Becoming a "Society of the Spectacle": Ghanaian Hiplife Music and Corporate Recolonization - Osumare, Halifu (Popular music and society, 2014)
Keywords: Adaptation; Africa; Artists; Capitalism; Colonialism; Ghana; Ghanaian Music; Globalization; Hip hop; Hip hop music; Modernity; Modernization; Music; Neoliberalism; Popular music; Privatization; Telecommunications; Ghana