APA (7th ed.) Citation

Osumare, H. (2014). Becoming a "Society of the Spectacle": Ghanaian Hiplife Music and Corporate Recolonization. Popular music and society, 37(2), 187-209. https://doi.org/10.1080/03007766.2012.747262

Chicago Style (17th ed.) Citation

Osumare, Halifu. "Becoming a "Society of the Spectacle": Ghanaian Hiplife Music and Corporate Recolonization." Popular Music and Society 37, no. 2 (2014): 187-209. https://doi.org/10.1080/03007766.2012.747262.

MLA (9th ed.) Citation

Osumare, Halifu. "Becoming a "Society of the Spectacle": Ghanaian Hiplife Music and Corporate Recolonization." Popular Music and Society, vol. 37, no. 2, 2014, pp. 187-209, https://doi.org/10.1080/03007766.2012.747262.