Religio-erotic Experience and Transoceanic Becoming at the Shoreline in Audre Lorde’s Zami
Abstract In her biomythographical work Zami: A New Spelling of My Name, Audre Lorde’s lover Afrekete appears as a Black queer femme who alters her sense of self and her being through religio-erotic experience. After tracing the spirit who inspired Lorde’s Afrekete throughout the Americas, I propose...
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| Published in | Journal of the American Academy of Religion Vol. 91; no. 3; pp. 680 - 697 |
|---|---|
| Main Author | |
| Format | Journal Article |
| Language | English |
| Published |
US
Oxford University Press
30.12.2023
Oxford Publishing Limited (England) |
| Online Access | Get full text |
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| Abstract | Abstract
In her biomythographical work Zami: A New Spelling of My Name, Audre Lorde’s lover Afrekete appears as a Black queer femme who alters her sense of self and her being through religio-erotic experience. After tracing the spirit who inspired Lorde’s Afrekete throughout the Americas, I propose a theory of the shoreline as a site of transoceanic becoming, or the experience of self-identification required to navigate the Western world as an African diaspora being. I focus primarily on the ontologies of Black trans and queer femmes and the unconscious yet necessary process of becoming at the intersections of existence. |
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| AbstractList | Abstract
In her biomythographical work Zami: A New Spelling of My Name, Audre Lorde’s lover Afrekete appears as a Black queer femme who alters her sense of self and her being through religio-erotic experience. After tracing the spirit who inspired Lorde’s Afrekete throughout the Americas, I propose a theory of the shoreline as a site of transoceanic becoming, or the experience of self-identification required to navigate the Western world as an African diaspora being. I focus primarily on the ontologies of Black trans and queer femmes and the unconscious yet necessary process of becoming at the intersections of existence. In her biomythographical work Zami: A New Spelling of My Name, Audre Lorde’s lover Afrekete appears as a Black queer femme who alters her sense of self and her being through religio-erotic experience. After tracing the spirit who inspired Lorde’s Afrekete throughout the Americas, I propose a theory of the shoreline as a site of transoceanic becoming, or the experience of self-identification required to navigate the Western world as an African diaspora being. I focus primarily on the ontologies of Black trans and queer femmes and the unconscious yet necessary process of becoming at the intersections of existence. |
| Author | Coleman Taylor, Ashley |
| Author_xml | – sequence: 1 givenname: Ashley surname: Coleman Taylor fullname: Coleman Taylor, Ashley email: Ashleycolemantaylor@austin.utexas.edu |
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| Cites_doi | 10.1080/00064246.2015.1080913 10.1177/0959353514563094 10.1215/9780822372622 10.1080/10894160.2015.993889 10.1353/jhs.2019.0018 10.1215/9780822390145 10.1353/book11403 10.1163/22134360-90001265 10.1215/9780822372080 10.1215/9780822386988 10.5040/9798400666322 10.5149/9781469610931_Pares 10.2307/3337805 10.4324/9781315767611 10.1353/book28073 10.1080/00064246.2019.1548055 10.1080/14769948.2021.1990498 10.3998/mpub.10257 10.1080/00064246.2019.1548058 |
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| Copyright | The Author(s) 2024. Published by Oxford University Press on behalf of the American Academy of Religion. All rights reserved. For commercial re-use, please contact reprints@oup.com for reprints and translation rights for reprints. All other permissions can be obtained through our RightsLink service via the Permissions link on the article page on our site—for further information please contact journals.permissions@oup.com. 2024 The Author(s) 2024. Published by Oxford University Press on behalf of the American Academy of Religion. All rights reserved. For commercial re-use, please contact reprints@oup.com for reprints and translation rights for reprints. All other permissions can be obtained through our RightsLink service via the Permissions link on the article page on our site—for further information please contact journals.permissions@oup.com. |
| Copyright_xml | – notice: The Author(s) 2024. Published by Oxford University Press on behalf of the American Academy of Religion. All rights reserved. For commercial re-use, please contact reprints@oup.com for reprints and translation rights for reprints. All other permissions can be obtained through our RightsLink service via the Permissions link on the article page on our site—for further information please contact journals.permissions@oup.com. 2024 – notice: The Author(s) 2024. Published by Oxford University Press on behalf of the American Academy of Religion. All rights reserved. For commercial re-use, please contact reprints@oup.com for reprints and translation rights for reprints. All other permissions can be obtained through our RightsLink service via the Permissions link on the article page on our site—for further information please contact journals.permissions@oup.com. |
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In her biomythographical work Zami: A New Spelling of My Name, Audre Lorde’s lover Afrekete appears as a Black queer femme who alters her sense of... In her biomythographical work Zami: A New Spelling of My Name, Audre Lorde’s lover Afrekete appears as a Black queer femme who alters her sense of self and her... |
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| Title | Religio-erotic Experience and Transoceanic Becoming at the Shoreline in Audre Lorde’s Zami |
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