“History of Theatre” Web sites: A brief history of the writing process in a high school ESL language arts class
This article reports on how Quebec Francophone high school students, enrolled in a program which featured an environment rich in information and communication technologies (ICTs), appropriated the writing process over a four-year period (Grades 7–10) in the context of their ESL language arts courses...
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Published in | Journal of second language writing Vol. 14; no. 4; pp. 233 - 258 |
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Main Authors | , , , |
Format | Journal Article |
Language | English |
Published |
Elsevier Inc
01.12.2005
Elsevier |
Subjects | |
Online Access | Get full text |
ISSN | 1060-3743 1873-1422 |
DOI | 10.1016/j.jslw.2005.10.003 |
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Abstract | This article reports on how Quebec Francophone high school students, enrolled in a program which featured an environment rich in information and communication technologies (ICTs), appropriated the writing process over a four-year period (Grades 7–10) in the context of their ESL language arts courses. Data for the study were obtained using qualitative research methods, including in-class observation (field notes), videotaping, interviews, and collection of documents. Discussion of the issue of appropriation is framed in relation to sociocultural theory, in particular Engeström's [Engeström, Y. (1991). Non scolae sed vitae discimus: Toward overcoming the encapsulation of school learning.
Learning and Instruction,
1, 243–259] version of activity theory and Tharp's [Tharp, R. (1993). Institutional & social context of educational practice and reform. In E. Forman, N. Minick, C. A. Stone, & M. S. Forman (Eds.),
Contexts for learning: Sociocultural dynamics in children's development (pp. 269–282). New York: Oxford University Press] contention as to the relationship between innovative educational practice and nested activity settings. Analysis of the way activities were structured over the four-year period, especially in regard to the role of scaffolding, serves to foreground the historically transformative nature of the learning process. As part of this analysis, the Grade 10 “History of Theatre” web site project is presented as a “telling case” [Mitchell, J.C. (1984). Case studies. In R.F. Ellen (Ed.),
Ethnographic research: A guide to general conduct (pp. 237–241). San Diego, CA: Academic Press; Putney, L. G., Green, J., Dixon, C., Duran, R., & Yeager, B. (2000). Consequential progressions: Exploring collective-individual development in a bilingual classroom. In C. D. Lee & P. Smagorinsky (Eds.),
Vygotskian perspectives on literacy research: Constructing meaning through collaborative inquiry (pp. 86–126). Cambridge: Cambridge University Press] to demonstrate how by this point enacting the writing process in an ICT-rich environment had become a highly self-regulated, routine cultural practice. Further evidence of appropriation is provided by the fact that, by Grade 10, students had begun on their own to transfer the use of the writing process to the completion of assignments in other school subjects, thus suggesting that this cultural tool had come to be valued as a means of helping them achieve the personal goal of producing a better written product and not merely fulfill a course requirement. The teacher's proleptic stance in terms of the way he viewed this developmental process is also discussed. |
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AbstractList | This article reports on how Quebec Francophone high school students, enrolled in a program which featured an environment rich in information and communication technologies (ICTs), appropriated the writing process over a four-year period (Grades 7-10) in the context of their ESL language arts courses. Data for the study were obtained using qualitative research methods, including in-class observation (field notes), videotaping, interviews, and collection of documents. Discussion of the issue of appropriation is framed in relation to sociocultural theory, in particular Engestrom's [Engestrom, Y. (1991). Non scolae sed vitae discimus: Toward overcoming the encapsulation of school learning. Learning and Instruction, 1, 243-259] version of activity theory and Tharp's [Tharp, R. (1993). Institutional & social context of educational practice and reform. In E. Forman, N. Minick, C. A. Stone, & M. S. Forman (Eds.), Contexts for learning: Sociocultural dynamics in children's development (pp. 269-282). New York: Oxford University Press] contention as to the relationship between innovative educational practice and nested activity settings. Analysis of the way activities were structured over the four-year period, especially in regard to the role of scaffolding, serves to foreground the historically transformative nature of the learning process. As part of this analysis, the Grade 10 ''History of Theatre'' web site project is presented as a ''telling case'' [Mitchell, J.C. (1984). Case studies. In R.F. Ellen (Ed.), Ethnographic research: A guide to general conduct (pp. 237-241). San Diego, CA: Academic Press; Putney, L. G., Green, J., Dixon, C., Duran, R., & Yeager, B. (2000). Consequential progressions: Exploring collective-individual development in a bilingual classroom. In C. D. Lee & P. Smagorinsky (Eds.), Vygotskian perspectives on literacy research: Constructing meaning through collaborative inquiry (pp. 86-126). Cambridge: Cambridge University Press] to demonstrate how by this point enacting the writing process in an ICT-rich environment had become a highly self-regulated, routine cultural practice. Further evidence of appropriation is provided by the fact that, by Grade 10, students had begun on their own to transfer the use of the writing process to the completion of assignments in other school subjects, thus suggesting that this cultural tool had come to be valued as a means of helping them achieve the personal goal of producing a better written product and not merely fulfill a course requirement. The teacher's proleptic stance in terms of the way he viewed this developmental process is also discussed. This article reports on how Quebec Francophone high school students, enrolled in a program which featured an environment rich in information and communication technologies (ICTs), appropriated the writing process over a four-year period (Grades 7–10) in the context of their ESL language arts courses. Data for the study were obtained using qualitative research methods, including in-class observation (field notes), videotaping, interviews, and collection of documents. Discussion of the issue of appropriation is framed in relation to sociocultural theory, in particular Engeström's [Engeström, Y. (1991). Non scolae sed vitae discimus: Toward overcoming the encapsulation of school learning. Learning and Instruction, 1, 243–259] version of activity theory and Tharp's [Tharp, R. (1993). Institutional & social context of educational practice and reform. In E. Forman, N. Minick, C. A. Stone, & M. S. Forman (Eds.), Contexts for learning: Sociocultural dynamics in children's development (pp. 269–282). New York: Oxford University Press] contention as to the relationship between innovative educational practice and nested activity settings. Analysis of the way activities were structured over the four-year period, especially in regard to the role of scaffolding, serves to foreground the historically transformative nature of the learning process. As part of this analysis, the Grade 10 “History of Theatre” web site project is presented as a “telling case” [Mitchell, J.C. (1984). Case studies. In R.F. Ellen (Ed.), Ethnographic research: A guide to general conduct (pp. 237–241). San Diego, CA: Academic Press; Putney, L. G., Green, J., Dixon, C., Duran, R., & Yeager, B. (2000). Consequential progressions: Exploring collective-individual development in a bilingual classroom. In C. D. Lee & P. Smagorinsky (Eds.), Vygotskian perspectives on literacy research: Constructing meaning through collaborative inquiry (pp. 86–126). Cambridge: Cambridge University Press] to demonstrate how by this point enacting the writing process in an ICT-rich environment had become a highly self-regulated, routine cultural practice. Further evidence of appropriation is provided by the fact that, by Grade 10, students had begun on their own to transfer the use of the writing process to the completion of assignments in other school subjects, thus suggesting that this cultural tool had come to be valued as a means of helping them achieve the personal goal of producing a better written product and not merely fulfill a course requirement. The teacher's proleptic stance in terms of the way he viewed this developmental process is also discussed. This article reports on how Quebec Francophone high school students, enrolled in a program which featured an environment rich in information & communication technologies (ICTs), appropriated the writing process over a four-year period (Grades 7-10) in the context of their ESL language arts courses. Data for the study were obtained using qualitative research methods, including in-class observation (field notes), videotaping, interviews, & collection of documents. Discussion of the issue of appropriation is framed in relation to sociocultural theory, in particular Engestrom's [Engestrom, Y. (1991). Non scolae sed vitae discimus: Toward overcoming the encapsulation of school learning. Learning and Instruction, 1, 243-259] version of activity theory & Tharp's [Tharp, R. (1993). Institutional & social context of educational practice & reform. In E. Forman, N. Minick, C. A. Stone, & M. S. Forman (Eds.), Contexts for learning: Sociocultural dynamics in children's development (pp. 269-282). New York: Oxford University Press] contention as to the relationship between innovative educational practice & nested activity settings. Analysis of the way activities were structured over the four-year period, especially in regard to the role of scaffolding, serves to foreground the historically transformative nature of the learning process. As part of this analysis, the Grade 10 "History of Theatre" web site project is presented as a "telling case" [Mitchell, J.C. (1984). Case studies. In R.F. Ellen (Ed.), Ethnographic research: A guide to general conduct (pp. 237-241). San Diego, CA: Academic Press; Putney, L. G., Green, J., Dixon, C., Duran, R., & Yeager, B. (2000). Consequential progressions: Exploring collective-individual development in a bilingual classroom. In C. D. Lee & P. Smagorinsky (Eds.), Vygotskian perspectives on literacy research: Constructing meaning through collaborative inquiry (pp. 86-126). Cambridge: Cambridge University Press] to demonstrate how by this point enacting the writing process in an ICT-rich environment had become a highly self-regulated, routine cultural practice. Further evidence of appropriation is provided by the fact that, by Grade 10, students had begun on their own to transfer the use of the writing process to the completion of assignments in other school subjects, thus suggesting that this cultural tool had come to be valued as a means of helping them achieve the personal goal of producing a better written product & not merely fulfill a course requirement. The teacher's proleptic stance in terms of the way he viewed this developmental process is also discussed. 3 Tables, 1 Appendix, 77 References. [Copyright 2005 Elsevier Inc.] |
Audience | High Schools Grade 10 |
Author | Huot, Diane Hamers, Josiane Parks, Susan H.-Lemonnier, France |
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SubjectTerms | Canada (Quebec) Classroom-based research Computer Assisted Language Learning Computer Mediated Communication Computer Software Digital technologies Educational Activities English (Second Language) English as a Second Language Learning Foreign Countries French Grade 10 High School Students Information and communication technologies (ICTs) Internet Learning Processes Multiliteracies Process approach to writing Project-based teaching Quebec Scaffolding Scaffolding (Teaching Technique) Second language writing Secondary Education Sociocultural theory Technology Uses in Education Writing Instruction Writing Processes Written Language Instruction |
Title | “History of Theatre” Web sites: A brief history of the writing process in a high school ESL language arts class |
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