Space, Place, and New Orleans on Television From Frank’s Place to Treme

This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood—Frank’s Place. I suggest that whereas for Frank’s Place, media scholars’ emphasis on the show’s representational practices of race and place was entirely appropriate, these question...

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Published inTelevision & new media Vol. 13; no. 3; pp. 193 - 212
Main Author Morgan Parmett, Helen
Format Journal Article
LanguageEnglish
Published Los Angeles, CA SAGE Publications 01.05.2012
Subjects
Online AccessGet full text
ISSN1527-4764
1552-8316
DOI10.1177/1527476411421351

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Abstract This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood—Frank’s Place. I suggest that whereas for Frank’s Place, media scholars’ emphasis on the show’s representational practices of race and place was entirely appropriate, these questions are not sufficient to make sense of Treme. The latter enjoins media scholars to ask a different set of questions that examine both the show’s practices within the city as well as the city’s practices that implicate the show. Specifically, I suggest that the show requires an analysis of labor and hiring practices, tourism, and corporate social responsibility in the city. In so doing, I propose considering Treme not in terms of its representational practices, but rather, as a set of spatial practices bound up with the material production of city space as well as its citizen-subjects.
AbstractList This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood—Frank’s Place. I suggest that whereas for Frank’s Place, media scholars’ emphasis on the show’s representational practices of race and place was entirely appropriate, these questions are not sufficient to make sense of Treme. The latter enjoins media scholars to ask a different set of questions that examine both the show’s practices within the city as well as the city’s practices that implicate the show. Specifically, I suggest that the show requires an analysis of labor and hiring practices, tourism, and corporate social responsibility in the city. In so doing, I propose considering Treme not in terms of its representational practices, but rather, as a set of spatial practices bound up with the material production of city space as well as its citizen-subjects.
This article compares the HBO series Treme to an earlier television series that was also set in the Treme neighborhood-Frank's Place. I suggest that whereas for Frank's Place, media scholars' emphasis on the show's representational practices of race and place was entirely appropriate, these questions are not sufficient to make sense of Treme. The latter enjoins media scholars to ask a different set of questions that examine both the show's practices within the city as well as the city's practices that implicate the show. Specifically, I suggest that the show requires an analysis of labor and hiring practices, tourism, and corporate social responsibility in the city. In so doing, I propose considering Treme not in terms of its representational practices, but rather, as a set of spatial practices bound up with the material production of city space as well as its citizen-subjects. [Reprinted by permission of Sage Publications Inc., copyright holder.]
This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood - Frank's Place. I suggest that whereas for Frank's Place, media scholars' emphasis on the show's representational practices of race and place was entirely appropriate, these questions are not sufficient to make sense of Treme. The latter enjoins media scholars to ask a different set of questions that examine both the show's practices within the city as well as the city's practices that implicate the show. Specifically, I suggest that the show requires an analysis of labor and hiring practices, tourism, and corporate social responsibility in the city. In so doing, I propose considering Treme not in terms of its representational practices, but rather, as a set of spatial practices bound up with the material production of city space as well as its citizen-subjects. Reprinted by permission of Sage Publications Ltd
Author Morgan Parmett, Helen
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race
cities
cultural economy
television
media
critical media studies
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Snippet This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood—Frank’s Place. I suggest that whereas...
This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood— Frank’s Place. I suggest that whereas...
This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood - Frank's Place. I suggest that whereas...
This article compares the HBO series Treme to an earlier television series that was also set in the Treme neighborhood-Frank's Place. I suggest that whereas...
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SubjectTerms Cities
Corporations
Hiring Practices
Mass media
Mass Media Images
Media
Natural disasters
New Orleans, Louisiana
Place
Programming (Broadcast)
Race
Social representations
Social Responsibility
Social responsibility of business
Space
Television
Tourism
U.S.A
Subtitle From Frank’s Place to Treme
Title Space, Place, and New Orleans on Television
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Volume 13
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