Self‐Curation, Self‐Editing and Audience Construction by Eighteenth‐Century Scots Vernacular Poets
This article analyses paratextual and self‐editing practices in the work of three eighteenth‐century Scots vernacular poets: Allan Ramsay, Robert Fergusson and Robert Burns. Taking the theories of paratext articulated by Gerard Genette and J. Hillis Miller as its starting‐point, the article consider...
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| Published in | Journal for eighteenth-century studies Vol. 42; no. 2; pp. 157 - 174 |
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| Main Author | |
| Format | Journal Article |
| Language | English |
| Published |
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Wiley Subscription Services, Inc
01.06.2019
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| Abstract | This article analyses paratextual and self‐editing practices in the work of three eighteenth‐century Scots vernacular poets: Allan Ramsay, Robert Fergusson and Robert Burns. Taking the theories of paratext articulated by Gerard Genette and J. Hillis Miller as its starting‐point, the article considers the varying ways in which these three poets fashioned their own literary personae and, simultaneously, their audience, through prefaces, footnotes and glossing practice. It also explores the relationship between the three poets, analysing the ways in which Burns learned from both Ramsay and Fergusson, and how each navigated his place as poet in the literary market‐place. |
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| AbstractList | This article analyses paratextual and self‐editing practices in the work of three eighteenth‐century Scots vernacular poets: Allan Ramsay, Robert Fergusson and Robert Burns. Taking the theories of paratext articulated by Gerard Genette and J. Hillis Miller as its starting‐point, the article considers the varying ways in which these three poets fashioned their own literary personae and, simultaneously, their audience, through prefaces, footnotes and glossing practice. It also explores the relationship between the three poets, analysing the ways in which Burns learned from both Ramsay and Fergusson, and how each navigated his place as poet in the literary market‐place. Abstract This article analyses paratextual and self‐editing practices in the work of three eighteenth‐century Scots vernacular poets: Allan Ramsay, Robert Fergusson and Robert Burns. Taking the theories of paratext articulated by Gerard Genette and J. Hillis Miller as its starting‐point, the article considers the varying ways in which these three poets fashioned their own literary personae and, simultaneously, their audience, through prefaces, footnotes and glossing practice. It also explores the relationship between the three poets, analysing the ways in which Burns learned from both Ramsay and Fergusson, and how each navigated his place as poet in the literary market‐place. |
| Author | Brown, Rhona |
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| Copyright | 2018 The Authors. Journal for Eighteenth-Century Studies published by John Wiley & Sons Ltd on behalf of British Society for Eighteenth-Century Studies. 2019 British Society for Eighteenth‐Century Studies |
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| Snippet | This article analyses paratextual and self‐editing practices in the work of three eighteenth‐century Scots vernacular poets: Allan Ramsay, Robert Fergusson and... Abstract This article analyses paratextual and self‐editing practices in the work of three eighteenth‐century Scots vernacular poets: Allan Ramsay, Robert... |
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| SubjectTerms | Allan Ramsay paratext Robert Burns Robert Fergusson Scots vernacular poetry |
| Title | Self‐Curation, Self‐Editing and Audience Construction by Eighteenth‐Century Scots Vernacular Poets |
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