Musical Instrumental Self-Concept, Social Support, and Grounded Optimism in Secondary School Students: Psycho-Pedagogical Implications for Music Education
Research in music education has shown that musical and academic self-concept, the social component, task achievement, and academic performance are highly interrelated constructs in musical learning in general and instrumental learning in particular in secondary school students. However, no studies i...
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Published in | Education sciences Vol. 14; no. 3; p. 286 |
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Main Authors | , , |
Format | Journal Article |
Language | English |
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ISSN | 2227-7102 2227-7102 |
DOI | 10.3390/educsci14030286 |
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Abstract | Research in music education has shown that musical and academic self-concept, the social component, task achievement, and academic performance are highly interrelated constructs in musical learning in general and instrumental learning in particular in secondary school students. However, no studies in Spain have analyzed the relationship between musical self-concept and the variables of social support and optimism in compulsory secondary education. Therefore, our study aimed to explore the relationships between instrumental musical self-concept, social support, and grounded optimism. We hypothesize that there is a significant relationship between the variables of musical self-concept, social support, and grounded optimism The variables were measured using the Instrumental Musical Self-Concept Scale (IMSCS), an adaptation of the Perceived Social Support Scale in Spanish Conservatory Music Students to the Secondary School Level, and the Grounded Optimism Scale (BEEGC-RA/BEECESA-RA24). The study sample consisted of 980 students enrolled in compulsory secondary education in public and semi-private schools in the autonomous communities of Aragon and Navarra. An analysis of correlations and regressions allowed us to explore and quantify the relationship among the variables under study, confirming the existence of a significant relationship among the variables “instrumental musical self-concept”, “social support” and “grounded optimism”. The present study thus provides more in-depth knowledge of the variables involved in the teaching–learning process of music as a school subject and instrumental music in particular, as well as a greater knowledge of the individual’s performance and motivation in the subject, with various future implications to be taken into account. |
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AbstractList | Research in music education has shown that musical and academic self-concept, the social component, task achievement, and academic performance are highly interrelated constructs in musical learning in general and instrumental learning in particular in secondary school students. However, no studies in Spain have analyzed the relationship between musical self-concept and the variables of social support and optimism in compulsory secondary education. Therefore, our study aimed to explore the relationships between instrumental musical self-concept, social support, and grounded optimism. We hypothesize that there is a significant relationship between the variables of musical self-concept, social support, and grounded optimism The variables were measured using the Instrumental Musical Self-Concept Scale (IMSCS), an adaptation of the Perceived Social Support Scale in Spanish Conservatory Music Students to the Secondary School Level, and the Grounded Optimism Scale (BEEGC-RA/BEECESA-RA24). The study sample consisted of 980 students enrolled in compulsory secondary education in public and semi-private schools in the autonomous communities of Aragon and Navarra. An analysis of correlations and regressions allowed us to explore and quantify the relationship among the variables under study, confirming the existence of a significant relationship among the variables “instrumental musical self-concept”, “social support” and “grounded optimism”. The present study thus provides more in-depth knowledge of the variables involved in the teaching–learning process of music as a school subject and instrumental music in particular, as well as a greater knowledge of the individual’s performance and motivation in the subject, with various future implications to be taken into account. |
Audience | Academic |
Author | Zarza-Alzugaray, Francisco Javier Casanova, Oscar Zarza-Alzugaray, Begoña |
Author_xml | – sequence: 1 givenname: Begoña surname: Zarza-Alzugaray fullname: Zarza-Alzugaray, Begoña – sequence: 2 givenname: Oscar orcidid: 0000-0002-8263-3447 surname: Casanova fullname: Casanova, Oscar – sequence: 3 givenname: Francisco Javier surname: Zarza-Alzugaray fullname: Zarza-Alzugaray, Francisco Javier |
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Cites_doi | 10.1037/edu0000376 10.25115/psye.v10i1.1048 10.1344/joned.v2i1.31576 10.1177/0255761417689924 10.1177/03057356221109623 10.5209/RCED.51600 10.1177/1029864914523283 10.3102/00346543046003407 10.1177/002242940505300204 10.3390/ijerph18168624 10.1177/1321103X15600914 10.25115/ejrep.v10i28.1539 10.1177/0013164496056004013 10.1177/02557614221087348 10.1177/0022429418812769 10.1348/000712603322503088 |
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Title | Musical Instrumental Self-Concept, Social Support, and Grounded Optimism in Secondary School Students: Psycho-Pedagogical Implications for Music Education |
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