Abjection, Derision and Power: Writing in the Voice of the Victim in Three French Post-War Texts

Alongside the well-known narratives of the mode rétro, which returned in the 1970s to the years of war and Occupation in France, there were texts that challenged simplistic notions of guilt and innocence through a virtuoso deployment of sarcasm and derision. Romain Gary’s La Danse de Gengis Cohn (19...

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Bibliographic Details
Published inLaw, culture and the humanities Vol. 18; no. 3; pp. 557 - 575
Main Author Atack, Margaret
Format Journal Article
LanguageEnglish
Published London, England SAGE Publications 01.10.2022
Sage Publications Ltd
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