Expertise in applied studio teaching: Teachers working with multiple levels of learners
One-to-one lessons are ubiquitous in music education, and thus understanding the components of effective teaching in this environment is essential for student learning. This study explored whether the teaching elements identified in previous studies were evident with applied music teachers working w...
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Published in | International journal of music education Vol. 38; no. 2; pp. 283 - 298 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
London, England
SAGE Publications
01.05.2020
SAGE PUBLICATIONS, INC |
Subjects | |
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Abstract | One-to-one lessons are ubiquitous in music education, and thus understanding the components of effective teaching in this environment is essential for student learning. This study explored whether the teaching elements identified in previous studies were evident with applied music teachers working with both college and pre-college students, and if those elements differed as a function of the level of the students. In addition, these teachers were asked to provide commentary on what they deemed important to effective studio teaching. I examined video recordings of 18 lessons given by two applied teachers who had received formal recognition for outstanding teaching. Many of the observations in this study were consistent with previous findings; however, higher rates of low magnitude positive feedback and student errors that did not elicit stops were present. One element regarding physical proximity was added. The findings indicate important differences in the way these teachers approach students at different levels, particularly regarding side coaching during performance, teacher modeling, feedback, and correction of errors. Participants also emphasized the importance of rapport and positive relationships. |
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AbstractList | One-to-one lessons are ubiquitous in music education, and thus understanding the components of effective teaching in this environment is essential for student learning. This study explored whether the teaching elements identified in previous studies were evident with applied music teachers working with both college and pre-college students, and if those elements differed as a function of the level of the students. In addition, these teachers were asked to provide commentary on what they deemed important to effective studio teaching. I examined video recordings of 18 lessons given by two applied teachers who had received formal recognition for outstanding teaching. Many of the observations in this study were consistent with previous findings; however, higher rates of low magnitude positive feedback and student errors that did not elicit stops were present. One element regarding physical proximity was added. The findings indicate important differences in the way these teachers approach students at different levels, particularly regarding side coaching during performance, teacher modeling, feedback, and correction of errors. Participants also emphasized the importance of rapport and positive relationships. |
Audience | Higher Education Postsecondary Education |
Author | Blackwell, Jennifer |
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Cites_doi | 10.1177/0305735607070385 10.2307/3345462 10.1080/03634528109378493 10.1136/bmj.311.6997.109 10.1177/875512339201000206 10.1207/s15327965pli0104_1 10.21061/jrmp.v0i0.725 10.5406/bulcouresmusedu.193.0045 10.1080/00986283.2010.510976 10.1016/S0883-0355(02)00004-6 10.1177/0255761408096071 10.1017/S026505171200006X 10.1080/14613800600957479 |
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References | Duke 2000; 143 Duke, Stammen 2011 Parkes 2010; 22 Hyry-Beihammer 2010; 12 Wexler 2008 Mays, Pope 1995; 311 Duke, Simmons 2006; 170 bibr22-0255761419898312 Duke R. A. (bibr8-0255761419898312) 1987 Hyry-Beihammer E. K. (bibr13-0255761419898312) 2010; 12 bibr14-0255761419898312 bibr1-0255761419898312 Duke R. A. (bibr11-0255761419898312) 2006; 170 bibr28-0255761419898312 Clemmons J. (bibr6-0255761419898312) 2010; 49 Nerland M. (bibr21-0255761419898312) 2002 bibr20-0255761419898312 bibr2-0255761419898312 Parkes K. A. (bibr23-0255761419898312) 2010; 22 bibr24-0255761419898312 Call R. (bibr5-0255761419898312) 2000 bibr16-0255761419898312 Duke R. A. (bibr12-0255761419898312) 2011 bibr7-0255761419898312 Bloom B. S. (bibr3-0255761419898312) 1985 Lepper M. R. (bibr15-0255761419898312) 1997 bibr25-0255761419898312 bibr17-0255761419898312 Merriam S. B. (bibr18-0255761419898312) 1998 Miles M. M. (bibr19-0255761419898312) 2014 Wexler M. (bibr27-0255761419898312) 2008 Duke R. A. (bibr9-0255761419898312) 2000; 143 Duke R. A. (bibr10-0255761419898312) 2011 bibr4-0255761419898312 bibr26-0255761419898312 |
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SubjectTerms | Adolescents Advanced Students Coaching Coaching (Performance) Error Correction Expertise Feedback Feedback (Response) Graduate Students Modeling (Psychology) Music Music Education Music Teachers Proximity Teacher Behavior Teacher Effectiveness Teacher Student Relationship Teachers Teaching Undergraduate Students |
Title | Expertise in applied studio teaching: Teachers working with multiple levels of learners |
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