated a higher volume of English writing than any other seventeenth-century event involving the Ottomans. This article focuses upon ballads written in the immediate aftermath of the siege and relates them to the concurrent English political context of th...
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| Published in | The Historical journal Vol. 57; no. 1; pp. 53 - 80 |
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| Main Author | |
| Format | Journal Article |
| Language | English |
| Published |
Cambridge, UK
Cambridge University Press
01.03.2014
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| Subjects | |
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| Abstract | The second Ottoman siege of Vienna (1683) generated a higher volume of English writing than any other seventeenth-century event involving the Ottomans. This article focuses upon ballads written in the immediate aftermath of the siege and relates them to the concurrent English political context of the Tory reaction to the exclusion crisis. Situating these ballads within the publication milieu of pamphlet news and political polemic, it examines the figures who produced them and the audiences they were aimed at. Following from this, it shows how the use of commonplace images and associations with the ‘Turk’ as a recurring figure in early modern writing allowed these ballads to find, or depict, synchronicities between the events of the siege of Vienna, and the English political scene. |
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| AbstractList | ABSTRACT
The second Ottoman siege of Vienna (1683) generated a higher volume of English writing than any other seventeenth-century event involving the Ottomans. This article focuses upon ballads written in the immediate aftermath of the siege and relates them to the concurrent English political context of the Tory reaction to the exclusion crisis. Situating these ballads within the publication milieu of pamphlet news and political polemic, it examines the figures who produced them and the audiences they were aimed at. Following from this, it shows how the use of commonplace images and associations with the ‘Turk’ as a recurring figure in early modern writing allowed these ballads to find, or depict, synchronicities between the events of the siege of Vienna, and the English political scene. ABSTRACT The second Ottoman siege of Vienna (1683) generated a higher volume of English writing than any other seventeenth-century event involving the Ottomans. This article focuses upon ballads written in the immediate aftermath of the siege and relates them to the concurrent English political context of the Tory reaction to the exclusion crisis. Situating these ballads within the publication milieu of pamphlet news and political polemic, it examines the figures who produced them and the audiences they were aimed at. Following from this, it shows how the use of commonplace images and associations with the 'Turk' as a recurring figure in early modern writing allowed these ballads to find, or depict, synchronicities between the events of the siege of Vienna, and the English political scene. [PUBLICATION ABSTRACT] The second Ottoman siege of Vienna (1683) generated a higher volume of English writing than any other seventeenth-century event involving the Ottomans. This article focuses upon ballads written in the immediate aftermath of the siege and relates them to the concurrent English political context of the Tory reaction to the exclusion crisis. Situating these ballads within the publication milieu of pamphlet news and political polemic, it examines the figures who produced them and the audiences they were aimed at. Following from this, it shows how the use of commonplace images and associations with the 'Turk' as a recurring figure in early modern writing allowed these ballads to find, or depict, synchronicities between the events of the siege of Vienna, and the English political scene. Reprinted by permission of Cambridge University Press. An electronic version of this article can be accessed via the internet at http://journals.cambridge.org The second Ottoman siege of Vienna (1683) generated a higher volume of English writing than any other seventeenth-century event involving the Ottomans. This article focuses upon ballads written in the immediate aftermath of the siege and relates them to the concurrent English political context of the Tory reaction to the exclusion crisis. Situating these ballads within the publication milieu of pamphlet news and political polemic, it examines the figures who produced them and the audiences they were aimed at. Following from this, it shows how the use of commonplace images and associations with the ‘Turk’ as a recurring figure in early modern writing allowed these ballads to find, or depict, synchronicities between the events of the siege of Vienna, and the English political scene. The second Ottoman siege of Vienna (1683) generated a higher volume of English writing than any other seventeenth-century event involving the Ottomans. This article focuses upon ballads written in the immediate aftermath of the siege and relates them to the concurrent English political context of the Tory reaction to the exclusion crisis. Situating these ballads within the publication milieu of pamphlet news and political polemic, it examines the figures who produced them and the audiences they were aimed at. Following from this, it shows how the use of commonplace images and associations with the 'Turk' as a recurring figure in early modern writing allowed these ballads to find, or depict, synchronicities between the events of the siege of Vienna, and the English political scene. (Author abstract) The second Ottoman siege of Vienna (1683) generated a higher volume of English writing than any other seventeenth-century event involving the Ottomans. This article focuses upon ballads written in the immediate aftermath of the siege and relates them to the concurrent English political context of the Tory reaction to the exclusion crisis. Situating these ballads within the publication milieu of pamphlet news and political polemic, it examines the figures who produced them and the audiences they were aimed at. Following from this, it shows how the use of commonplace images and associations with the 'Turk' as a recurring figure in early modern writing allowed these ballads to find, or depict, synchronicities between the events of the siege of Vienna, and the English political scene. Adapted from the source document. |
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| References | Birchwood (S0018246X13000484_ref47) 2007 Harris (S0018246X13000484_ref29) 1987 Treadwell (S0018246X13000484_ref34) 1999–2011 Behn (S0018246X13000484_ref52) 1682 S0018246X13000484_ref61 Marsh (S0018246X13000484_ref38) 2010 Taylor (S0018246X13000484_ref22) 2009 Watt (S0018246X13000484_ref32) 1991 Clarke (S0018246X13000484_ref2) 2006; 21 S0018246X13000484_ref27 Rycaut (S0018246X13000484_ref56) 1668 Knights (S0018246X13000484_ref23) 1994 Johnston (S0018246X13000484_ref59) 2011 Raymond (S0018246X13000484_ref6) 2003 Northleigh (S0018246X13000484_ref55) 1682 Simpson (S0018246X13000484_ref37) 1966 Peltonen (S0018246X13000484_ref13) 2013 Blagden (S0018246X13000484_ref35) 1954; 6 McShane (S0018246X13000484_ref33) 2008 Raymond (S0018246X13000484_ref10) 1996 Thompson (S0018246X13000484_ref57) 1684 Spurr (S0018246X13000484_ref21) 2007 Marvell (S0018246X13000484_ref53) 1677 Handover (S0018246X13000484_ref30) 1965 Peerbooms (S0018246X13000484_ref28) 1983 (S0018246X13000484_ref14) 1683 Goldie (S0018246X13000484_ref60) 2008 Vitkus (S0018246X13000484_ref49) 2000 S0018246X13000484_ref31 S0018246X13000484_ref36 Pincus (S0018246X13000484_ref19) 1995 Goldie (S0018246X13000484_ref24) 1997 Poe (S0018246X13000484_ref54) 2000 Çirakman (S0018246X13000484_ref3) 2002 S0018246X13000484_ref5 S0018246X13000484_ref4 Harris (S0018246X13000484_ref25) 2005 S0018246X13000484_ref7 Barbour (S0018246X13000484_ref50) 2003 S0018246X13000484_ref41 Dimmock (S0018246X13000484_ref43) 2005 S0018246X13000484_ref44 S0018246X13000484_ref45 S0018246X13000484_ref46 McShane (S0018246X13000484_ref1) 2011 McShane (S0018246X13000484_ref51) 2004 Lake (S0018246X13000484_ref8) 2007 Smith (S0018246X13000484_ref40) 1678 Loveman (S0018246X13000484_ref58) 2008 Tapsell (S0018246X13000484_ref9) 2010 Rouillard (S0018246X13000484_ref20) 1938 S0018246X13000484_ref16 S0018246X13000484_ref17 S0018246X13000484_ref18 Chew (S0018246X13000484_ref15) 1965 Harth (S0018246X13000484_ref26) 1993 Addison (S0018246X13000484_ref39) 1679 Housley (S0018246X13000484_ref42) 2002 Garcia (S0018246X13000484_ref48) 2012 S0018246X13000484_ref11 S0018246X13000484_ref12 |
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| Title | THE OTTOMAN SIEGE OF VIENNA, ENGLISH BALLADS, AND THE EXCLUSION CRISIS |
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