The Dialectics of Contrast and Continuity in the Films of Humphrey Bogart

In this article I have the following principle aims: first to demonstrate the intertextuality of the film roles of Humphrey Bogart during the decades of the 1930s to the 1950s; second, to show how the transformation of persona in film roles relates to changes in the social and cultural environment o...

Full description

Saved in:
Bibliographic Details
Published inVisual anthropology (Journal) Vol. 22; no. 1; pp. 20 - 29
Main Author Izmirlian, Harry
Format Journal Article
LanguageEnglish
Published Abingdon Taylor & Francis Group 2009
Taylor & Francis Ltd
Subjects
Online AccessGet full text

Cover

Loading…