New Media and the Permanent Crisis of Aura
Walter Benjamin is best known for his essay ‘The Work of Art in the Age of Mechanical Reproduction’, (Benjamin, 1968b) in which he argues that film and other mechanical technologies are destroying the aura that had belonged to traditional art. In this article we apply Benjamin’s concept of aura to n...
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| Published in | Convergence (London, England) Vol. 12; no. 1; pp. 21 - 39 |
|---|---|
| Main Authors | , , , |
| Format | Journal Article |
| Language | English |
| Published |
Thousand Oaks, CA
Sage Publications
01.02.2006
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| Subjects | |
| Online Access | Get full text |
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| Abstract | Walter Benjamin is best known for his essay ‘The Work of Art in the Age of
Mechanical Reproduction’, (Benjamin, 1968b) in which he argues that film
and other mechanical technologies are destroying the aura that had belonged to
traditional art. In this article we apply Benjamin’s concept of aura to
new (digital) media, and in particular to ‘mixed reality’, a
group of technologies that blend computer-generated visual, aural, and textual
information into the user’s physical environment. We argue that mixed
reality increases the options for designer-artists and apparently allows the
invocation of aura in new ways. Our culture’s pursuit of auratic
experience remains problematic in mixed reality as it was for Benjamin in the case
of film. New media maintain aura in a permanent state of oscillation or crisis, and
this crisis is a key to understanding new media. |
|---|---|
| AbstractList | Walter Benjamin is best known for his essay ‘The Work of Art in the Age of Mechanical Reproduction’, (Benjamin, 1968b) in which he argues that film and other mechanical technologies are destroying the aura that had belonged to traditional art. In this article we apply Benjamin’s concept of aura to new (digital) media, and in particular to ‘mixed reality’, a group of technologies that blend computer-generated visual, aural, and textual information into the user’s physical environment. We argue that mixed reality increases the options for designer-artists and apparently allows the invocation of aura in new ways. Our culture’s pursuit of auratic experience remains problematic in mixed reality as it was for Benjamin in the case of film. New media maintain aura in a permanent state of oscillation or crisis, and this crisis is a key to understanding new media. Walter Benjamin is best known for his essay ‘The Work of Art in the Age of Mechanical Reproduction’, (Benjamin, 1968b) in which he argues that film and other mechanical technologies are destroying the aura that had belonged to traditional art. In this article we apply Benjamin’s concept of aura to new (digital) media, and in particular to ‘mixed reality’, a group of technologies that blend computer-generated visual, aural, and textual information into the user’s physical environment. We argue that mixed reality increases the options for designer-artists and apparently allows the invocation of aura in new ways. Our culture’s pursuit of auratic experience remains problematic in mixed reality as it was for Benjamin in the case of film. New media maintain aura in a permanent state of oscillation or crisis, and this crisis is a key to understanding new media. |
| Author | MacIntyre, Blair Schweitzer, Petra Bolter, Jay David Gandy, Maribeth |
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| Snippet | Walter Benjamin is best known for his essay ‘The Work of Art in the Age of
Mechanical Reproduction’, (Benjamin, 1968b) in which he argues that film
and other... Walter Benjamin is best known for his essay ‘The Work of Art in the Age of Mechanical Reproduction’, (Benjamin, 1968b) in which he argues that film and other... |
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| Title | New Media and the Permanent Crisis of Aura |
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