Rescaling the Private: Extimate miniaturization in the theatre of Niwa Gekidan Penino
This article explores the dramaturgy of electrifying Japanese contemporary theatre maker Tanino Kurō and his company's inventive architectures of rescaled private worlds. Tanino is a major figure in contemporary Japanese theatre, his work tours internationally, and he is well-discussed in Japan...
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Published in | Performance research Vol. 23; no. 8; pp. 59 - 66 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Abingdon
Routledge
17.11.2018
Taylor & Francis Ltd |
Subjects | |
Online Access | Get full text |
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Abstract | This article explores the dramaturgy of electrifying Japanese contemporary theatre maker Tanino Kurō and his company's inventive architectures of rescaled private worlds. Tanino is a major figure in contemporary Japanese theatre, his work tours internationally, and he is well-discussed in Japanese theatre criticism. This essay introduces some notable dramaturgical features of Tanino's theatre for the first time in English. Further, the article theorizes that Tanino's innovative stage architectures disfigure the usual optics of the private sphere and, consequently, its preferred subjects, from the family patriarch to repression. This article offers a new way to understand the angura influence on contemporary Japanese performance cultures and the circumstances of radical theatre in a wider post-1960s neoliberal predicament. |
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AbstractList | This article explores the dramaturgy of electrifying Japanese contemporary theatre maker Tanino Kurō and his company's inventive architectures of rescaled private worlds. Tanino is a major figure in contemporary Japanese theatre, his work tours internationally, and he is well-discussed in Japanese theatre criticism. This essay introduces some notable dramaturgical features of Tanino's theatre for the first time in English. Further, the article theorizes that Tanino's innovative stage architectures disfigure the usual optics of the private sphere and, consequently, its preferred subjects, from the family patriarch to repression. This article offers a new way to understand the angura influence on contemporary Japanese performance cultures and the circumstances of radical theatre in a wider post-1960s neoliberal predicament. This article explores the dramaturgy of electrifying Japanese contemporary theatre maker Tanino Kurō and his company's inventive architectures of rescaled private worlds. Tanino is a major figure in contemporary Japanese theatre, his work tours internationally, and he is well-discussed in Japanese theatre criticism. This essay introduces some notable dramaturgical features of Tanino's theatre for the first time in English. Further, the article theorizes that Tanino's innovative stage architectures disfigure the usual optics of the private sphere and, consequently, its preferred subjects, from the family patriarch to repression. This article offers a new way to understand the angura influence on contemporary Japanese performance cultures and the circumstances of radical theatre in a wider post-1960s neoliberal predicament. |
Author | Wakeling, Corey |
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References | Tanino Kurō (e_1_3_2_16_1) 2016 e_1_3_2_9_1 e_1_3_2_17_1 e_1_3_2_8_1 e_1_3_2_7_1 Iwaki Kyoko (e_1_3_2_10_1) 2011 Lacan Jacques (e_1_3_2_11_1) 1992 e_1_3_2_6_1 e_1_3_2_5_1 e_1_3_2_13_1 e_1_3_2_14_1 e_1_3_2_15_1 Miller Jacques-Allain (e_1_3_2_12_1) 1997 Bachelard Gaston (e_1_3_2_3_1) 1994 Azuma Hiroki (e_1_3_2_2_1) 2009 Bauman Zygmunt (e_1_3_2_4_1) 2000 |
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Snippet | This article explores the dramaturgy of electrifying Japanese contemporary theatre maker Tanino Kurō and his company's inventive architectures of rescaled... This article explores the dramaturgy of electrifying Japanese contemporary theatre maker Tanino Kurō and his company's inventive architectures of rescaled... |
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Title | Rescaling the Private: Extimate miniaturization in the theatre of Niwa Gekidan Penino |
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