Beauty in life: An eye‐tracking study on young adults’ aesthetic evaluation and vitality judgment of pictorial representations of sleeping and dead subjects
Preferring life to death is deeply rooted in our biology. With the present study, we explored two questions: (1) Can this inclination be transposed to aesthetics, so that a living being is valued as more beautiful than a non‐living being? and (2) Are there any differences in the visual exploration o...
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Published in | PsyCh journal Vol. 9; no. 4; pp. 458 - 471 |
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Main Authors | , , , , , , |
Format | Journal Article |
Language | English |
Published |
Melbourne
John Wiley & Sons Australia, Ltd
01.08.2020
John Wiley & Sons, Inc |
Subjects | |
Online Access | Get full text |
ISSN | 2046-0252 2046-0260 |
DOI | 10.1002/pchj.285 |
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Abstract | Preferring life to death is deeply rooted in our biology. With the present study, we explored two questions: (1) Can this inclination be transposed to aesthetics, so that a living being is valued as more beautiful than a non‐living being? and (2) Are there any differences in the visual exploration of portrayals of a living compared to a dead human? In particular, are there any specific facial features representing the vitality status of a living or dead subject? By answering both questions, young adults’ eye gazing was analyzed while they observed, aesthetically judged, and judged the vitality status of faces extracted from paintings representing a sleeping or dead subject. The aesthetic preference for the stimuli as a function of vitality (living, dead) was assessed both during the eye‐tracking study and during a follow‐up priming behavioral experiment. The analysis of the responses given during the aesthetic judgment task in the eye‐tracking study revealed preference for the sleeping compared to the dead subjects, supporting proclivity to attribute greater aesthetic value to living beings. This evidence was substantially confirmed by the follow‐up priming behavioral study, which further showed a significant effect of explicit vitality labeling on the aesthetic evaluation of the portrayals of sleeping subjects. As far as the visual exploration of the stimuli is concerned, the main eye‐tracking results revealed great attention to the eye region of both sleeping and dead subjects, which was particularly enhanced for the sleeping compared to the dead subjects. For the latter stimuli, focused attention was also found to the mouth region. These results are discussed in light of different theoretical proposals, including the “embodied” theory of aesthetic perception based on the existence of mirror systems. |
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AbstractList | Preferring life to death is deeply rooted in our biology. With the present study, we explored two questions: (1) Can this inclination be transposed to aesthetics, so that a living being is valued as more beautiful than a non‐living being? and (2) Are there any differences in the visual exploration of portrayals of a living compared to a dead human? In particular, are there any specific facial features representing the vitality status of a living or dead subject? By answering both questions, young adults’ eye gazing was analyzed while they observed, aesthetically judged, and judged the vitality status of faces extracted from paintings representing a sleeping or dead subject. The aesthetic preference for the stimuli as a function of vitality (living, dead) was assessed both during the eye‐tracking study and during a follow‐up priming behavioral experiment. The analysis of the responses given during the aesthetic judgment task in the eye‐tracking study revealed preference for the sleeping compared to the dead subjects, supporting proclivity to attribute greater aesthetic value to living beings. This evidence was substantially confirmed by the follow‐up priming behavioral study, which further showed a significant effect of explicit vitality labeling on the aesthetic evaluation of the portrayals of sleeping subjects. As far as the visual exploration of the stimuli is concerned, the main eye‐tracking results revealed great attention to the eye region of both sleeping and dead subjects, which was particularly enhanced for the sleeping compared to the dead subjects. For the latter stimuli, focused attention was also found to the mouth region. These results are discussed in light of different theoretical proposals, including the “embodied” theory of aesthetic perception based on the existence of mirror systems. |
Author | Massaro, Davide Gilli, Gabriella Savazzi, Federica A. Garau, Tiziana Gallese, Vittorio Marchetti, Antonella Di Dio, Cinzia |
Author_xml | – sequence: 1 givenname: Cinzia orcidid: 0000-0002-3962-4684 surname: Di Dio fullname: Di Dio, Cinzia email: cinzia.didio@unicatt.it organization: Università Cattolica del Sacro Cuore – sequence: 2 givenname: Davide surname: Massaro fullname: Massaro, Davide organization: Università Cattolica del Sacro Cuore – sequence: 3 givenname: Federica A. surname: Savazzi fullname: Savazzi, Federica A. organization: IRCCS Fondazione don Carlo Gnocchi ONLUS – sequence: 4 givenname: Vittorio surname: Gallese fullname: Gallese, Vittorio organization: Columbia University – sequence: 5 givenname: Tiziana surname: Garau fullname: Garau, Tiziana organization: Università Cattolica del Sacro Cuore – sequence: 6 givenname: Gabriella surname: Gilli fullname: Gilli, Gabriella organization: Università Cattolica del Sacro Cuore – sequence: 7 givenname: Antonella surname: Marchetti fullname: Marchetti, Antonella organization: Università Cattolica del Sacro Cuore |
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Snippet | Preferring life to death is deeply rooted in our biology. With the present study, we explored two questions: (1) Can this inclination be transposed to... |
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SubjectTerms | Aesthetics Beauty embodiment Esthetics Eye-Tracking Technology eye‐tracking Humans Judgment uncanny Visual Perception vitality features Young Adult Young adults |
Title | Beauty in life: An eye‐tracking study on young adults’ aesthetic evaluation and vitality judgment of pictorial representations of sleeping and dead subjects |
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