Perceptual scaling of synthesized musical timbres: common dimensions, specificities, and latent subject classes
To study the perceptual structure of musical timbre and the effects of musical training, timbral dissimilarities of synthesized instrument sounds were rated by professional musicians, amateur musicians, and nonmusicians. The data were analyzed with an extended version of the multidimensional scaling...
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| Published in | Psychological research Vol. 58; no. 3; p. 177 |
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| Main Authors | , , , , |
| Format | Journal Article |
| Language | English |
| Published |
Germany
01.12.1995
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| Abstract | To study the perceptual structure of musical timbre and the effects of musical training, timbral dissimilarities of synthesized instrument sounds were rated by professional musicians, amateur musicians, and nonmusicians. The data were analyzed with an extended version of the multidimensional scaling algorithm CLASCAL (Winsberg & De Soete, 1993), which estimates the number of latent classes of subjects, the coordinates of each timbre on common Euclidean dimensions, a specificity value of unique attributes for each timbre, and a separate weight for each latent class on each of the common dimensions and the set of specificities. Five latent classes were found for a three-dimensional spatial model with specificities. Common dimensions were quantified psychophysically in terms of log-rise time, spectral centroid, and degree of spectral variation. The results further suggest that musical timbres possess specific attributes not accounted for by these shared perceptual dimensions. Weight patterns indicate that perceptual salience of dimensions and specificities varied across classes. A comparison of class structure with biographical factors associated with degree of musical training and activity was not clearly related to the class structure, though musicians gave more precise and coherent judgments than did non-musicians or amateurs. The model with latent classes and specificities gave a better fit to the data and made the acoustic correlates of the common dimensions more interpretable. |
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| AbstractList | To study the perceptual structure of musical timbre and the effects of musical training, timbral dissimilarities of synthesized instrument sounds were rated by professional musicians, amateur musicians, and nonmusicians. The data were analyzed with an extended version of the multidimensional scaling algorithm CLASCAL (Winsberg & De Soete, 1993), which estimates the number of latent classes of subjects, the coordinates of each timbre on common Euclidean dimensions, a specificity value of unique attributes for each timbre, and a separate weight for each latent class on each of the common dimensions and the set of specificities. Five latent classes were found for a three-dimensional spatial model with specificities. Common dimensions were quantified psychophysically in terms of log-rise time, spectral centroid, and degree of spectral variation. The results further suggest that musical timbres possess specific attributes not accounted for by these shared perceptual dimensions. Weight patterns indicate that perceptual salience of dimensions and specificities varied across classes. A comparison of class structure with biographical factors associated with degree of musical training and activity was not clearly related to the class structure, though musicians gave more precise and coherent judgments than did non-musicians or amateurs. The model with latent classes and specificities gave a better fit to the data and made the acoustic correlates of the common dimensions more interpretable. |
| Author | Winsberg, S McAdams, S Krimphoff, J Donnadieu, S De Soete, G |
| Author_xml | – sequence: 1 givenname: S surname: McAdams fullname: McAdams, S organization: Laboratoire de Psychologie Expérimentale (CNRS), Université René Descartes, EPHE, Paris, France – sequence: 2 givenname: S surname: Winsberg fullname: Winsberg, S – sequence: 3 givenname: S surname: Donnadieu fullname: Donnadieu, S – sequence: 4 givenname: G surname: De Soete fullname: De Soete, G – sequence: 5 givenname: J surname: Krimphoff fullname: Krimphoff, J |
| BackLink | https://www.ncbi.nlm.nih.gov/pubmed/8570786$$D View this record in MEDLINE/PubMed |
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| References | 560400 - J Acoust Soc Am. 1977 May;61(5):1270-7 5804112 - J Acoust Soc Am. 1969 Aug;46(2):409-21 1184844 - J Acoust Soc Am. 1975 Sep;58(3):711-20 1354378 - Philos Trans R Soc Lond B Biol Sci. 1992 Jun 29;336(1278):383-9 5804118 - J Acoust Soc Am. 1969 Aug;46(2):458-67 8270737 - J Acoust Soc Am. 1993 Nov;94(5):2595-603 14296451 - Psychol Rev. 1965 Jan;72:3-26 5074084 - Scand J Psychol. 1972;13(3):228-40 |
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| SubjectTerms | Adolescent Adult Auditory Perception Female Humans Loudness Perception Male Mathematics Middle Aged Models, Psychological Music Pitch Perception Practice (Psychology) Psychoacoustics Sound Spectrography |
| Title | Perceptual scaling of synthesized musical timbres: common dimensions, specificities, and latent subject classes |
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