Performing Embodiable Topoi: Strategic Indigeneity and the Incorporation of Ecuadorian National Identity

The rhetorical history of Ecuador is rife with examples of politicians, intellectuals, and artists promoting visions of national identity through images of Ecuador's indigenous population. Between the late nineteenth and mid-twentieth centuries, such depictions became common and displayed incre...

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Published inThe Quarterly journal of speech Vol. 96; no. 3; pp. 300 - 323
Main Author Olson, Christa J.
Format Journal Article
LanguageEnglish
Published Philadelphia Taylor & Francis Group 01.08.2010
Routledge
Taylor & Francis Ltd
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Abstract The rhetorical history of Ecuador is rife with examples of politicians, intellectuals, and artists promoting visions of national identity through images of Ecuador's indigenous population. Between the late nineteenth and mid-twentieth centuries, such depictions became common and displayed increasing emphasis on the physical characteristics of indigenous people. This focus led to appropriations of indigeneity in which white and mestizo Ecuadorians spoke as if indigenous in order to construct arguments about their place in the nation. In the process, they engaged an "embodiable topos" that housed persuasive force within bodily performances of indigenous character. White-mestizo performances of indigeneity engaged embodiable topoi in order to appropriate specific positions associated with indigenous subjects and to establish access to otherwise unavailable forms of rhetorical legitimacy.
AbstractList The rhetorical history of Ecuador is rife with examples of politicians, intellectuals, and artists promoting visions of national identity through images of Ecuador's indigenous population. Between the late nineteenth and mid-twentieth centuries, such depictions became common and displayed increasing emphasis on the physical characteristics of indigenous people. This focus led to appropriations of indigeneity in which white and mestizo Ecuadorians spoke as if indigenous in order to construct arguments about their place in the nation. In the process, they engaged an "embodiable topos" that housed persuasive force within bodily performances of indigenous character. White-mestizo performances of indigeneity engaged embodiable topoi in order to appropriate specific positions associated with indigenous subjects and to establish access to otherwise unavailable forms of rhetorical legitimacy. (Author abstract)
The rhetorical history of Ecuador is rife with examples of politicians, intellectuals, and artists promoting visions of national identity through images of Ecuador's indigenous population. Between the late nineteenth and mid-twentieth centuries, such depictions became common and displayed increasing emphasis on the physical characteristics of indigenous people. This focus led to appropriations of indigeneity in which white and "mestizo" Ecuadorians spoke as if indigenous in order to construct arguments about their place in the nation. In the process, they engaged an "embodiable topos" that housed persuasive force within bodily performances of indigenous character. White-"mestizo" performances of indigeneity engaged embodiable topoi in order to appropriate specific positions associated with indigenous subjects and to establish access to otherwise unavailable forms of rhetorical legitimacy. (Contains 76 notes.)
The rhetorical history of Ecuador is rife with examples of politicians, intellectuals, and artists promoting visions of national identity through images of Ecuador's indigenous population. Between the late nineteenth and mid-twentieth centuries, such depictions became common and displayed increasing emphasis on the physical characteristics of indigenous people. This focus led to appropriations of indigeneity in which white and mestizo Ecuadorians spoke as if indigenous in order to construct arguments about their place in the nation. In the process, they engaged an "embodiable topos" that housed persuasive force within bodily performances of indigenous character. White-mestizo performances of indigeneity engaged embodiable topoi in order to appropriate specific positions associated with indigenous subjects and to establish access to otherwise unavailable forms of rhetorical legitimacy.
The rhetorical history of Ecuador is rife with examples of politicians, intellectuals, and artists promoting visions of national identity through images of Ecuador's indigenous population. Between the late nineteenth and mid-twentieth centuries, such depictions became common and displayed increasing emphasis on the physical characteristics of indigenous people. This focus led to appropriations of indigeneity in which white and mestizo Ecuadorians spoke as if indigenous in order to construct arguments about their place in the nation. In the process, they engaged an "embodiable topos" that housed persuasive force within bodily performances of indigenous character. White-mestizo performances of indigeneity engaged embodiable topoi in order to appropriate specific positions associated with indigenous subjects and to establish access to otherwise unavailable forms of rhetorical legitimacy. [PUBLICATION ABSTRACT]
Author Olson, Christa J.
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SubjectTerms Criticism
Cultural identity
Ecuador
Embodiment
Foreign Countries
History
Indigeneity
Indigenous Populations
Latin America
National Identity
Nationalism
Native peoples
Persuasive Discourse
Rhetoric
Rhetorical Theory
Topoi
Title Performing Embodiable Topoi: Strategic Indigeneity and the Incorporation of Ecuadorian National Identity
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