William Blake's Visual Sublime: The "Eternal Labours"
This essay examines Blake's visual aesthetics in the light of recent theories of the sublime. The latter, by seeing the sublime as a dynamic process located within creative activity itself, rather than as an experience that transcends the human, shed new light on Blake's practice and theor...
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Published in | European romantic review Vol. 21; no. 1; pp. 29 - 48 |
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Format | Journal Article |
Language | English |
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01.02.2010
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Abstract | This essay examines Blake's visual aesthetics in the light of recent theories of the sublime. The latter, by seeing the sublime as a dynamic process located within creative activity itself, rather than as an experience that transcends the human, shed new light on Blake's practice and theory. In particular, they make it possible to view the high degree of medium reflexivity in the illuminated books, as well as the artist's original conception of linearism, as apt illustrations of such a sublime process. This essay shows how these well-known features of Blake's art reveal his heightened awareness of the incommensurability between material representation and the forms of his imagination, and of the necessity to sustain artistic production nevertheless. Such an experience of the terrifying and energetic struggle towards an ever-elusive formal perfection, we argue, is a forceful expression of the sublime dynamics of visual creation. |
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AbstractList | This essay examines Blake's visual aesthetics in the light of recent theories of the sublime. The latter, by seeing the sublime as a dynamic process located within creative activity itself, rather than as an experience that transcends the human, shed new light on Blake's practice and theory. In particular, they make it possible to view the high degree of medium reflexivity in the illuminated books, as well as the artist's original conception of linearism, as apt illustrations of such a sublime process. This essay shows how these well-known features of Blake's art reveal his heightened awareness of the incommensurability between material representation and the forms of his imagination, and of the necessity to sustain artistic production nevertheless. Such an experience of the terrifying and energetic struggle towards an ever-elusive formal perfection, we argue, is a forceful expression of the sublime dynamics of visual creation. |
Author | Ibata, Hélène |
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References | Otto Peter (CIT0025) 2000 Mitchell W.J.T. (CIT0023) 1978 Baulch David M. (CIT0003) 1997; 13 Kant Immanuel (CIT0019) 2000 CIT0032 Lyotard Jean‐François (CIT0021) 1991 Curran Stuart (CIT0006) 1973 Lyotard Jean‐François (CIT0020) 1988 Eaves Morris (CIT0012) 1982 Todd Ruthven (CIT0031) 1948; 29 Viscomi Joseph (CIT0033) 1993 Paley Morton D. (CIT0027) 1983 Erdman David V. (CIT0013) 1988 Paley Morton D. (CIT0026) 1970 Paley Morton D. (CIT0028) 1986 De Luca V.A. (CIT0008) 1986 De Bolla Peter (CIT0007) 1989 Essick Robert N. (CIT0015) 1980 De Luca V.A. (CIT0009) 1991 Derrida Jacques (CIT0010) 1987 Erdman David V. (CIT0014) 1975 Mitchell W.J.T. (CIT0022) Essick Robert N. (CIT0017) 2002 Phillips Michael (CIT0029) 2000 Schierenbeck Daniel (CIT0030) 2007; 46 Essick Robert N. (CIT0016) 1986 Burke Edmund (CIT0005) 1990 Frosch Thomas (CIT0018) 1974 Blunt Anthony (CIT0004) 1959 Ault Donald (CIT0002) 1987 Abrams Meyer H. (CIT0001) 1953 Dortort Fred (CIT0011) 1998 Nancy Jean‐Luc (CIT0024) 1993 |
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Snippet | This essay examines Blake's visual aesthetics in the light of recent theories of the sublime. The latter, by seeing the sublime as a dynamic process located... This essay examines Blake’s visual aesthetics in the light of recent theories of the sublime. The latter, by seeing the sublime as a dynamic process located... |
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Title | William Blake's Visual Sublime: The "Eternal Labours" |
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