Consumer-brand assemblages in advertising: an analysis of skin, identity, and tattoos in ads
This paper discusses how the use of tattoos in advertising renders diverse brand-consumer assemblages visible. In considering advertising practitioners as professionals of entanglement, the paper emphasizes the embeddedness of practitioners' use of tattoo symbolism in institutionalized marketin...
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Published in | Consumption, markets and culture Vol. 16; no. 3; pp. 223 - 239 |
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Main Authors | , , |
Format | Journal Article |
Language | English |
Published |
Abingdon
Routledge
01.09.2013
Taylor & Francis Ltd |
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Abstract | This paper discusses how the use of tattoos in advertising renders diverse brand-consumer assemblages visible. In considering advertising practitioners as professionals of entanglement, the paper emphasizes the embeddedness of practitioners' use of tattoo symbolism in institutionalized marketing systems and in the cultural history of tattooing. In accordance with the recent emphasis on the importance of material devices for understanding contemporary sociality, this paper presents a semiotic analysis of a convenience sample of advertisements depicting tattoos. Tattoos are productive for the study of brand-consumer assemblages because they are situated on the human skin, which is a mediator between the individual and the socio-material world. Furthermore, tattoos reproduce discourses of both mainstream fashion and deviant subcultural identification, which imbue tattoo symbolism with communicative potency. This analysis demonstrates how the emergence of brand tattoos in advertising challenges the dominant consumer centrism in consumer research and suggests a networked, emerging understanding of the subject in which agency is distributed in socio-technical assemblages. |
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AbstractList | This paper discusses how the use of tattoos in advertising renders diverse brand-consumer assemblages visible. In considering advertising practitioners as professionals of entanglement, the paper emphasizes the embeddedness of practitioners' use of tattoo symbolism in institutionalized marketing systems and in the cultural history of tattooing. In accordance with the recent emphasis on the importance of material devices for understanding contemporary sociality, this paper presents a semiotic analysis of a convenience sample of advertisements depicting tattoos. Tattoos are productive for the study of brand-consumer assemblages because they are situated on the human skin, which is a mediator between the individual and the socio-material world. Furthermore, tattoos reproduce discourses of both mainstream fashion and deviant subcultural identification, which imbue tattoo symbolism with communicative potency. This analysis demonstrates how the emergence of brand tattoos in advertising challenges the dominant consumer centrism in consumer research and suggests a networked, emerging understanding of the subject in which agency is distributed in socio-technical assemblages. [PUBLICATION ABSTRACT] This paper discusses how the use of tattoos in advertising renders diverse brand-consumer assemblages visible. In considering advertising practitioners as professionals of entanglement, the paper emphasizes the embeddedness of practitioners' use of tattoo symbolism in institutionalized marketing systems and in the cultural history of tattooing. In accordance with the recent emphasis on the importance of material devices for understanding contemporary sociality, this paper presents a semiotic analysis of a convenience sample of advertisements depicting tattoos. Tattoos are productive for the study of brand-consumer assemblages because they are situated on the human skin, which is a mediator between the individual and the socio-material world. Furthermore, tattoos reproduce discourses of both mainstream fashion and deviant subcultural identification, which imbue tattoo symbolism with communicative potency. This analysis demonstrates how the emergence of brand tattoos in advertising challenges the dominant consumer centrism in consumer research and suggests a networked, emerging understanding of the subject in which agency is distributed in socio-technical assemblages. |
Author | Kjeldgaard, Dannie Bengtsson, Anders Bjerrisgaard, Sofie Møller |
Author_xml | – sequence: 1 givenname: Sofie Møller surname: Bjerrisgaard fullname: Bjerrisgaard, Sofie Møller organization: Department of Marketing and Management , University of Southern Denmark – sequence: 2 givenname: Dannie surname: Kjeldgaard fullname: Kjeldgaard, Dannie email: dkj@sam.sdu.dk organization: Department of Marketing and Management , University of Southern Denmark – sequence: 3 givenname: Anders surname: Bengtsson fullname: Bengtsson, Anders organization: Protobrand |
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References | Kjeldgaard Dannie (CIT0025) 2004 CIT0031 CIT0034 Strasser Susan (CIT0049) 1989 Turner Bryan S. (CIT0053) 2000 McQuarrie Edward F. (CIT0030) 2005; 6 Shilling Chris (CIT0047) 2003 Velliquette Anne M. (CIT0055) 1999 CIT0036 Goulding Christina (CIT0020) 2004 CIT0035 CIT0038 Thompson Craig J. (CIT0050) 2004; 31 CIT0041 CIT0040 Holt Douglas B. (CIT0023) 2010 CIT0043 CIT0042 CIT0001 McFall Liz (CIT0029) 2002 CIT0044 Miller Peter (CIT0033) 2008 Sanders Clinton R. (CIT0039) 1989 CIT0003 Jensen Anne F. (CIT0024) 1999 CIT0046 CIT0005 CIT0004 CIT0007 CIT0006 Ewen Stuart (CIT0013) 1976 CIT0008 CIT0051 CIT0010 CIT0054 CIT0012 CIT0011 Zwick Detlev (CIT0057) 2010 Arvidsson Adam (CIT0002) 2004; 1 Turner Bryan S. (CIT0052) 1996 Giesler Markus (CIT0018) 2005 Latour Bruno (CIT0027) 2005 Miller Daniel (CIT0032) 2010 Campell Norah (CIT0009) 2010; 9 CIT0014 CIT0015 CIT0021 Goulding Christina (CIT0019) 2002 CIT0022 Powell Walter W. (CIT0037) 1983; 48 Slater Don (CIT0048) 2002 Giddens Anthony (CIT0017) 1991 Williamson Judith (CIT0056) 1978 Scott Linda M. (CIT0045) 1994; 21 CIT0026 du Gay Paul (CIT0016) 2002 CIT0028 |
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SubjectTerms | Advertisements Advertising advertising practices brand culture brand extended branding consumer subjectivity consumer-brand assemblage entanglement Market strategy Studies Subcultures Symbolism Tattoos |
Title | Consumer-brand assemblages in advertising: an analysis of skin, identity, and tattoos in ads |
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