The Phenomenology of the cinepanettone

Since the early 1980s, irregularly at first and then annually, the Italian film industry has produced a series of comedies with titles like "Vacanze di Natale '90" and "Natale a Rio", released in time for Christmas and colloquially referred to as cinepanettone. The cinepanet...

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Published inItalian studies Vol. 66; no. 3; pp. 431 - 443
Main Author O'Leary, Alan
Format Journal Article
LanguageEnglish
Published Routledge 01.11.2011
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Abstract Since the early 1980s, irregularly at first and then annually, the Italian film industry has produced a series of comedies with titles like "Vacanze di Natale '90" and "Natale a Rio", released in time for Christmas and colloquially referred to as cinepanettone. The cinepanettone has become a byword for low quality and a metonym for the degradation of Italian film culture. The traditional suspicion of the popular in culturally authoritative circles in Italy itself meant that the cinepanettone remains almost unstudied. O'Leary investigates the production, construction in discourse and audiences of the cinepanettone. He lists the films he considers to define the cinepanettone canon.
AbstractList Since the early 1980s, irregularly at first and then annually, the Italian film industry has produced a series of comedies with titles like "Vacanze di Natale '90" and "Natale a Rio", released in time for Christmas and colloquially referred to as cinepanettone. The cinepanettone has become a byword for low quality and a metonym for the degradation of Italian film culture. The traditional suspicion of the popular in culturally authoritative circles in Italy itself meant that the cinepanettone remains almost unstudied. O'Leary investigates the production, construction in discourse and audiences of the cinepanettone. He lists the films he considers to define the cinepanettone canon.
Author O'Leary, Alan
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Title The Phenomenology of the cinepanettone
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