The algorithm knows I’m Black: from users to subjects
In October of 2018, several Black Netflix users took to Twitter to air their grievances about images in movie thumbnails featuring Black actors with minor roles, even when the movie itself was a majority white cast. In response to these critiques, Netflix claimed that because users are not asked abo...
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Published in | Media, culture & society Vol. 45; no. 3; pp. 629 - 645 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
London, England
SAGE Publications
01.04.2023
Sage Publications Ltd |
Subjects | |
Online Access | Get full text |
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Abstract | In October of 2018, several Black Netflix users took to Twitter to air their grievances about images in movie thumbnails featuring Black actors with minor roles, even when the movie itself was a majority white cast. In response to these critiques, Netflix claimed that because users are not asked about their racial identity, it is impossible to personalize the individual Netflix experience using identity markers. This article explores the interplay between algorithmic cultures and representations of race, examining the identity and voices of users and how their agency is affected within algorithmic systems. Users are seeking agentic traction in these algorithmic spaces, and this research begins to address how Black users are positioning themselves to make sense of the digital constraints placed on them. Black subscribers of Netflix heavily critiqued the algorithms used to advertise content to them, and I examine how Netflix constructs Black users as Black subjects in order to keep them engaged with the platform. |
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AbstractList | In October of 2018, several Black Netflix users took to Twitter to air their grievances about images in movie thumbnails featuring Black actors with minor roles, even when the movie itself was a majority white cast. In response to these critiques, Netflix claimed that because users are not asked about their racial identity, it is impossible to personalize the individual Netflix experience using identity markers. This article explores the interplay between algorithmic cultures and representations of race, examining the identity and voices of users and how their agency is affected within algorithmic systems. Users are seeking agentic traction in these algorithmic spaces, and this research begins to address how Black users are positioning themselves to make sense of the digital constraints placed on them. Black subscribers of Netflix heavily critiqued the algorithms used to advertise content to them, and I examine how Netflix constructs Black users as Black subjects in order to keep them engaged with the platform. |
Author | Meyerend, Daniel |
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Cites_doi | 10.1177/01634437211053767 10.18574/nyu/9781479820375.001.0001 10.1145/2447976.2447990 10.1177/1461444816677532 10.18574/nyu/9781479888702.001.0001 10.1093/oso/9780190493028.001.0001 10.3998/mpub.9561751 10.1353/ncr.2004.0015 10.1080/08838151.2012.732147 10.1007/s10551-018-3921-3 10.1080/13504630.2015.1093469 10.1002/9781118766804.wbiect111 10.1215/9781478002239 10.1515/9781400880553-004 10.18574/nyu/9781479833641.001.0001 10.1177/01634437221077168 10.1177/1461444814538646 10.1177/1359183518820366 10.1177/0163443715594105 10.2307/j.ctvc77mp9.30 10.1177/2053951718756684 10.4324/9780203076804 10.1007/978-3-030-18400-1_26 10.1525/fq.2017.71.2.32 10.1177/0263276412439428 |
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SubjectTerms | Algorithms Black people Mass media images Motion pictures Positioning Race Racial identity |
Title | The algorithm knows I’m Black: from users to subjects |
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