New Zealand television and the struggle for `public service
Public service broadcasting (PSB) objectives have played an important role in New Zealand television since the medium's inception in 1960. In particular, they have helped to ensure that, in a context in which primetime broadcasts can be so easily dominated by cheaply acquired foreign programmes...
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Published in | Media, culture & society Vol. 30; no. 6; pp. 795 - 811 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
London, England
SAGE Publications
01.11.2008
Sage Publications Ltd |
Subjects | |
Online Access | Get full text |
ISSN | 0163-4437 1460-3675 |
DOI | 10.1177/0163443708096094 |
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Abstract | Public service broadcasting (PSB) objectives have played an important role in New Zealand television since the medium's inception in 1960. In particular, they have helped to ensure that, in a context in which primetime broadcasts can be so easily dominated by cheaply acquired foreign programmes, television can offer a diversity of locally produced material, including some with the potential to foster a sense of 'New Zealand' identity. Nonetheless, the pursuit of public service in New Zealand television has been a struggle in three main respects: (1) New Zealand's limited market size has made it difficult to consistently fund its objectives in programming; (2) there have been fluctuations in its policy and legislative expectations; and (3) most overtly in the 1990s, public service TV has been subject to political neglect of its funding needs. This article examines the provisions for and pursuit of 'public service' in relation to three main phases of New Zealand television: the public monopoly before 1989; the deregulated 1990s; and the early post-millennium era. [PUBLICATION ABSTRACT] |
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AbstractList | Public service broadcasting (PSB) objectives have played an important role in New Zealand television since the medium's inception in 1960. In particular, they have helped to ensure that, in a context in which primetime broadcasts can be so easily dominated by cheaply acquired foreign programmes, television can offer a diversity of locally produced material, including some with the potential to foster a sense of 'New Zealand' identity. Nonetheless, the pursuit of public service in New Zealand television has been a struggle in three main respects: (1) New Zealand's limited market size has made it difficult to consistently fund its objectives in programming; (2) there have been fluctuations in its policy and legislative expectations; and (3) most overtly in the 1990s, public service TV has been subject to political neglect of its funding needs. This article examines the provisions for and pursuit of 'public service' in relation to three main phases of New Zealand television: the public monopoly before 1989; the deregulated 1990s; and the early post-millennium era. [PUBLICATION ABSTRACT] Public service broadcasting (PSB) objectives have played an important role in New Zealand television since the medium's inception in 1960. In particular, they have helped to ensure that, in a context in which primetime broadcasts can be so easily dominated by cheaply acquired foreign programmes, television can offer a diversity of locally produced material, including some with the potential to foster a sense of 'New Zealand' identity. Nonetheless, the pursuit of public service in New Zealand television has been a struggle in three main respects: (1) New Zealand's limited market size has made it difficult to consistently fund its objectives in programming; (2) there have been fluctuations in its policy and legislative expectations; and (3) most overtly in the 1990s, public service TV has been subject to political neglect of its funding needs. This article examines the provisions for and pursuit of 'public service' in relation to three main phases of New Zealand television: the public monopoly before 1989; the deregulated 1990s; and the early post-millennium era. [Reprinted by permission of Sage Publications Ltd., copyright 2008.] Public service broadcasting (PSB) objectives have played an important role in New Zealand television since the medium's inception in 1960. In particular, they have helped to ensure that, in a context in which primetime broadcasts can be so easily dominated by cheaply acquired foreign programmes, television can offer a diversity of locally produced material, including some with the potential to foster a sense of 'New Zealand' identity. Nonetheless, the pursuit of public service in New Zealand television has been a struggle in three main respects: (1) New Zealand's limited market size has made it difficult to consistently fund its objectives in programming; (2) there have been fluctuations in its policy and legislative expectations; and (3) most overtly in the 1990s, public service TV has been subject to political neglect of its funding needs. This article examines the provisions for and pursuit of 'public service' in relation to three main phases of New Zealand television: the public monopoly before 1989; the deregulated 1990s; and the early post-millennium era. Reprinted by permission of Sage Publications Ltd |
Author | Dunleavy, Trisha |
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Cites_doi | 10.1093/acprof:oso/9780198159254.001.0001 10.1177/1527476402250675 10.5040/9780755604784 |
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References | Barnett, J. 1999 Jacka, E. 2003; 4 Reed, M. 2006 atypb8 Shaw, A. (atypb12) 2003 Adam Report (atypb1) 1973 New Zealand on Air (atypb10) 2005 Barnett, J. (atypb2) 1999 (atypb14) 2003 Reed, M. (atypb11) 2006 atypb15 Chapman Report (atypb3) 1986 atypb5 Smith, P. (atypb13) 1996 atypb4 atypb7 (atypb9) 1989 atypb6 |
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SubjectTerms | Broadcasting Cultural identity Cultural Pluralism Deregulation Identity Maori Market failure Media Monopolies National identity Neoliberalism New Zealand Political factors Programming (Broadcast) Public access Public Services Television Television broadcasting |
Title | New Zealand television and the struggle for `public service |
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