Space, Place, and New Orleans on Television From Frank’s Place to Treme
This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood—Frank’s Place. I suggest that whereas for Frank’s Place, media scholars’ emphasis on the show’s representational practices of race and place was entirely appropriate, these question...
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Published in | Television & new media Vol. 13; no. 3; pp. 193 - 212 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Los Angeles, CA
SAGE Publications
01.05.2012
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Subjects | |
Online Access | Get full text |
ISSN | 1527-4764 1552-8316 |
DOI | 10.1177/1527476411421351 |
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Abstract | This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood—Frank’s Place. I suggest that whereas for Frank’s Place, media scholars’ emphasis on the show’s representational practices of race and place was entirely appropriate, these questions are not sufficient to make sense of Treme. The latter enjoins media scholars to ask a different set of questions that examine both the show’s practices within the city as well as the city’s practices that implicate the show. Specifically, I suggest that the show requires an analysis of labor and hiring practices, tourism, and corporate social responsibility in the city. In so doing, I propose considering Treme not in terms of its representational practices, but rather, as a set of spatial practices bound up with the material production of city space as well as its citizen-subjects. |
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AbstractList | This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood—Frank’s Place. I suggest that whereas for Frank’s Place, media scholars’ emphasis on the show’s representational practices of race and place was entirely appropriate, these questions are not sufficient to make sense of Treme. The latter enjoins media scholars to ask a different set of questions that examine both the show’s practices within the city as well as the city’s practices that implicate the show. Specifically, I suggest that the show requires an analysis of labor and hiring practices, tourism, and corporate social responsibility in the city. In so doing, I propose considering Treme not in terms of its representational practices, but rather, as a set of spatial practices bound up with the material production of city space as well as its citizen-subjects. This article compares the HBO series Treme to an earlier television series that was also set in the Treme neighborhood-Frank's Place. I suggest that whereas for Frank's Place, media scholars' emphasis on the show's representational practices of race and place was entirely appropriate, these questions are not sufficient to make sense of Treme. The latter enjoins media scholars to ask a different set of questions that examine both the show's practices within the city as well as the city's practices that implicate the show. Specifically, I suggest that the show requires an analysis of labor and hiring practices, tourism, and corporate social responsibility in the city. In so doing, I propose considering Treme not in terms of its representational practices, but rather, as a set of spatial practices bound up with the material production of city space as well as its citizen-subjects. [Reprinted by permission of Sage Publications Inc., copyright holder.] This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood - Frank's Place. I suggest that whereas for Frank's Place, media scholars' emphasis on the show's representational practices of race and place was entirely appropriate, these questions are not sufficient to make sense of Treme. The latter enjoins media scholars to ask a different set of questions that examine both the show's practices within the city as well as the city's practices that implicate the show. Specifically, I suggest that the show requires an analysis of labor and hiring practices, tourism, and corporate social responsibility in the city. In so doing, I propose considering Treme not in terms of its representational practices, but rather, as a set of spatial practices bound up with the material production of city space as well as its citizen-subjects. Reprinted by permission of Sage Publications Ltd |
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Cites_doi | 10.1177/009614420002600202 10.1525/9780520937727 10.1177/0739456X09354381 10.4324/9780203884294 10.1215/9780822386278 10.1215/9780822385370 10.4324/9780203886441 10.1525/9780520937871 10.4324/9780203997673 10.1515/9781400847488 10.1353/book11480 10.1002/9781444397499.ch2 10.1080/09502380802245985 10.1002/9781444397499 10.1177/1527476408326028 |
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Snippet | This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood—Frank’s Place. I suggest that whereas... This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood— Frank’s Place. I suggest that whereas... This article compares the HBO series Treme to an earlier television series that was also set in the Tremé neighborhood - Frank's Place. I suggest that whereas... This article compares the HBO series Treme to an earlier television series that was also set in the Treme neighborhood-Frank's Place. I suggest that whereas... |
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SubjectTerms | Cities Corporations Hiring Practices Mass media Mass Media Images Media Natural disasters New Orleans, Louisiana Place Programming (Broadcast) Race Social representations Social Responsibility Social responsibility of business Space Television Tourism U.S.A |
Subtitle | From Frank’s Place to Treme |
Title | Space, Place, and New Orleans on Television |
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