Consumer-brand assemblages in advertising: an analysis of skin, identity, and tattoos in ads

This paper discusses how the use of tattoos in advertising renders diverse brand-consumer assemblages visible. In considering advertising practitioners as professionals of entanglement, the paper emphasizes the embeddedness of practitioners' use of tattoo symbolism in institutionalized marketin...

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Published inConsumption, markets and culture Vol. 16; no. 3; pp. 223 - 239
Main Authors Bjerrisgaard, Sofie Møller, Kjeldgaard, Dannie, Bengtsson, Anders
Format Journal Article
LanguageEnglish
Published Abingdon Routledge 01.09.2013
Taylor & Francis Ltd
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Abstract This paper discusses how the use of tattoos in advertising renders diverse brand-consumer assemblages visible. In considering advertising practitioners as professionals of entanglement, the paper emphasizes the embeddedness of practitioners' use of tattoo symbolism in institutionalized marketing systems and in the cultural history of tattooing. In accordance with the recent emphasis on the importance of material devices for understanding contemporary sociality, this paper presents a semiotic analysis of a convenience sample of advertisements depicting tattoos. Tattoos are productive for the study of brand-consumer assemblages because they are situated on the human skin, which is a mediator between the individual and the socio-material world. Furthermore, tattoos reproduce discourses of both mainstream fashion and deviant subcultural identification, which imbue tattoo symbolism with communicative potency. This analysis demonstrates how the emergence of brand tattoos in advertising challenges the dominant consumer centrism in consumer research and suggests a networked, emerging understanding of the subject in which agency is distributed in socio-technical assemblages.
AbstractList This paper discusses how the use of tattoos in advertising renders diverse brand-consumer assemblages visible. In considering advertising practitioners as professionals of entanglement, the paper emphasizes the embeddedness of practitioners' use of tattoo symbolism in institutionalized marketing systems and in the cultural history of tattooing. In accordance with the recent emphasis on the importance of material devices for understanding contemporary sociality, this paper presents a semiotic analysis of a convenience sample of advertisements depicting tattoos. Tattoos are productive for the study of brand-consumer assemblages because they are situated on the human skin, which is a mediator between the individual and the socio-material world. Furthermore, tattoos reproduce discourses of both mainstream fashion and deviant subcultural identification, which imbue tattoo symbolism with communicative potency. This analysis demonstrates how the emergence of brand tattoos in advertising challenges the dominant consumer centrism in consumer research and suggests a networked, emerging understanding of the subject in which agency is distributed in socio-technical assemblages. [PUBLICATION ABSTRACT]
This paper discusses how the use of tattoos in advertising renders diverse brand-consumer assemblages visible. In considering advertising practitioners as professionals of entanglement, the paper emphasizes the embeddedness of practitioners' use of tattoo symbolism in institutionalized marketing systems and in the cultural history of tattooing. In accordance with the recent emphasis on the importance of material devices for understanding contemporary sociality, this paper presents a semiotic analysis of a convenience sample of advertisements depicting tattoos. Tattoos are productive for the study of brand-consumer assemblages because they are situated on the human skin, which is a mediator between the individual and the socio-material world. Furthermore, tattoos reproduce discourses of both mainstream fashion and deviant subcultural identification, which imbue tattoo symbolism with communicative potency. This analysis demonstrates how the emergence of brand tattoos in advertising challenges the dominant consumer centrism in consumer research and suggests a networked, emerging understanding of the subject in which agency is distributed in socio-technical assemblages.
Author Kjeldgaard, Dannie
Bengtsson, Anders
Bjerrisgaard, Sofie Møller
Author_xml – sequence: 1
  givenname: Sofie Møller
  surname: Bjerrisgaard
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  givenname: Dannie
  surname: Kjeldgaard
  fullname: Kjeldgaard, Dannie
  email: dkj@sam.sdu.dk
  organization: Department of Marketing and Management , University of Southern Denmark
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  givenname: Anders
  surname: Bengtsson
  fullname: Bengtsson, Anders
  organization: Protobrand
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Snippet This paper discusses how the use of tattoos in advertising renders diverse brand-consumer assemblages visible. In considering advertising practitioners as...
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StartPage 223
SubjectTerms Advertisements
Advertising
advertising practices
brand culture
brand extended
branding
consumer subjectivity
consumer-brand assemblage
entanglement
Market strategy
Studies
Subcultures
Symbolism
Tattoos
Title Consumer-brand assemblages in advertising: an analysis of skin, identity, and tattoos in ads
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