Nietzsche: Bipolar Disorder and Creativity

This essay, the last in a series, focuses on the relationship between Nietzsche's mental illness and his philosophical art. It is predicated upon my original diagnosis of his mental condition as bipolar affective disorder, which began in early adulthood and continued throughout his creative lif...

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Published inIndo-Pacific journal of phenomenology Vol. 19; no. 1; pp. 51 - 63
Main Author Cybulska, Eva M.
Format Journal Article
LanguageEnglish
Published Joondalup Routledge 01.08.2019
Phenomenology Research Group
Taylor & Francis Ltd
National Inquiry Services Centre (NISC) (Pty) Ltd
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Abstract This essay, the last in a series, focuses on the relationship between Nietzsche's mental illness and his philosophical art. It is predicated upon my original diagnosis of his mental condition as bipolar affective disorder, which began in early adulthood and continued throughout his creative life. The kaleidoscopic mood shifts allowed him to see things from different perspectives and may have imbued his writings with passion rarely encountered in philosophical texts. At times hovering on the verge of psychosis, Nietzsche was able to gain access to unconscious images and the music of language, usually inhibited by the conscious mind. He reached many of his linguistic, psychological and philosophical insights by willing suspension of the rational. None of these, however, could have been communicated had he not tamed the subterranean psychic forces with his impressive discipline and hard work.
AbstractList In these instances, words form an autonomous message with its own sound and visual quality; the signifiers become the signified. [...]Spoke Zarathustra, written at a time of personal crisis, is rich in vivid imagery, and Luke (1978) observed that the same image can express several ideas, while the same idea may suggest a number of images. [...]you speak to yourself, and because of that, O my soul, you will rather smile than pour forth your sorrow . [...]someone who breaks away from custom and tradition is considered immoral, even evil. (Original work written 1883-1888 and published posthumously 1901) Nietzsche, F. (1969a). [...]spoke Zarathustra (R. J. Hollingdale, Trans.).
This essay, the last in a series, focuses on the relationship between Nietzsche’s mental illness and his philosophical art. It is predicated upon my original diagnosis of his mental condition as bipolar affective disorder, which began in early adulthood and continued throughout his creative life. The kaleidoscopic mood shifts allowed him to see things from different perspectives and may have imbued his writings with passion rarely encountered in philosophical texts. At times hovering on the verge of psychosis, Nietzsche was able to gain access to unconscious images and the music of language, usually inhibited by the conscious mind. He reached many of his linguistic, psychological and philosophical insights by willing suspension of the rational. None of these, however, could have been communicated had he not tamed the subterranean psychic forces with his impressive discipline and hard work.
Author Cybulska, Eva M.
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Cites_doi 10.1080/20797222.2008.11433959
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Snippet This essay, the last in a series, focuses on the relationship between Nietzsche's mental illness and his philosophical art. It is predicated upon my original...
This essay, the last in a series, focuses on the relationship between Nietzsche’s mental illness and his philosophical art. It is predicated upon my original...
In these instances, words form an autonomous message with its own sound and visual quality; the signifiers become the signified. [...]Spoke Zarathustra,...
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StartPage 51
SubjectTerms Bipolar disorder
Morality
Philosophers
Philosophy
Psychology
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Title Nietzsche: Bipolar Disorder and Creativity
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