Modal preferences in creative problem solving
Embodied cognitive science appeals to the idea that cognition depends on the body as well as on the brain. This study looks at whether we are more likely to engage just the brain or enlist the body for complex cognitive functioning such as creative problem solving. Participants were presented with a...
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Published in | Cognitive processing Vol. 13; no. Suppl 1; pp. 147 - 150 |
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Main Authors | , , |
Format | Journal Article |
Language | English |
Published |
Berlin/Heidelberg
Springer-Verlag
01.08.2012
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Online Access | Get full text |
ISSN | 1612-4782 1612-4790 1612-4790 |
DOI | 10.1007/s10339-012-0479-3 |
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Abstract | Embodied cognitive science appeals to the idea that cognition depends on the body as well as on the brain. This study looks at whether we are more likely to engage just the brain or enlist the body for complex cognitive functioning such as creative problem solving. Participants were presented with a puzzle based on De Bono’s lateral thinking puzzles. The puzzle consisted of rotating and joining two-dimensional shapes to make a three-dimensional one. In one condition, participants were given the choice of either solving the puzzle mentally or through manipulation of the images on a computer screen. In another condition, the subjects had to solve the puzzle first mentally and then report which mode they would have preferred to solve the puzzle. Two more conditions were applied with slight variations. In all conditions, an overwhelming majority of participants chose to solve the puzzle by manipulation, even though there was not a significant increase on performance. It appeared that participants were making a conscious choice for the body to play a feedback-driven role in creative cognitive processing. This strong preference for manual manipulation over just mental representation, regardless of the impact on performance, would seem to suggest that it is our natural tendency to involve the body in complex cognitive functioning. This would support the theory that cognition may be more than just a neural process, and that it is a dynamic interplay between body, brain and world. The experiential feedback of the body moving through space and time may be an inherently important factor in creative cognition. |
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AbstractList | Embodied cognitive science appeals to the idea that cognition depends on the body as well as on the brain. This study looks at whether we are more likely to engage just the brain or enlist the body for complex cognitive functioning such as creative problem solving. Participants were presented with a puzzle based on De Bono's lateral thinking puzzles. The puzzle consisted of rotating and joining two-dimensional shapes to make a three-dimensional one. In one condition, participants were given the choice of either solving the puzzle mentally or through manipulation of the images on a computer screen. In another condition, the subjects had to solve the puzzle first mentally and then report which mode they would have preferred to solve the puzzle. Two more conditions were applied with slight variations. In all conditions, an overwhelming majority of participants chose to solve the puzzle by manipulation, even though there was not a significant increase on performance. It appeared that participants were making a conscious choice for the body to play a feedback-driven role in creative cognitive processing. This strong preference for manual manipulation over just mental representation, regardless of the impact on performance, would seem to suggest that it is our natural tendency to involve the body in complex cognitive functioning. This would support the theory that cognition may be more than just a neural process, and that it is a dynamic interplay between body, brain and world. The experiential feedback of the body moving through space and time may be an inherently important factor in creative cognition. Embodied cognitive science appeals to the idea that cognition depends on the body as well as on the brain. This study looks at whether we are more likely to engage just the brain or enlist the body for complex cognitive functioning such as creative problem solving. Participants were presented with a puzzle based on De Bono’s lateral thinking puzzles. The puzzle consisted of rotating and joining two-dimensional shapes to make a three-dimensional one. In one condition, participants were given the choice of either solving the puzzle mentally or through manipulation of the images on a computer screen. In another condition, the subjects had to solve the puzzle first mentally and then report which mode they would have preferred to solve the puzzle. Two more conditions were applied with slight variations. In all conditions, an overwhelming majority of participants chose to solve the puzzle by manipulation, even though there was not a significant increase on performance. It appeared that participants were making a conscious choice for the body to play a feedback-driven role in creative cognitive processing. This strong preference for manual manipulation over just mental representation, regardless of the impact on performance, would seem to suggest that it is our natural tendency to involve the body in complex cognitive functioning. This would support the theory that cognition may be more than just a neural process, and that it is a dynamic interplay between body, brain and world. The experiential feedback of the body moving through space and time may be an inherently important factor in creative cognition. Embodied cognitive science appeals to the idea that cognition depends on the body as well as on the brain. This study looks at whether we are more likely to engage just the brain or enlist the body for complex cognitive functioning such as creative problem solving. Participants were presented with a puzzle based on De Bono's lateral thinking puzzles. The puzzle consisted of rotating and joining two-dimensional shapes to make a three-dimensional one. In one condition, participants were given the choice of either solving the puzzle mentally or through manipulation of the images on a computer screen. In another condition, the subjects had to solve the puzzle first mentally and then report which mode they would have preferred to solve the puzzle. Two more conditions were applied with slight variations. In all conditions, an overwhelming majority of participants chose to solve the puzzle by manipulation, even though there was not a significant increase on performance. It appeared that participants were making a conscious choice for the body to play a feedback-driven role in creative cognitive processing. This strong preference for manual manipulation over just mental representation, regardless of the impact on performance, would seem to suggest that it is our natural tendency to involve the body in complex cognitive functioning. This would support the theory that cognition may be more than just a neural process, and that it is a dynamic interplay between body, brain and world. The experiential feedback of the body moving through space and time may be an inherently important factor in creative cognition.Embodied cognitive science appeals to the idea that cognition depends on the body as well as on the brain. This study looks at whether we are more likely to engage just the brain or enlist the body for complex cognitive functioning such as creative problem solving. Participants were presented with a puzzle based on De Bono's lateral thinking puzzles. The puzzle consisted of rotating and joining two-dimensional shapes to make a three-dimensional one. In one condition, participants were given the choice of either solving the puzzle mentally or through manipulation of the images on a computer screen. In another condition, the subjects had to solve the puzzle first mentally and then report which mode they would have preferred to solve the puzzle. Two more conditions were applied with slight variations. In all conditions, an overwhelming majority of participants chose to solve the puzzle by manipulation, even though there was not a significant increase on performance. It appeared that participants were making a conscious choice for the body to play a feedback-driven role in creative cognitive processing. This strong preference for manual manipulation over just mental representation, regardless of the impact on performance, would seem to suggest that it is our natural tendency to involve the body in complex cognitive functioning. This would support the theory that cognition may be more than just a neural process, and that it is a dynamic interplay between body, brain and world. The experiential feedback of the body moving through space and time may be an inherently important factor in creative cognition. |
Author | Norman, Stefanie Deininger, Gina Loudon, Gareth |
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References | PeplerDJPeplerDJRubinKHPlay and divergent thinkingThe play of children: current theory and research1982BaselKarger6478 SullivanGBiggsMKarlssonHArtistic cognition and creativityThe Routledge companion to research in the arts2011New YorkRoutledge107117 Merleau-PontyMPhenomenology of perception1962LondonRoutledge ThelenESmithLBA dynamic systems approach to the development of cognition and action1994CambridgeMIT Press BohmDPeatDScience, order and creativity1987New YorkBantam Books Loudon GH, Deininger GM, Gordon BS (2012) Play, autonomy and the creative process. The 2nd international conference on design creativity (ICDC2012). Glasgow, UK, 18th–20th September 2012 SlovicPThe construction of preference. Award address May 1995Am Psychol19955036437110.1037/0003-066X.50.5.364 ClarkASupersizing the mind: embodiment, action, and cognitive extension2008New YorkOxford University Press WilsonMSix views of embodied cognitionPsychon Bull Rev200296256361261367010.3758/BF03196322 HameroffSThe brain is both neurocomputer and quantum computerCogn Sci200731103510452163532810.1080/03640210701704004 MayerRESternbergRJFifty years of creativity researchHandbook of creativity1999CambridgeCambridge University Press169186 De BonoELateral thinking: a textbook of creativity1977EnglandPenguin Books Clark A (1998) Embodied, situated, and distributed cognition. In: Bechtel W, Graham G (eds) A companion to cognitive science. Blackwell Publishers, Malden, pp 506–517 VarelaFJThompsonERoschEThe embodied mind. Cognitive science and human experience1991CambridgeMIT Press NoeAOut of our heads: why you are not your brain, and other lessons from the biology of consciousness2009New YorkHill and Wang RE Mayer (479_CR7) 1999 D Bohm (479_CR2) 1987 E Thelen (479_CR13) 1994 A Noe (479_CR9) 2009 479_CR100 S Hameroff (479_CR5) 2007; 31 A Clark (479_CR3) 2008 E De Bono (479_CR4) 1977 DJ Pepler (479_CR10) 1982 G Sullivan (479_CR12) 2011 FJ Varela (479_CR14) 1991 479_CR6 P Slovic (479_CR11) 1995; 50 M Merleau-Ponty (479_CR8) 1962 M Wilson (479_CR15) 2002; 9 12613670 - Psychon Bull Rev. 2002 Dec;9(4):625-36 21635328 - Cogn Sci. 2007 Nov 12;31(6):1035-45 |
References_xml | – reference: VarelaFJThompsonERoschEThe embodied mind. Cognitive science and human experience1991CambridgeMIT Press – reference: WilsonMSix views of embodied cognitionPsychon Bull Rev200296256361261367010.3758/BF03196322 – reference: PeplerDJPeplerDJRubinKHPlay and divergent thinkingThe play of children: current theory and research1982BaselKarger6478 – reference: HameroffSThe brain is both neurocomputer and quantum computerCogn Sci200731103510452163532810.1080/03640210701704004 – reference: Clark A (1998) Embodied, situated, and distributed cognition. In: Bechtel W, Graham G (eds) A companion to cognitive science. Blackwell Publishers, Malden, pp 506–517 – reference: NoeAOut of our heads: why you are not your brain, and other lessons from the biology of consciousness2009New YorkHill and Wang – reference: BohmDPeatDScience, order and creativity1987New YorkBantam Books – reference: ThelenESmithLBA dynamic systems approach to the development of cognition and action1994CambridgeMIT Press – reference: MayerRESternbergRJFifty years of creativity researchHandbook of creativity1999CambridgeCambridge University Press169186 – reference: ClarkASupersizing the mind: embodiment, action, and cognitive extension2008New YorkOxford University Press – reference: Loudon GH, Deininger GM, Gordon BS (2012) Play, autonomy and the creative process. The 2nd international conference on design creativity (ICDC2012). Glasgow, UK, 18th–20th September 2012 – reference: SullivanGBiggsMKarlssonHArtistic cognition and creativityThe Routledge companion to research in the arts2011New YorkRoutledge107117 – reference: De BonoELateral thinking: a textbook of creativity1977EnglandPenguin Books – reference: Merleau-PontyMPhenomenology of perception1962LondonRoutledge – reference: SlovicPThe construction of preference. Award address May 1995Am Psychol19955036437110.1037/0003-066X.50.5.364 – volume: 31 start-page: 1035 year: 2007 ident: 479_CR5 publication-title: Cogn Sci doi: 10.1080/03640210701704004 – volume-title: The embodied mind. Cognitive science and human experience year: 1991 ident: 479_CR14 doi: 10.7551/mitpress/6730.001.0001 – volume-title: Supersizing the mind: embodiment, action, and cognitive extension year: 2008 ident: 479_CR3 doi: 10.1093/acprof:oso/9780195333213.001.0001 – volume: 9 start-page: 625 year: 2002 ident: 479_CR15 publication-title: Psychon Bull Rev doi: 10.3758/BF03196322 – volume-title: Phenomenology of perception year: 1962 ident: 479_CR8 – volume: 50 start-page: 364 year: 1995 ident: 479_CR11 publication-title: Am Psychol doi: 10.1037/0003-066X.50.5.364 – start-page: 107 volume-title: The Routledge companion to research in the arts year: 2011 ident: 479_CR12 – start-page: 64 volume-title: The play of children: current theory and research year: 1982 ident: 479_CR10 doi: 10.1159/000407161 – volume-title: Lateral thinking: a textbook of creativity year: 1977 ident: 479_CR4 – volume-title: Science, order and creativity year: 1987 ident: 479_CR2 – start-page: 169 volume-title: Handbook of creativity year: 1999 ident: 479_CR7 – ident: 479_CR100 – ident: 479_CR6 – volume-title: Out of our heads: why you are not your brain, and other lessons from the biology of consciousness year: 2009 ident: 479_CR9 – volume-title: A dynamic systems approach to the development of cognition and action year: 1994 ident: 479_CR13 doi: 10.7551/mitpress/2524.001.0001 – reference: 12613670 - Psychon Bull Rev. 2002 Dec;9(4):625-36 – reference: 21635328 - Cogn Sci. 2007 Nov 12;31(6):1035-45 |
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Snippet | Embodied cognitive science appeals to the idea that cognition depends on the body as well as on the brain. This study looks at whether we are more likely to... Embodied cognitive science appeals to the idea that cognition depends on the body as well as on the brain. This study looks at whether we are more likely to... |
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SubjectTerms | Adult Artificial Intelligence Behavioral Sciences Biomedical and Life Sciences Biomedicine Choice Behavior Female Humans Male Models, Psychological Neuropsychological Tests Neurosciences Pattern Recognition, Visual Photic Stimulation Problem Solving Short Report Young Adult |
Title | Modal preferences in creative problem solving |
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