The Dialectics of Contrast and Continuity in the Films of Humphrey Bogart
In this article I have the following principle aims: first to demonstrate the intertextuality of the film roles of Humphrey Bogart during the decades of the 1930s to the 1950s; second, to show how the transformation of persona in film roles relates to changes in the social and cultural environment o...
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Published in | Visual anthropology (Journal) Vol. 22; no. 1; pp. 20 - 29 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Abingdon
Taylor & Francis Group
2009
Taylor & Francis Ltd |
Subjects | |
Online Access | Get full text |
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