Atmospheres of the inhospitable in staged kidnappings

This article explores the paradoxical staging of experiences of "inhospitality," taking shape as commercialised opportunities for individuals, willing to be voluntarily subjected to kidnapping. Such "extreme" leisure is facilitated by companies specialising in simulated captiviti...

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Published inConsumption, markets and culture Vol. 24; no. 5; pp. 439 - 455
Main Authors Tzanelli, Rodanthi, Yar, Majid
Format Journal Article
LanguageEnglish
Published Abingdon Routledge 03.09.2021
Taylor & Francis Ltd
Subjects
Aesthetics
Atmosphere
Capitalism
Commercialization
consumption
edgework
grobalisation
hospitality
Kidnapping
Leisure
simulation
Tourism
Uncertainty
Violence
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Abstract This article explores the paradoxical staging of experiences of "inhospitality," taking shape as commercialised opportunities for individuals, willing to be voluntarily subjected to kidnapping. Such "extreme" leisure is facilitated by companies specialising in simulated captivities of clients. These simulations, which blend forms of performance with practices of violence, are situated theoretically within a revised iteration of Benjamin Barber's thesis about "Jihad vs McWorld." Barber's original thesis would locate such stagings within a broader tendency of contemporary capitalism to co-opt and commoditise experiences associated with "terror" and suffering. Unlike Barber, we focus on the aesthetics and atmospheres of such experiences. We aim to comprehend the ways artistic "violence experts" articulate the meaning of such leisure for subjects striving to confront and manage the risks and uncertainties of a conflict-ridden lifeworld. Resembling the schadenfreude of dark tourism and the art of performance, kidnapping packages promote a form of aesthetic education into uncertainty.
AbstractList This article explores the paradoxical staging of experiences of "inhospitality," taking shape as commercialised opportunities for individuals, willing to be voluntarily subjected to kidnapping. Such "extreme" leisure is facilitated by companies specialising in simulated captivities of clients. These simulations, which blend forms of performance with practices of violence, are situated theoretically within a revised iteration of Benjamin Barber's thesis about "Jihad vs McWorld." Barber's original thesis would locate such stagings within a broader tendency of contemporary capitalism to co-opt and commoditise experiences associated with "terror" and suffering. Unlike Barber, we focus on the aesthetics and atmospheres of such experiences. We aim to comprehend the ways artistic "violence experts" articulate the meaning of such leisure for subjects striving to confront and manage the risks and uncertainties of a conflict-ridden lifeworld. Resembling the schadenfreude of dark tourism and the art of performance, kidnapping packages promote a form of aesthetic education into uncertainty.
Author Tzanelli, Rodanthi
Yar, Majid
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  givenname: Majid
  surname: Yar
  fullname: Yar, Majid
  organization: Lancaster University Law School, Lancaster University
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Snippet This article explores the paradoxical staging of experiences of "inhospitality," taking shape as commercialised opportunities for individuals, willing to be...
This article explores the paradoxical staging of experiences of “inhospitality,” taking shape as commercialised opportunities for individuals, willing to be...
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SubjectTerms Aesthetics
Atmosphere
Capitalism
Commercialization
consumption
edgework
grobalisation
hospitality
Kidnapping
Leisure
simulation
Tourism
Uncertainty
Violence
Title Atmospheres of the inhospitable in staged kidnappings
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